#2524

Pursued through a desert landscape, I try to shift the dream around me to lose my attacker but can’t take control. Next I attempt to leap into the air but the dream won’t let me use this tactic either. Desperate, I cry out for help as I run – first to Bast, then Hathor, Inanna, Venus, Isis, any goddess who will answer – yet I receive no response. The next name I call is Ma’at’s and as I do the goddess appears in the air above me, limned in blazing light. “You already have wings,” She urges me in a voice like thunder. “You just needed to use them.” 

With Her words huge golden wings unfold from where they have been wrapped around my stomach. They are long and thin like the stylized wings seen on Egyptian goddesses in ancient paintings. I launch myself into the air and suddenly I’m soaring through a vast starry night sky above ancient Egypt. I can see everything below me with brilliant clarity as if the wings have also gifted me with a hawk’s keen sight. Temples, palaces, pyramids, they all glow with the light of thousands of torches amidst a sea of velvet desert darkness. The pinpoints of fire even look like watery reflections of the stars above as they flicker and bob in the night wind. The roads and open spaces between the great structures are filled with people who cheer and bow as a long procession of royalty, court officials, and priests, headed by the Pharaoh and followed by columns of military infantry, wends down the main causeway. 

The sight below me is stunning – this is obviously ancient Kemet at its height of power and prestige, the parade a display of military might – but I don’t want the dream to end until I’ve seen one landmark in particular: the Temple of Bubastis. Beating my long wings, I rise higher and glide along the procession’s winding route. There! I spot Bast’s city nestled among its neat canals beside the Nile, firelight sparkling in the smooth waters and dancing atop the temple’s tall white walls. Per-Bast may not be as grand in stature as the pyramids I just flew over but it is by far the loveliest thing I have ever seen, a little pocket of tranquility amid the lights and noise of the other monuments.

When I’ve had my fill of the beauty below I tuck in my wings and free fall into the cool darkness of the Nile’s waiting waters.

#2523

In my dream I’m swimming through the bottom floor of a mall that once housed a gym before it sank beneath the ground. The vast rooms are empty save for a few abandoned pieces of exercise equipment and the open chain link cage where rental equipment was once stored. I’m enjoying the weightlessness of gliding through the illuminated water when I notice a man has appeared on the stairway leading up to the next floor. My heart leaps; he’s bad, I know it instinctively. I turn to search for another exit but everywhere I look more strangers appear, grinning menacingly like they know I have nowhere to run.

As the spirits close in around me, I call out “Duco viribus eicio malum!” (I expel the evil forces) but in my panic I pronounce the Latin wrong and it doesn’t work. I try calling on The Darkness, on Loki, on Nekhbet, but still the evil spirits encroach. They’re almost close enough to grab me when I yell Bast’s name and then, at a loss, simply close my eyes and scream.

Suddenly I’m transported somewhere new. I’m standing near a pillar in a huge chamber filled with banks of computers and other state-of-the-art equipment, its walls painted with elaborate Egyptian murals. Hearing footsteps approach, I duck behind the pillar and peek out to watch as a woman sits down at the computer closest to me. She’s just beautiful, tall and fit with dark caramel skin and a hooked nose over full lips. Her ebony hair is bound up in braids wrapped in the same purple fabric as Her long purple robes. She doesn’t look exactly the way I’ve pictured Her, but I still recognize my soul mother.

“I know you’re there,” Bast says, smiling as She watches me out of the corner of Her eye. She has an accent, one that sounds vaguely like African French. “You can come out.” I do so and She stands up, gesturing to one of the murals. A figure from the painting seems to glow and come to life, stepping down to become a young Egyptian woman who walks over to us. She assists Bast as the goddess uses a piercing gun to give me a daith piercing on my right inner ear, then melts back into the mural. 

Bast then asks me, “Will you accept the name Grace as a sacred name to be used between us?” I’m deeply honored, though inwardly I think the name is a funny choice since I lack grace, both the physical kind and the spiritual/moral kind. I formally accept the goddess’ offer by repeating the phrase after Her. After that, as Bast leads me to another section of the room, She says something about how there isn’t much time and She has much to teach me. She puts a garment like a lacy hooded cape over my head the color of red clay. It’s designed to look like a face stares out from the back, much like how the white spots on a tiger’s ears are supposed to look like eyes. Bast wears something similar but much finer and more intricate. 

Bast leads me out of Her chamber and suddenly we’re outside under a vast blue sky with activity all around us; people and animals and beings I can’t identify walking along wide, well-maintained dirt roads. I can see palm trees and white-painted buildings in the distance, much like paintings of ancient Egyptian cities. “What is this place?” I ask. Bast’s response sounds like “Pek (or pak) Turki.” I take this to mean this is Bast’s land in the spirit world. She says the gods are building many places like this across the realms. I ask if this is also the Land of the Dead and She says yes – and also something She refers to as “the Land of Hesitation.” 

“What does that mean?” I ask. Bast points to a place we’re approaching where a huge palace seems to be building itself out of magically levitating tiles and pillars. “That is [name forgotten]’s Palace,” She replies. I can tell by the name that this person will be a great pharaoh. “He hasn’t been born yet,” Bast continues, “but when he dies this is where he will live.” With this explanation I assume that ‘Land of Hesitation’ means a realm that contains or predicts those who will exist in the future, not just those who have already existed and died. 

Bast begins to show me some of the architecture of the palace. Her hairstyle has changed; now Her ebony hair hangs free in a long black sheet and straight cut bangs that fall just above Her expressive golden eyes. I want to ask why I’m here, especially now, but I’m too nervous in the presence of my mother goddess to interrupt. Then Her voice starts to fade and I can tell I’m losing control of the dream, starting to wake up, yet no matter how hard I try to cling desperately to my place in Her land I still end up back in my bed.

#2509

Perhaps your Notre Dame wanted to burn, did you consider that? Perhaps it was tired of its current state of existence, of the centuries of careful preservation made to ensure it never changed, never evolved, and was ready to burn and crumble and decay. Why must you rebuild it? Why must you fight to preserve everything in unchanging stasis? You humans are so frightened by any evidence of time’s passage, so petrified by the potential of losing something to the past. Why? What purpose does your fear serve but to trap you in the ever unravelling cycle of control versus chaos? You must know the chaos always wins out in the end (you do know that, right?) so why not embrace it? Why not let Notre Dame burn and celebrate the beauty of charred timbers and melted glass? You humans are so fearful and it blinds you to the true wonders of your world. It’s a shame, really. Especially given how little time you have left.

#2498

We are all fighting our own separate battles, says the Morrigan, but they are all part of the same great war. Then She cautions me, Don’t run from your battlefield in search of a fight you think is more important. How can you aid someone else in their battle if you haven’t even triumphed over your own yet? She’s right, I know She’s right, but I chafe at the waiting. For years now the Morrigan has been calling up Her warriors to wage war against the global evils of colonialism, capitalism, and fascism, and ever since I heard Her call over two years ago I’ve yearned to learn my role in Her army. It seems, though, that my assignment is still to wage the battles awaiting me on my homefront, to get my house in order before I truly become part of the Phantom Queen’s force. I’m not disappointed because I envision myself a warrior on the front lines, fighting for glory and a hero’s renown – I will happily serve in whatever capacity the Morrigan deems best for me, even if it’s on the sidelines. I’m just eager to help at all, and doing shadow work meant to reclaim my personal sovereignty just doesn’t feel like much immediate help to others. Whoever goes into battle without a clear head goes to their grave, my goddess chastises me as I brood, and I know my time in the Morrigan’s bootcamp is far from over.

#2497

Bring your queer loneliness to Bast;
She will take you in Her arms
and claim you as Her own.
Bring your queer shame to Hathor;
She will dance with you in nightclubs
and march with you in parades.
Bring your queer rage to Set;
He will guard your back
as the bricks and tear gas start flying.
Bring your queer grief to Wepwawet;
He will teach you how to carry your dead
without breaking beneath their weight.
Bring your queer love to the Netjeru;
They will embrace you, uplift you, protect you
and you will never walk alone again.

#2484

In the end it isn’t Cascadia who comes to me at all but her mother Gaia, she whose incandescence alchemizes stone into liquid, birthing a great fiery ring of volatile children. She watches with pride as they shape the landscape of her body through sudden cataclysms and eons-long processes deep within her crusts. Cascadia, Mariana, Tahoma, Krakatoa, Mazama, how they rend the brittle earth, how they sink cities beneath waves and raze them with mudflows! How they shake the very planet when they unleash their full energy! It has taken humanity thousands of years to determine how her children work such miracles and disasters, but Gaia does not mind. There is still much for them to discover about the tectonic mysteries of subduction, collision, and volcanism, still so many scientific revelations awaiting those who best understand and truly respect the awesome might of her geologic offspring. That respect serves mankind well, at least when they are willing to listen to something besides their own greed. And when they are not… well, her children are there to act in Gaia’s honor and remind mortals by whose grace they reside on her creation.

#2482

Bees bob between moss-covered statues in Gaia’s forest garden, big fat bumblebees and tiger-striped honeybees all fuzzy as dandelion puffballs. Globs of golden pollen weigh down spindly legs so they must beat their translucent wings like mad to stay aloft in the warm spring air. I hold my arms out and they gladly alight upon me by the hundreds, settling onto skin and clothing and hair; they’re light as feathers to my sturdy human frame, just ticklish as they explore this unfamiliar blossom. The bees’ droning floods my mind and vibrates down to my bones until it drowns out every dark thought, eases every tensed muscle, even soothes my aching heart. I’m one with the colony and in harmony with the secluded garden around me. I carry this precious gift from the goddess with me when I wake, the memory of bees drifting lazily through beams of sunlight like giant dust motes a balm for my weary soul when I need it most.

#2480

I’m woken abruptly in my dream by music blasting from a phone somewhere. I don’t recognize the song, though the band sounds like Wardruna and among the Norwegian I catch the singer saying “Loki Laufeyson” in the chorus. Stumbling through an unfamiliar house, I finally find the smartphone from which the song is erupting and shut it off. I’m so dizzy, though! Dizzy and tired like I can’t shake the sleep I was torn from so quickly. For a moment I sway where I stand, fighting to clear my head in the silence and force open heavy eyelids, then my legs give out and I fall to the floor. 

“Here,” instructs a harsh voice, “eat this.” A woman stands over me, holding out a stone on which herbs have been crushed into a paste. I recognize dandelion petals, maybe the bright yellow of turmeric. That voice isn’t one to disobey lightly so I lick the paste off without question. The drowsiness lifts a bit, allowing me to sit up and look at the speaker. Though She has never shown Herself to me in full, I recognize the Morrigan immediately – I would know that tall, thin form, those high cheekbones and proud hooked nose, anywhere. Her dark eyes bore into mine as if peering through clothing, flesh, and bone to lay bare my soul within. 

I try not to squirm under the goddess’s sharp gaze. She thrusts another stone at me, this one naturally curved like a shallow bowl. Water and the remains of the crushed herbs fill its small depression. “Save this,” she instructs. “Even if it tastes terrible, you need to finish it later.” Her tone is clipped with what seems like impatience so I jump up and hurry to find something in which to store the water. I only manage a small glass bowl, more ashtray-shaped than anything else and dusty with disuse, which I can tell when I bring it back is not deemed nice enough. The Morrigan scowls but allows it for now.

“You need to cut back,” She scolds instead, changing the subject. “What you consume clouds your mind, making it impossible for you to hear our messages or to channel your creativity.” She shows me a mental image of something small and triangular, like a pill. Does she mean medication is clouding my mind? Or does this symbolize something else, perhaps a detrimental habit or belief, or some player in my life whose bad influence I haven’t noticed? I think I ask the goddess if the unfamiliar force I’ve been feeling in my life lately could be a new god making themselves known to me and She says yes, perhaps. She also tells me to watch a god’s face when they speak to you, that even gods betray their emotions in their expressions and in this way you can tell if one is lying. Frustrated, I start to ask, “But what if I can’t see them?” because this new force has yet to show itself to me, but I don’t get the chance. Nor do I get the chance to ask Her who or what it was, though I’m sure She knows. The dream changes before I can say anything else and I do not see the Morrigan again.

#2478

Inanna comes to me as the Whore of Babylon, naked as the dawn with golden goblet of wine in hand. In her wake she leaves a trail of red footprints from the battlefield where she danced on her enemies’ corpses, men who thought her pendulous breasts and round hips were theirs to covet. Plump ruby lips pull back from grinning white teeth as she leans down to spear and hold my meek gaze with her gleaming starlight eyes. You owe them nothing, child, she pronounces in a voice which shakes all of existence from heavens to underworld, not gender, not desire, not beauty. You don’t owe them answers or obedience, please or thank you, respectability or humility. The goddess straightens, taking a long drink from the goblet, then licks wine off her lips like a lioness cleaning blood from her fur. She fixes me with her hard stare once more and points at me with her free hand as she adds, And you sure as fuck don’t owe them silence. Go loud.

#2473

In my dream I crush spell ingredients against my palms, selenite and lavender and something gritty like sand or charcoal, while behind me a friend whispers sacred words and rubs herbs into the skin at the base of my neck. I look up into the blue dome of the sky where a bright full moon hangs and begin to pray. As I do, a woman appears in the sky beneath the moon, her voluptuous body and flowing robes all rich shades of green; at the same time, above the moon appears the planet Saturn, as close and vibrant as the moon itself. I raise my hands, palms pressed together, and cry out to this glorious vision of Gaia who smiles down at me: Please, give me control of my dreams again, take away my fear, help me be strong! The goddess spreads her arms wide and I’m enveloped in a violet aura of holy energy, the music of birdsong filling my ears as the blessing swirls around me. When it dissipates I’m left shaking with adrenaline and awe.

#2460

“Sacrifice/Courage”

like a maiden plucking flower petals, so idly did She cast her raiment off
striding naked into the pit of the underworld, proud head held high
to welcome Her death with a queen’s grace, arms wide and eyes alight

#2453

“Devotion”

Devotion quarried the stones and raised the temples
carved the statues and gilded the icons.
Devotion preserved the myths and protected the tombs
dusted off the altars and restored the artwork.
Devotion carried their gods around the world
and devotion carries them into the future.

New Zine!

My fifth zine is now available! Worship the Monsteresses is dedicated to the monsteresses and maligned women of mythology. It explores what we can learn from their stories by tapping into the ugly parts inside us all. This zine features 22 pages of my original prose, poetry, and hand-drawn art.

PDF copies are free; physical copies are $5 plus shipping. Check it out at my Kofi!

Only Fragments Zines!

I’m excited to announce that I’ve been working on compiling some of my writing into handmade zines! Find physical and PDF copies for sale at my Kofi shop!

Volume 1 – Lady of Flame

The first completed zine is Lady of Flame, dedicated to the Egyptian goddess Bast. It features poetry, prose, prayers, and some other feline-themed goodies, along with my original artwork.

Volume 2 – I Am Not the Granddaughter of the Witches You Couldn’t Burn

The second completed zine is I Am Not the Granddaughter of the Witches You Couldn’t Burn, a witchcraft zine full of prose, poetry, custom sigils, and witchy art.

Volume 3 – Sacred Harlot

Volume 3 is Sacred Harlot, dedicated to the goddess Inanna. Its prose and poetry have a distinct self-empowerment theme, along with descent into the underworld.

#2448

“The serpent tries too hard,” the Nameless tells me as she lounges against the oscillations of Egyptian dunes. “It’s almost embarrassing. Do I strive against your desert gods each night in hopes of wresting control of the universe from their grasp? Of course not,” she pops galaxies into her mouth like hothouse grapes, “because I know, as they do, that the ultimate fate of the universe is a return to the primordial chaos from which it first emerged. It’s just a matter of time. Why rush entropy?”

She is right at home on these white hot sands, her monstrous body a black void against the dancing heat waves. In my dream last night she murmured in my ear, “We have always been here,” by which I understood she meant that this dark triad I serve – Chaos, Desire, and Death – is older than even the gods of ancient Kemet. Older than gods themselves, for they are the concepts from which gods are crafted. Thus the Nameless is part of A/pep, just as a shadow of Daren can be found in Set, a fragment of Tanim in Osiris. Their triad belongs to no single place, time, or pantheon but runs through them all, encoded like DNA in every deity that will ever exist.

“You are a slow learner,” the Nameless laughs, licking plasma off her sharp fingernails. “But you get there.”

#2438

In one of the lesser stone halls, far from anything of significance, there is a wooden door. If you step within (it is forbidden, but not impossible when the guards are on their rounds) you’ll find a small room lined with warm, richly carved wood. On a side table sits a leather-bound book, its pages filled with cramped text and beautiful illustrations. You won’t have time to fully read the tale preserved in these pages but your eyes will be drawn to the art and the captivating woman who stares back at you. Her proud features are faintly aquatic, the angles of her face sharp and predatory like a deep sea creature’s, but her luminous eyes hold only a fathomless sorrow. Merrowyn, the text calls her. She is queen and goddess both to her people.

You won’t have much time before the guards catch you, so hurry through the next door. In this larger chamber you’ll find something that seems both museum and mausoleum. It is an exhibit of sorts, at any rate, though one not meant for your eyes. Here beneath glass lay the only remaining artifacts of the civilization that once ruled these lands. Paintings, pottery, fragments of scrolls; someone has even sculpted life-sized statues to capture the image of these extinct people forever. They are blue-skinned and amphibious like their goddess, some with gleaming iridescent scales or ridges of fins, little barnacles dotting their elders like liver spots. It’s clear they were a peaceful people; they dressed in flowing cloth, wove seashells and gems into their long locks, and none pictured seems to bear a weapon. From a speaker somewhere overhead their only remaining song plays, a mournful dirge moaned by a chorus of haunting voices in a language long dead. You can’t possibly know the words and yet they will make you want to weep anyway.

Having seen this, will you understand? Will you comprehend the bones on which your kingdom was built and the destiny they’ve kept from you all these years? You must because the guards will be coming, they will find you here in this forbidden place, your mind full of this forbidden knowledge, and you had better have a plan. Merrowyn’s blood runs in your veins, after all, and you are her people’s last hope.

#2434

In my dream, myself and two girls were led to a room where women in beautiful robes crafted elaborate porcelain masks. One of the women sat us at an empty table amid the group and served us tea in delicate china cups. Just one sip of tea sent us all into some sort of trance state and it suddenly seemed as if my face was submerged in a pool or bowl of bright water, yet I could still breathe easily. 

I blinked and then before me in the water I saw the square of a great ancient city. Where the branching streets met in the center of the square stood what looked like a big fountain, though I couldn’t make out its shape. Then it moved and I realized it was a living statue in the shape of a lioness with white marble skin. The statue sat up, golden eyes blazing out of a lean face, and then on its head raised up a white serpent with matching gold eyes. I recognized Her immediately – my mother, the goddess Bast. Identical statues on either side which I had not noticed moved as well to mirror the pose of this one. Then another feline head, far larger, rose in the sky above the middle statue. Its eyes were as big and as bright as the sun; they were the sun. I knew then this was Bast, yes, but specifically the royal Bast, Bast as the Eye of Ra, the blazing sun, Queen of the Gods crowned in the sun disk and uraeus. I think I was crying from happiness, honored to receive a visit from Her in a dream. 

The image faded and in the water I saw next the sweet, smiling face of a domestic cat. The little cat said something like, “You see but you don’t understand. Understand.” It was ‘understand’ with the implication of trust, though, like I can see the truth of divinity but I’m not letting myself trust enough to embrace it fully, or to trust that it’s meant for me, and that’s blocking my ability to fully grasp the gods’ messages. Something like that. I just felt so much love from Her, filling and overflowing every corner of my being. Then the trance state lifted and I was back in the room with the mask-makers. The other girls were too. We looked at each other in wordless wonder for what we each had separately experienced, tears streaming down our faces, then hugged each other tightly. The woman who had served us the tea smiled and escorted us out.

#2427

“Incitement of the Morrigan”

Warriors, why do you let your weapons fall?
A battle lost is not yet a battle done!
Does the outnumbered wolf bare her throat
to await the killing bite? Never!
She fights until her very last breath
no matter how much blood she’s lost
or how her vision darkens!
Her snapping jaws are ever at the ready
to take one final foe down with her.
Pick up your blades, warriors;
fight with every heartbeat left!

#2420

When your raging heart demands justice
and you can stomach no more sour lies
cry out to the Goddess.

Hers are the swift claws of judgment.
Hers are the red teeth of retribution.
Hers is the molten heart of the sun
that annihilates all shadow.

Even Ra the Great and Powerful
sends forth His bright-burning daughters
when evil demands holy reckoning.

#2419

This January marks six years since Bast called me to begin walking Her path. Like a kitten first opening its eyes to glimpse the warm presence which has nurtured it from birth, comprehending now that Mother is an entity unto itself, so I went from stumbling agnosticism to sudden unwavering faith. With eyes wide open I saw so clearly all which had seemed before too good to be true; spirits, magic, witchcraft, other realms, and of course the gods.

Bast kindled my conscious spiritual journey that year. Under Her patient tutelage I waded into the waters of polytheism and the modern pagan community. Though I had long believed in “something”, even felt as if that something watched over me, only now did I have a name and established frameworks to build from. There was so much to learn! So much to unlearn! I felt every bit the uncoordinated kitten, yet an uncoordinated kitten who could take chances and make mistakes in the safety of mother’s watchful presence. 

Other gods came in time – Inanna, Wepwawet, the Morrigan, Hathor – and their paths often required more focus than Bast’s, yet She remained always at my side. Even in my deepest depression, when I questioned not just the existence of the gods but the very concept of the soul and all that animated the universe, still I felt Her beside me in the darkness. I could not doubt Her existence when Her inextinguishable flame burned in my own chest. I am a child of Bast; it was She who shaped my soul into existence and it will bear Her mark for eternity.

So here I am, six years along on a journey I never imagined I’d take. My spirituality threads through every aspect of my life and plays a major role in all that I do. I am many things now – proud kemetic, proud polytheist pagan, proud witch – and no longer the uncoordinated kitten, though neither am I yet the confident adult. I’m still learning and unlearning, making mistakes, discovering new paths and identities. Through it all Bast is here to guide me and I remain so honored, so humbled, to walk Her path and do Her work in this world.