They will never believe you, just like they never believed poor Cassandra. Except in her case it was the curse’s fault; what convenient excuse do you have? No god-given curse, no fatal prophecy, no unavoidable destiny. Nothing to fall back on but your own shortcomings. And at least Cassandra knew she was telling the truth, even if no one believed her. That was surely some small comfort in the end. Do you know if you’re telling the truth? Do you know if any of this is even real? Maybe no one believes you because they know it’s bullshit. Or maybe… maybe no one believes you because no one’s listening in the first place. Even mad Cassandra didn’t have that problem. How pathetic.
We are corpses rotting together; perhaps that’s why we work so well. A corpse isn’t interested in improvement, it cares little for change, it has no expectations. A corpse is content to slowly decompose into nothingness. Why not do so in the company of another if they too are content with dissolution? We corpses understand one another, you see. We are meant only to rot, and so only rot shall we.
They say the world of the dark sisters is all shadow and that is why only in the light of moon or flame may they appear in ours. If that were the case, I would never spend a moment in daylight again. I would shun the day and wake only once moonlight or candlelight could call you forth. I would only ever want you by my side, even if that meant I’d never feel the warmth of the sun again. Your presence would be worth any sacrifice. I would wait every day, every night, every heartbeat for you to step forth from your dark world. No matter how long it might take, I would wait. I will wait. I am here. Sister, will you join me?
It has been a very long time since Mage worked to create, not destroy. Seeing the fruits of a day’s labor in trees planted or bricks laid, not in buildings destroyed or ships burned, feels strange indeed. Satisfying, yet strange. The work could be done faster and easier with magic, but she finds solace in the sweat and blood of manual labor. Dirt under her nails, leaves in her hair, it’s all so delightfully mundane. When did Mage last have a true place to call her own? A home to tend with mindful love, and no threat of it being ripped away? She had long ago forgotten what “home” really meant. She is slowly relearning its meaning here on Liberty. Mage is the Wanderer, the Exile Queen, no more.
The hook is not a tool of creation, though. While it can be bent to any task, its true dark nature bleeds through when used for good. She gardens and her clawed right hand leaves the soil slightly parched; she builds and a little stone flakes away with every touch; she cooks and the taste of char seeps into everything she makes. The effects aren’t devastating, it’s true, yet they rankle her, sour her every accomplishment. She does not speak of it with Alice, however. Mage accepts this burden as payment for the ruin she inflicted with the hook, a fitting penance now that she wishes more than anything to be rid of the damned weapon.
What will be will be, she tells herself. She tries to take one day at a time now, and that too is strange yet satisfying.
I am negation and I am destruction
I am entropy and I am anarchy
I am Nemesis, I am Charybdis
I am a black hole, I am a rotten soul
I am your undoing
and I am coming
Star-crossed lovers? What a bullshit concept. What is so romantic about the idea of two people the universe has chosen to especially fuck over? Why do we idolize the ill-fated as if the poignancy of their doom somehow outweighs in value the happiness of which they were robbed? I can assure you, there’s nothing romantic about losing your lover to violence or madness or a disease which rots them from the inside out. Nor is there anything particularly romantic about knowing you are helpless to change this fate no matter how many times you play it through. I would trade our thousand lifetimes of misery for one lifetime – no, one year, one month, one fucking day – of simple peace without the end looming near. I do not find our doom sexy or exotic or poetic. I find it merely wearying. But please, by all means, continue glorifying the tragedy of others.
It was never about the girl or her grandmother or even the woods; all that was incidental. It was always about the wolf and the hunter. They are brothers, after all, twin apex predators caught in the same orbit. Only one may rule the forest at a time and so the dance continues as the sun and moon revolve endlessly overhead. On another day it might have been the hunter who caught Little Red unawares and the wolf who came to the rescue just to rob his enemy of a nice meal. After all, are they really so different? When you’re walking along the forest path and hear the snapping of a twig, can you tell what manner of monster follows you from the shadows? And does it even matter once you’re sitting in its stomach?