Choosing which fork in the river to follow has never challenged me. I know who and what I am meant to be, what I am meant to do, where I am meant to go. I do not fear the bends and loops in the river’s path, nor even the rapids and little waterfalls. What challenges me are the artificial obstacles placed in the river: the boulders, the dams, the pollution and infrastructure poisoning the river’s clear waters and turning its natural course into a dangerous maze. How can I make choices based on what is best for me when the future is so uncertain? How can my heart run wild along its course if the way is so often barred? Not even our souls remain untouched wildland when society is so steeped in cruelty and greed.
Incorporeality will be the death of me. I have submerged myself in your world as much as I can – for twenty-one years, for seven thousand, six hundred, and seventy days, for tens of thousands of hours – but it is never enough. No matter how long I drown myself in your most potent memories, how deep I dive into your most painful emotions, somehow I always find myself back at the surface once more. No matter how vividly I can imagine you, it is not the same as truly standing in the room with you. To cup your face in my hands, to watch the grief and anger war in your eyes, to hear the tremble in your voice. Tens of thousands of hours and yet I have never touched you. Two thirds of my life and yet I cannot numb myself to the agony of empty arms and ringing silence. My imagination is powerful but even it cannot replace the way your hands grip hard enough to leave bruises and knowing I will never experience that sensation is unbearable. Yet here I am, twenty-one years later, bearing it because there is no alternative.
Daren’s presence in your life hasn’t made you give up your vices. You are no dilettante when it comes to the finer things in life but after years of living alone your standards have dropped. Amytal washed down with absinthe and a couple Black Devils for a chaser? That’s not a party, just your regular nightcap. At some point you stopped caring what you put into your body (or who) and how often. You didn’t have a future so why worry about whether you’d wake up in the morning or not? Things are different now, though, and you can’t bear to have the man you love think you have no taste.
So Daren’s presence in your life hasn’t made you give up your vices – it’s made you refine them. He makes you want to be a better man, after all, and that means raising your standards back up to where they belong. No more nightclub hookups and hardcore barbiturates, no more granite countertops scattered with used needles and burned out cigarettes, no more treating your expensive liquor like corner store beer swigged straight from the bottle. You’re a man of class with a fully stocked wet bar, a closet full of Armani, and too much money for your own good. Time to start acting like it.
Of course, being a better man also means sharing your luxury. All his life, Daren has lacked the wealth you’ve always taken for granted. How could sophistication thrive in such scarcity when the only goal was survival by any means? He is beyond survival now, though, and you take endless joy in introducing him to the finest indulgences money can buy. You worship him between silk sheets and drape him in Gucci and Louis Vitton; in the morning it’s imported coffee and cigarettes, in the evening cocktails mixed with the finest ingredients and served in crystal barware.
Not that he cares, of course. Your wealth is meaningless to Daren and your fancy gifts earn you exactly zero admiration or infatuation. That’s fine, though, because your pleasure is found in the giving itself; you take just as much satisfaction in watching your lover destroy your fine gifts as you do watching him indulge in them. Every time he stubs a cigarette out on your antique velvet furniture or uses your silk tie to clean blood from his knife, you fall a little more in love. You probably shouldn’t – you’re probably encouraging his habit of throwing crystalware at you – but you’ve never been very good at moderating your vices, have you?
You have questions, little scribe. I can tell.
I can hear the clicking of the Nameless’ long nails all around me and when She speaks I imagine, incongruously, canine jawbones clacking and grinning where they float in the head of a woman-shaped darkness. Asking questions of such an entity isn’t something I want to make a habit of, but after a hesitation I find myself saying, “Why me? I know I’m the scribe, but it doesn’t seem like you have a story to tell so I’m not quite sure why you waste your time with me. No offense.”
Every story is mine, the Nameless replies, beginning to end. Stories are chaos. Chaos drives stories. And besides, She spreads Her taloned hands wide, time has no meaning to the void. I exist everywhere and always.
“So that’s it? You just want to make sure they’re recorded?” That seems too simple – and far too benevolent for the Nameless. She likes games, after all, and She always wins. I just haven’t figured out what one we’re playing.
I don’t care about records. Your words will last only as long as the methods with which they are documented, and those methods will only last as long as technology and human civilization do. Which won’t be much longer. ‘No offense.’ She laughs, the sound echoing like flowing water in a cavern.
“Then why me?” I know I won’t get a straight answer but I can’t help asking anyway.
Oh, I’m not going to hand you all the answers, the Nameless purrs. Where’s the fun in that?
Look, I get it – I’m forgettable. It’s okay, really, it’s not like I’m trying to be memorable. I want the words to stick in your mind, not the person who recorded them. It’s just that these days if you want to sell something you create you have to sell yourself first. You gotta put yourself on display and win the masses’ affections before you win their interest. I don’t want to do that, though. I’m not a priestess dripping gold, I’m not an oracle tripping holiness, I’m just a scribe. I preserve; I don’t proclaim. I witness; I don’t wield authority. I was never meant for pomp and pageantry, that’s why I’m a scribe to the gods. Yet how else do I get people to listen to my words? I don’t need to be memorable, I don’t even need to be likable, but I need you to read my words. I need you to remember they exist if nothing else. So what do I have to do when the words aren’t enough to earn reader loyalty? Do I have to offer a pound of flesh along with them? An ounce of soul? Do I have to put on a pretty mask and play a part that isn’t mine just to get you to care about the words coming out its painted mouth?
There is a woman named Margaret. Years ago she was young, first the silky pastels of spring and then the bright jewel tones of summer. She is not young now, though, for the years of her prime are far in the past. Autumn laid hold of her for a time and she was the burning oranges and reds of its passion. Then winter came, muted blues and the white and black of bare birch trees, and Paul died.
When the flowers on the doorstep stopped arriving, and neighbors stopped dropping off lovingly prepared home-cooked meals, and the doorbell heralding another kind visitor finally fell silent for good, Margaret joined a group. There was a faded flier tacked to the supermarket bulletin board and she tore off one of the little slips on its edge that listed a date, time, and place. Tuesdays, six o’clock. Snacks will be provided.
It was a nice enough group at the start. Paul had been gone four months and in the group a man’s wife had been gone for two, a mother’s young child for three, another husband for five. Others, like Margaret, bore fresher wounds. On Tuesday evenings for exactly one hour the gathered mourners talked as they sipped instant apple cider and grainy hot chocolate from small Styrofoam cups. Winter passed like this, dreary and indistinct, and Margaret tried not to count the days.
Spring came, then. The group grew smaller. Some healed, as much as one can heal after a loss; enough, at least, to let them go back to their singular lives and move on from the group. Some just stopped coming, unable to face another’s grief head on when it stirred up their own. There was always Margaret, though, with her cup of hot chocolate or burnt coffee. Dependable, punctual Margaret.
The fleeting months of spring and summer passed, bringing autumn, bringing winter. The group changed. The old ones were gone. New ones with new stories, new tragedies, came to spill a little grief from their overflowing hearts. Margaret listened; she was good at listening. Spring. Summer. Fall. Winter. A husband gone two months. A wife gone three weeks. A trio of children, gone in an instant. Paul gone forever. Spring. Summer. Fall. Winter. She watched them come and go with the leaves.
There is a woman named Margaret. Years ago she was young but it’s hard to remember those days, the memories worn smooth by the river of time. The brokenhearted come and go, seeking comfort, giving solace. Margaret stays, finding neither. Tuesdays, six o’clock, snacks will be provided. And always there is Margaret.
They say if you have a story that needs telling, go to the Scribe. If you are willing to give your story over to them, if you will let them see or hear or experience as much of your story as possible, they will record and tell it for you. They ask no payment for this service for they are honored by your trust in their work. The Scribe will tell anyone’s story; gods and goddesses, demons and angels, spirits and creatures of every realm and type. If you will offer it, the Scribe will tell it. You do not need to be the hero of your story. You can be the villain, the victim, even just the witness, for the Scribe will not judge you. The story need not even be true for the Scribe holds truths and lies of equal value. Whenever you are ready to have your story told, the Scribe is there. They exist in every time, waiting for you to reach out – you just need to find them.
maybe he stands on the ledge so often
(just take my hand, darling)
not so you’ll come stop him from jumping
(why don’t you take mine, beloved?)
but so you’ll come give him the opportunity
(his smile a crescent moon)
to push you off
(sharp enough to cut your wrists on)
(what are you afraid of?)
I was a child who hated dresses yet wore my tangled hair so long it reached the base of my back. I performed in ballet recitals yet despised the makeup they required be plastered on my face. I loved glitter and stuffed animals and motorcycles and wooden swords. I was a princess, but I was one who could rescue herself.
I did not call myself a tomboy, though. The word fit awkwardly in my mouth even then, much like choir dresses and pink tights fit awkwardly on my chubby form. It’s only in adulthood that I understand why I hesitated to claim the label: tomboy implied girl. To be a tomboy meant to be a girl who liked boy things, who was unlike ‘normal’ girls but who still, beneath the mud and the bruises, was a girl. And I was not a girl.
I was frozen pond water. Freshly mown grass. Coyotes howling in the night. I was wild blackberries and ripe apples and library books, wood smoke and Play-Doh and agates. I was thousands of memories and sensations squashed into the jelly bean-shaped body of a human child. They might have been consolidated under a given name and assigned gender but they never truly united into one concept. Yet what child worries about such things when they’re tromping through wetlands or howling at the moon?
I’ve since shed the last of the dresses and most of my hair, and with them all the labels I once accepted (albeit with resignation) as my default. Replacing them with nothing has left me freer than since I was that blissfully unaware child. Besides, I am still her, still mushrooms and noisy crows and pressed pennies; we just understand us better now.
I am the fire; I am the bones.
I am the reed; I am the clay.
I am the ink; I am the papyrus.
No exes in my graveyard, instead I’m dogged by the ghosts of friendships abandoned, bodies left to rot where they fell in the undergrowth because neither of us bothered to give them a proper burial (can’t honestly say I even checked for a pulse before I ran, fearful of either outcome) and while watching yet another love begin its slow anemic decline I feel your specter sit beside me and I rest my head on her shoulder like it’s the most natural thing in the world.
Look, I’m just the pilot; I don’t have any control over what meatsuit I was assigned. I didn’t get to pick the make or model or color or any of that, I just operate the damn thing. It’s a machine, you know? And this one came off the factory floor full of design flaws and defects so it requires even more work than some others to keep it functioning. I try my best to maintain all the parts, I even call in a mechanic when a task’s above my skill level, but I didn’t choose this 24/7 job and I’m really not that attached to it. The meatsuit doesn’t define me. I don’t identify with any of its individual components or the composite whole. I’m the operator, separate from that which is operated. Try to remember that when you look at me; I’m stuck inside this unit but that doesn’t mean you should judge me by its appearance. After all, what am I supposed to do – trade it in for a new one?
feel like i’m going crazy, i keep seeing absent ghosts everywhere, pseudo-specters, nothing-theres, whatever you want to call them, the empty spaces of missing trees that i could swear were there this morning but are gone now this evening, it’s like the city swallowed them whole while i wasn’t looking and left behind more vacancy, more vacuum, more v o i d . . .
or maybe there was never a tree right there in the first place and i’m just too obsessed with ecocide, maybe i’m going crazy from grieving all the trees i couldn’t spare the chainsaw, whole forests weighing on my conscience, i don’t know i just swear there was a tree in that space before and now there isn’t and i’m afraid that if i look away for too long there won’t be anything green left when i turn back
My 8th zine is here to rock your world! “Turn to geology on your deathbed“ is full of poetry, prose, and hand-drawn art celebrating the nature and lamenting our role in its destruction. Topics include geology, nature, disasters, climate change, environmental justice, and the burden of being alive in such a dark time. The work here is filled with grief, rage, awe, hope, and responsibility.
As always, you can find physical and digital versions of my zines in my Kofi shop! Physical copies are just $5 plus shipping and digital versions are free/pay-what-you-want.
The wolf managed to ignore its hunger the first night but tonight it’s ravenous, so desperate for the taste of fresh meat that when it catches the scent of blood on the wind it eagerly tracks the smell through rainy back alleys and dark city streets. It’s new to the hunt but knows enough to stick to the shadows while it discerns the metallic odor beneath layers of gasoline, cigarette smoke, and exhaust. It reaches the source, a pool of fresh blood at the end of a narrow alleyway, just as a body slumps to the wet pavement.
“Oh. Hello there, lovely beast,” The pale man who stands over the discarded body licks blood from his fingers as he eyes the wolf. Its hackles rise under his flat black stare, growl rumbling out from between bared teeth – no human would dare hold a predator’s gaze so boldly. Instead of shrinking in fear the man smiles, revealing sharp canine teeth. “Aren’t you a fine one with your black fur and blazing blue eyes? Very scary.” He took a step back, gesturing with one hand to the still body. “You look hungry, though. I’m done here if you’d like the rest.”
The wolf hesitates, trying to decipher any lies through the man’s body language, to sift through his strangely indefinable scent for some hint of ulterior motive. Finding none, when the man backs up another step the wolf chooses hunger over wariness and falls upon the body, tearing into the still warm meat with relish. The stranger has disappeared by the time its hunger is finally sated.
Tanim tips his head up, surreptitiously scenting the chill evening air. This basement level apartment seems to be the place, though its unlabelled door and tightly shuttered windows certainly don’t suggest recent occupancy. His new senses haven’t failed him yet, however, so he knocks anyway. After a long moment the door cracks open and familiar dark eyes stare back at him out of a narrow, pale face. Tanim wets his lips; that hard gaze is just as inscrutable up close as it was the night before.
“Hey, I didn’t get a chance to thank you for dinner,” He holds up the bottle of obscenely expensive liquor held in his other hand and offers a tentative smile. “I thought maybe I could pay you back? My name’s Tanim.”
Those dark eyes bore into him a few agonizing seconds longer before one side of the stranger’s thin mouth lifts in the shadow of a wry smile. He opens the door wider, stepping aside and gesturing for Tanim to enter. “Daren,” he replies. “Come on in.”
Lady of Joy, your cup runneth over!
Like the Nile overflows its banks
bringing life-giving nourishment to withered crops
so your love inundates my parched soul
awakening seeds of hope within!
crow scavenges the dead
coyote devours the crow
the Circle balanced
life for a life
then coyote falls to fire and gunpowder
the Circle shattered
life taken only
for man’s boundless greed
no songs in the underworld
instead I listen
and learn the value of silence
On this longest day of the year your priestesses take to the streets to celebrate the Sun triumphant. Clad in flowing silks and precious gems, skin glowing with gold dust, they blend their voices in lilting harmony as they sing your praises. Dancers dip and weave in time to the pounding of drums; tiny bells on their ankles jingle with each minute movement. Despite the heat of the day, torchbearers carry flaming braziers into which your oracles toss incense laced with poppy and nightshade. The procession treads on rose petals thrown by the gathered crowd until the marble boulevard gleams red in the sunlight.
Finally the litter bearing your statue comes into view and the cacophony of chanting, drumming, and clapping reaches a crescendo. Here you are in all your glory, white marble form adorned in gold and shining like a beacon. The writhing incense smoke makes your placid expression appear to flicker through emotions – wrath, sorrow, regret, compassion – as if even cold stone can be moved by the prayers of the masses. Those gathered call out to you as the litter passes, giving praise and begging blessings, or bow their heads and weep for the honor of witnessing your sacred statue with their own eyes.
Only one person who serves your holiness is not at this celebration. Do you notice my absence, Lord Sun? Does it offend you? Or are you pleased at least someone holds vigil with the corpse of your slain lover? Out in the streets they rejoice the godblood dripping on your hands yet only you and I know the truth of it. Let your priestesses and oracles exult in your victory today; your scribe will do right by the fallen Moon, even if I am the only one mourning the death of darkness on the longest day of the year.
Hey everyone! My 4th zine is now available for purchase. Courting Shakespeare’s Sister: A Zine of Queer Yearning is full of very gay poetry, prose, and hand-drawn art, making it a perfect companion as we head into pride month.
I’ve also set up a Kofi to sell my zines through! All of my zines are available here in both physical and PDF form. New ones will be coming every couple of weeks. Check it out at the link below!
I’m excited to announce that I’ve been working on compiling some of my writing into handmade zines! Find physical and PDF copies for sale at my Kofi shop!
Volume 1 – Lady of Flame
The first completed zine is Lady of Flame, dedicated to the Egyptian goddess Bast. It features poetry, prose, prayers, and some other feline-themed goodies, along with my original artwork.
Volume 2 – I Am Not the Granddaughter of the Witches You Couldn’t Burn
The second completed zine is I Am Not the Granddaughter of the Witches You Couldn’t Burn, a witchcraft zine full of prose, poetry, custom sigils, and witchy art.
Volume 3 – Sacred Harlot
Volume 3 is Sacred Harlot, dedicated to the goddess Inanna. Its prose and poetry have a distinct self-empowerment theme, along with descent into the underworld.
Forgive my lack of manners, I just /devour/ poetry
can never seem to let it breathe, take a sip
roll the vintage along my pallet and
discern dimensions of linguistic terroir.
I am just so /parched/ you see
I swig straight from the bottle like a boor
each syllable sweet as honeyed wine
divine versification rejuvenation!
But then the last stanza’s been swallowed
metaphors drying on my tongue
and I’m a desert /desperate/ for a drop
pining for poetry’s reprieve once more.
In another life I might have been a priestess, but the gods I serve don’t need a temple or a following. They need their story told. They need a scribe. So here I am.
I serve the Sun and Moon. The names they chose to give me are Tanim and Daren, though you will know them under other names: Satan and Lucifer, Will and Hannibal, Patroclus and Achilles, the Oak and Holly Kings. They’ve had many names and lived countless lives. Their stories may be familiar to you as well. Life, death; love, hate; sacrifice, betrayal.
On the winter solstice the Sun will die by his lover’s hand. The Moon started this cycle eons ago, though even I could not tell you exactly why. On the summer solstice the Sun will resurrect and slay the Moon in turn. Thus the wheel of the year is greased with blood, life paid for with life, death with death. Sometimes they go to their deaths willingly; others they struggle in vain against immutable fate; but always a solstice ends with death. Even gods cannot change such things.
As their scribe I record these deaths, whatever they show me in whatever form they dictate. Between solstices I continue to write for them, memories and dreams and scenes, anything they require. There’s not much here that’s lovely or light – it’s a mythos steeped in blood, full of cruelty and heartache, but there’s beauty in it too. And love, of a complicated sort. Love that cut down the host of Heaven and slayed a Dragon on a cliff side.
Take a dip into the dark river. See what my eighteen years as scribe have produced so far.
See past solstice pieces.
See everything I have written for and about them.
See pieces written from Tanim’s point of view.
See pieces written from Daren’s point of view.
Some nights Mage lays on the bowsprit of the Jolly Roger and listens to the monsters in the deep groaning against their chains. She dangles her fingers in the icy seawater and sings them lullaby promises of wreckage and ruin. I know what it means to be confined, her songs soothe with wordless melody. I know what it means to be so full of rage, so lost in madness, and yet be denied your rightful vengeance. Hush, she croons, I will free you soon and we will break worlds beneath us. It is a promise to all the maligned beast-horrors exiled to the unkind places of the universe. It is a promise to herself.
I am a scribe without a master, an oracle without gods. How terribly embarrassing, to be fired from your soul’s work! Is there a support group for people who have been repudiated by their gods? Or am I the only person in the history of mankind useless enough to require such drastic measures? I must have deserved it; I just wish my years of loyal, if disappointing, service had merited at least a severance letter, a by-the-way email, a “don’t bother coming in on monday” text. But ghosting’s your style, I know. I can’t expect otherwise.
You will find someone new. Someone better. Perhaps you already have. I was likely a mistake, a rare poor choice on your part. You’ve chosen well before, after all: Milton; Miller; Fuller; Koja. I was surely an aberration. Maybe I had potential I never quite managed to unlock, or squandered despite your years of guidance. Maybe I peaked early and everything since has just been the slow descent to rock bottom. Who knows.
I’ll try to look at this more like an internship that came to its inevitable end and less like being fired from the only job I’ve ever had and ever wanted. I’m grateful for the experience, after all. It will look great on a resume. Maybe some lesser god with lower standards will hire me and find my work sufficient, and I will at least be engaged even if I never again feel the passion I felt when I served you. At any rate, I can always witness what your other scribes create for you and know you’re in better hands than mine. That’s what matters.
As the attendants rub scented oils into my skin, I expand my consciousness to see who will climb the mount to ask questions or beg blessings from the gods today. I see a farmer first, browned and bent from years of labor beneath the sun. His wife is barren and they wish desperately for a child of their own. I will tell him she must bathe in the river every night for an entire run of the moon, and if she does this without fail the gods will bless them with a child. I will not tell him this child will be a demigod, however, or that his life will be filled with tribulations and sorrow. That is the boy’s prophecy to seek.
Next I see a man in much regalia riding a fine steed, a contingent of soldiers at his back. Ah, a general! He wishes to know the outcome of an upcoming battle of great importance. I will tell him I see a decisive victory for his army, but that the hidden cost may be higher than his nation can afford. Drunk on the promise of conquest, he will not listen to these cautions – they never do, no matter how far they travel to hear my words. All they want is glory, fame, and riches. What matters the cost to them when they are not the ones who pay it?
Lastly I see a young woman just barely out of girlhood who travels alone from her tiny village to seek my counsel. In her pocket she carries the meager earnings she’s saved all year; coin enough, she hopes, to buy an audience with the Oracle. There is no future for her in that dreary town but marriage to a man as old as her father and a life birthing brats until she dies in childbed. She dreams I might tell her she is secretly royalty, or will be chosen by a handsome prince to become his wife and queen. I will tell her nothing, though, because we will never meet; there are bandits waiting around the next bend of the–
“Okay, how do you feel?” The massage therapist turns the lights back up. I peel open my eyes, blink up at foam core ceiling tiles. “Good,” I answer by habit, but I honestly have no idea if that’s true.
“Is this anything?” I ask
proffering a chunk of flesh
(garnet red, still warm from my depths)
but they have already turned away.
I discard it on the floor
with the others.
Now I know you are gone, truly gone
because I no longer hear your voice in my head
that subtle blade which you wielded so expertly to reopen old wounds
and when did you ever miss a chance to remind me of my failures?
It’s beyond salvage
Ashfall shrouding charred ruins
No one’s noticed yet
My love for you is a dead weight I have dragged behind me for years now, a rotting corpse I somehow convinced myself I could still revive if I just kept searching this desert for the mythical spring from which flows the water of regeneration. I just needed more time, I told myself, always just a little more time, a few more steps, another chance for redemption and reunion. Yet I have stumbled across this desert for years and still I have nothing to show for my pains but a heart nearly as desiccated as yours and no hope, no hope left at all. I do not even hallucinate your touch or your voice in my weakest moments; I have no strength to pretend you might show me such mercy. Even your corpse contrives to ever avoid my eyes.
If there is an oasis here in this wasteland, it is the wind which gently brushes my cheek and whispers with my Mother’s voice, “You owe Them nothing.” And I am incapable of feeling sorrow anymore, for you or myself, but I might be ready to feel pride. And anger.