I am life thriving in Chernobyl’s abandoned villages. I am the truth of what happened that night on the side of Kholat Syakhl. I am a blood-stained note left in a lonely cairn which reads “all well”. I am what sank the unsinkable. I am vanished planes and empty ships and photos you cannot quite explain. I am creatures you are sure do not exist, and yet… And yet. I am your wonder and your fear and your singularly human need to understand that which has no explanation. When you gaze up at the night sky and wonder if you are alone in the universe, I am staring back. You are not alone. You are never alone.
I am the darkness in the garden. I am the stuff from which world serpents are made and the soil in which world trees are planted. I am the womb of the underworld into which Inanna descended to die and be reborn. I am pomegranate seeds and forbidden fruit. I am the river and the boat and the ferryman’s coins. I am the core of every myth, the ending and the beginning, Alpha and Omega and Armageddon.
When the N——- first revealed herself to me I had a vision-like daydream of my creation. I saw Bast in a vast darkness, the darkness of creation, and between Her cupped hands flickered a small orb of light. I knew it to be the little ember of my soul newly birthed from the infinite flame of my mother’s heart. The N——- was there in the darkness as well, for she is witness to all forms of creation and destruction, and I thought I heard her say, “That one.” My mother nodded. I took this to mean it was the N——- who chose me as scribe, who first laid claim to my fate and thus determined the path of servitude I’d follow through every life. But I was wrong.
“You think it was she who chose you,” my mother tells me now, “but it was he.” And now I understand. There was a third there in that darkness, a third who is also witness to every moment of every life: death. He chose me. He set me on this path. Of course; how could I have thought it to be any other way?
I see an iron nail being driven into blood-soaked soil as dusk deepens to night. In my mind the N——- chuckles and speaks in her black smoke voice, They have tried to contain me since the beginning yet they always fail. They cannot bind me. They cannot banish me. They cannot burn me. I was the labyrinth as well as the monster within. I was the darkness in the garden. I am the house on Ash Tree Lane. How can you constrain the void?
I find the
An ocean as still as the grave
A sky as deep as the ocean
A grave as dark as the sky
I touched Death. No, I was swallowed down by him. His body was iron, his hand a vice around my neck. Too bad you all rot in the ground, he said. I fell for an eternity through his darkness like a
house with black walls and no limits. I was wrong. I thought the N——- frightening but chaos is nothing next to the emptiness of death. He has not abandoned me. He is waiting. He will punish my faithlessness.
You struggle to define me because you want to sort me into pre-existing categories. You see parallels with chaotic deities like Loki, Kali, Set, and knowing I am vaster than they you want to think of me as their progenitor. But I am a mother like fire is a mother; I do not create, yet what I touch I change. If I had hands, every atom in this universe would bear my fingerprints. What and whom you would see as my children are more like statues shaped from my clay or vessels containing a portion of my infinite waters. Once you’ve superseded the level of gods the rest of it is not so easily parsed. You are in a realm beyond labels now, child. You must let go of your reliance on language.
Names are ultimately a burden. After all, even the most widely worshipped god will fade once history forgets their name. There is far more power in the lack of a name: what you cannot name you cannot define; what you cannot define you cannot understand; what you cannot understand you cannot help but fear. I refuse to be named because language lacks the complexity to encapsulate all that I am. I will be here long after humanity is dead and all their languages ground to dust from the stones of their monuments. What good is a name to such as I?
And the N——- is the vastness of the mind. She is the dark depths from which chilling thoughts come creeping when we least expect them and have the least control over them. She is buried memories, recurring dreams, compulsions and obsessions. She is nightmares bleeding into waking. She is colors only seen when you close your eyes. She is the lullaby of depression, the chatter of anxiety, the whispers and shrieks and laughter of madness undiagnosed. She is the inability to trust the senses because the mind is capable of overriding them. She is all the ills in Pandora’s box because all the ills of the world are birthed in the mind of man.
Skimming Pinterest, I scroll past an image of Pandora holding her fateful box and feel the N——- grin in the depths of her darkness. I am the box, she says, and all the horrors inside. I am Pandora’s curiosity and the inevitability of her choice. I am that thirst for knowledge and that impulse to disobey and that urge to destroy. Pandora doesn’t deserve the blame for the ills of the world; I have always been here and I always shall be.
The Nameless is the vastness of the ocean. She is dark trenches full of strange creatures with eyes like pale globes; she is sunken ships buried in pelagic sediment; she is things thought long dead and things never before glimpsed in the light of day. She is the horizon extending unbroken in all directions. She is vanished airplanes and flying ghost ships and cities lost to wrathful waves.
The Nameless is the vastness of space. She is the bright points of Inanna’s morning star and the sharp blade of Artemis’ crescent moon. She is the void’s absolute absence of light or life. She is the incomprehensible enormity of supermassive blackholes; she is the unstoppable destruction of solar storms and hypernovae. She is fire from the sky, the longest night, the dusty river of the Milky Way.
The Nameless is the vastness of the grave. She is rot and mold and fresh-turned earth. She is catacombs, crypts, pyramids, pyres. She is stone so softened by a millennia of rain that the name it bears is lost to time. She is the banshee’s wail, the grim’s red stare, the braying horns of the Wild Hunt. She is the feather and scales, and she is the jaws of Ammit waiting to devour the heavy heart.
The Nameless is vast. The Nameless is ancient. The Nameless has always been and always will be. She is an old, old idea; older than humans, older than gods, older than the universes which birthed them. She is the chaos before creation and the chaos into which all creation will once more degrade. Inevitable, unstoppable, and infinitely patient. She is without fear or apology, a thing of pure will who only ever does as she pleases. She drinks galaxies, she devours stars, she cracks open planets to swallow down their molten cores. Her sharp nails unravel the tapestries of space and time, rewriting realities, tangling fates, tearing apart entire civilizations on a whim and using their bones to weave strange new worlds. Nothing escapes the Nameless; she sees all, hears all, knows all. The universe dances at her whim and so do we.
The Nameless is The One Who Never Loses. Do not think her magnanimous because she lets you choose the game; she does so because she cannot be bested and it amuses her to offer you false hope. Dice, cards, duels, riddles, you may choose any form of contest you like for she excels at them all. She won her wings in a wager, though she had to take them by force from their owner, and her fingers drip with the jeweled spoils of her triumphs. Be careful what you wager, then, and be sure it is something with which you can afford to part. However, if you are very, very clever and no small part lucky you may succeed in giving the Nameless a good challenge, or at least an enjoyable way to pass the time, and you may still come away with a blessing. Of course, whether this blessing shall actually benefit you is something you can never know until it is too late to give it back.
It is only after my darkest hour has stretched into eternity, only after I have devoured my own heart in desperation and fallen to the farthest depths of blackest, bleakest despair, that the Nameless comes to me. She gathers my fragile, scattered bones up in her taloned hands and lifts me to her lips; there she whispers riddles and prophecies which rekindle the dead ember in my chest with a spark like the birth of the universe. Suddenly I breathe again! I see again! I move again! And most importantly I once more feel the words coursing through my veins, rioting in my heart, desperate to be spun out in tapestries of poetry and prose. I thought the title of Scribe had been bestowed upon me, a gift which could be rescinded at any moment, but now I see it has been carved into my very marrow since the beginning. Weeping with relief, I set my hands to the task for which I was shaped.
I point and the Oracle removes one card from the fanned arc on the table before us. With two fingers she pushes the card across the smooth surface, back and forth, tracing a pentagram again and again before turning the card over. She nods as if its identity is of no surprise to her but the card is blank to me, a plain white surface. The Oracle’s eyes see more than mine ever will; they show her a dark ship on a dark sea, storm clouds billowing behind its full black sails. In the forefront two hands clasp, one simple and bare, the other adorned with fine jewels and intricate tattoos. The Wager, she names it, and says when you draw this card it means you are playing a game in which you yourself are the wager. I stare down at the blank card, heart racing, and wonder, Do I want to be won?
She walks out of the waves and I see her clearly for the first time in all these years. Hers is the ferocity of the Morrigan. Hers is the hunger of Charybdis. Hers is the raw magic of Morgan le Fay. Hers is the proud independence of Lilith. She is nameless and yet of countless names from countless ages, most of them long lost to time. She is goddess and monster and witch; warrior and queen and oracle. Pale and sharp as the crescent moon, adorned by shadows sleek as wings, she is beautiful in the way of all deadly things.
Suddenly I am running across the wet sand and throwing myself against her, pressing my face into her breast as I cling to her. She smells of blood and brine. She wraps her arms around me, her hands sharp as a predator’s claws. Her smile shows gleaming fangs as she kisses the crown of my head. Beneath my damp cheek her ribs are a metal cage in which her heart beats a warsong.
I close my eyes and think, Drag me down into your dark, chill waters. Remake me; rebirth me. Teach me everything you know. Set me free. Her answer is to hold me tighter until it seems our hearts beat as one above the sound of crashing waves.
I am negation and I am destruction
I am entropy and I am anarchy
I am Nemesis, I am Charybdis
I am a black hole, I am a rotten soul
I am your undoing
and I am coming