my body is a nuclear reactor in which I alchemize grief into rage // shedding as hazardous byproducts unstable atoms of // anxiety, compulsion, paranoia // which I store away deep in my belly where they // cannot leak out and harm innocent bystanders // or worse yet, embarrass me // but such transformation requires a complex and delicate machine // and I am only one person // the lights in the monitoring panels start to blink and // I am only one person // the alarms on the walls start to shrill and // I am only one person // an explosion rocks my core and as everything goes dark I am // only one person
Look, I get it – I’m forgettable. It’s okay, really, it’s not like I’m trying to be memorable. I want the words to stick in your mind, not the person who recorded them. It’s just that these days if you want to sell something you create you have to sell yourself first. You gotta put yourself on display and win the masses’ affections before you win their interest. I don’t want to do that, though. I’m not a priestess dripping gold, I’m not an oracle tripping holiness, I’m just a scribe. I preserve; I don’t proclaim. I witness; I don’t wield authority. I was never meant for pomp and pageantry, that’s why I’m a scribe to the gods. Yet how else do I get people to listen to my words? I don’t need to be memorable, I don’t even need to be likable, but I need you to read my words. I need you to remember they exist if nothing else. So what do I have to do when the words aren’t enough to earn reader loyalty? Do I have to offer a pound of flesh along with them? An ounce of soul? Do I have to put on a pretty mask and play a part that isn’t mine just to get you to care about the words coming out its painted mouth?
what a pink-fleshed thing I am
all soft meat and squinting eyes
flinching at every sudden sound
out in the world I am horribly exposed
clothes offer no comfort from others’ perception
buildings no shelter from the world’s ugliness
only in my home biome am I safe
armored by evergreens and blackberries
secure in my shelter of seawater and songbirds
yet as glaciers melt and wildfires rage
and every day the chainsaws close in
I feel the cracks in my shell spreading
the beast inside me isn’t dumb
it smells the burning, it knows
its forest home has been razed
and that you come for it next
“In this metaphor I am the shattered sword you didn’t need”
I am happy ending intolerant
final kisses curdle my stomach
burn the back of my throat.
I politely excuse myself
go sit on the toilet, head thrown back
eyes wide so the tears can’t spill.
Did you think you were like them?
Did you forget for a moment that this story isn’t for you, either?
Save the cat, kiss the princess, roll credits
I am so envious it hurts.
Catra the war criminal redeemed and forgiven
Carmilla the vampire blessed with a heartbeat
I, the asexual, still more monster than them both.
Acute pain is a problem of the present but chronic pain is a problem of the future. If I go to this event, will the length of time give me a headache? Or the human interaction? The bad weather? What about the lack of accessible bathrooms or the food provided, will it give me a stomach ache? Will the physical exertion trigger my carpal tunnel syndrome? Will I be in so much pain that I want to go home early but can’t? And if so, will the pain be worth it or will I be too miserable to appreciate the experience? If I bail, though, will everyone be mad at me? Will I be a disappointment? Every future event and upcoming activity triggers the anxiety loop again: fear shame guilt, fear shame guilt, fear shame guilt, an endless repetition of dread for the future. And what does the anxiety even solve? Does the prevention of future pain guarantee an end to the pain? Unlikely. Does it even guarantee a lack of pain on the day of the missed event? Of course not. So what’s the point? Fear shame guilt. Fear shame guilt. Fear shame guilt. It solves nothing but you can’t break free.
Can I tell you a secret?
(Of course I can; I’m a writer.)
Sometimes when the hostile dead come
whispering their insidious lies
encroaching on my dreams
testing the limits of my strength
(and my stupidity)
I’m honestly just grateful
someone sought me out.
feel like i’m going crazy, i keep seeing absent ghosts everywhere, pseudo-specters, nothing-theres, whatever you want to call them, the empty spaces of missing trees that i could swear were there this morning but are gone now this evening, it’s like the city swallowed them whole while i wasn’t looking and left behind more vacancy, more vacuum, more v o i d . . .
or maybe there was never a tree right there in the first place and i’m just too obsessed with ecocide, maybe i’m going crazy from grieving all the trees i couldn’t spare the chainsaw, whole forests weighing on my conscience, i don’t know i just swear there was a tree in that space before and now there isn’t and i’m afraid that if i look away for too long there won’t be anything green left when i turn back
After a night spent tossing and turning, grieving the endless noise of humanity and the oppressive heat of summer, the pale September dawn extends a peace offering of thin fog hovering over dewy fields dotted by stands of evergreens and clusters of sleepy cows. This isn’t quite reconciliation – evening traffic will still clog the city’s arteries with exhaust fumes and once white-capped mountains are still disturbingly barren – but perhaps it can serve a noble purpose anyway. Whether it’s a true promise of approaching autumn or only the last vestiges of that dying liminal season, soon to go the way of Tahoma’s dwindling glaciers, I take the gift for what it’s worth and tuck it behind my sternum for safe keeping. Some future night when I’m half mad with mourning all we’ve ruined in the name of progress I’ll pull this memory out and wrap it ’round myself like a blanket, breathing in the scent of damp soil until I finally fall asleep.
everything I write that is not about you is a stop-gap measure to stave off starvation, I finished the last of the spoiled canned goods and am resorting now to gnawing the tough leather of my boot soles, and if this continues much longer all they will find of me are scattered white bones, the smooth calcium marred by the serrations of my knife
I’ve carried the burden of extinction on my shoulders since I was a child, haunted by the sacred spirits of panthera uncia, tigris, and leo, by puma concolor and acinonyx jubatus, by the wailing specters of the burning Amazon and the melting Arctic. Even then I saw the irreversible trajectory of our folly and in the years since no amount of hope in mankind nor faith in divinity could shake that nihilistic certainty. I do not need cursed Cassandra’s terrible gift to know we crossed the point of no return long ago; we will never invent a technology capable of undoing the evils mankind has wrought, and certainly not in time to reverse the mass death we’ve set in motion. Even my childself, full of the dreams and promises of youth, understood the planetary genocide to which she’d bear witness in her lifetime.
Yet as I drown in grief I must remember my own words: turn to geology on your deathbed, it is the only science that can save you. When the ocean is clotted with orcinus orca’s ghosts and plastic shopping bags, it will still wear away continents and heave forth cataclysmic waves. When the mountains are littered with canis lupus corpses and abandoned solar panels, they will still cleave the sky and bury empty cities in eruptions of ash and mud. When every living thing is dead and we have finally committed the last of our species’ incomprehensible crimes, the earth will still remain. The planet will continue its endless cycles of upheaval and erosion, rupture and subduction, its titanic geologic metamorphosis, as if we had never been. Earth, at least, we cannot truly kill, no matter how hard we try.
you ask why I rage
while you toss the leavings
from your chainsaws
on my fires
Beyond rock bottom is the void
waiting to wrap you in chaos.
She is not capable of love;
isn’t that comforting?
What newborn pup could tell
sweet milk from sour
fresh meat from rotten?
I, too, long
to bite the hand that fed me
knowing what I know now.
I am a fragile thing
bone and soft meat
like a mollusc shell I fold over the words inside me
and think, I will protect you
I was drowning. Pandemics, wildfires, depression, abandonment, grief, grief, grief. The sky is red and the air is toxic. I was so deep in the well I was sure this time I truly wouldn’t be able to climb back out. I thought this was something from which there was no return. So I begged. Send me something, anything, please.
Hetheru sent a bright sunflower growing straight out of a concrete barrier in the middle of the interstate. Wepwawet sent a bright-eyed and bushy-tailed coyote dashing in front of my car, apparently running late to an early morning meeting. Bast sent a sweet old cat named Oreo whose eyes held the piercing gaze of my mother goddess as I drove past his home. The Morrigan sent ravens and crows and ospreys and scrub jays. And my father sent the Green Weenie, a bright green Plymouth Road Runner with a black racing stripe, a car he sold over twenty years ago, a car I have not once seen since the day someone else drove it out of our yard when I was, what, ten? eleven?, but there it was, right on the waterfront happy as you please as if it’s been living beside me all these years just waiting to show up when I needed it most. I’d been thinking as I drove home from work, I should have done more in those last few days, those last hours, why didn’t I do more? Why didn’t I beg him to stay? What would he say to me now, about his final moments on earth? Is he mad I didn’t try harder? and there the car was around a bend in the road, just minutes from my house, to tell me he loved me and that after thirteen years I needed to finally forgive that child who could not have known she would lose the person she loved most. That car told me he was proud of me for the work I’m doing, serving my state during these disasters and striving to mitigate the ones to come. That car told me to breathe, to rest, to give myself a goddamn break.
Have faith, my gods, my guides, told me. Be kind to yourself. We’re here.
Resurrected by the dying light and trailing the dirt of your grave pit, my corpse once more takes up its patrol. The alley; the living room; the bedroom; the roof. Finding no evidence of habitation, not even a drop of blood or the faint linger of cigarette smoke, it returns once more to the alley to start the round over again. Driven by duty to the approaching solstice, it will continue this pointless vigil no matter how much dust accumulates as proof of your final abdication. Such a dumb, brute thing! It simply cannot comprehend that you are never coming back. Yet I suppose I should not blame it – your instructions are carved into its bones, woven into its muscles, encoded in its cells. Even in death my poor corpse knows no rest and will limp along until its rotting limbs can carry it no longer. Foolish thing. Look what loyalty earned you.
“Is this anything?” I ask
proffering a chunk of flesh
(garnet red, still warm from my depths)
but they have already turned away.
I discard it on the floor
with the others.
look into my eyes;
how can you not see I am
Alexandria’s charred skeleton
Delphi’s discard, Pompeii’s corpse-hollows
a husk of a revenant vomiting
endless bean sí grief-wail?
HOW CAN YOU NOT SEE I AM
A THING ALREADY DEAD?
You will survive this
the Morrigan pronounces
staring into my dull eyes
bone shards and congealing blood
you took everything)
but the words are no kindness
only Her battlefield prophecy
impassive and immutable
Now I know you are gone, truly gone
because I no longer hear your voice in my head
that subtle blade which you wielded so expertly to reopen old wounds
and when did you ever miss a chance to remind me of my failures?
I watch my state burn
Blood sacrifice to hubris
And can do nothing
He eats my sweetbreads raw
garnished with the blood of the lamb
The mercy of cannibalism
a blessing from Satan himself
It’s beyond salvage
Ashfall shrouding charred ruins
No one’s noticed yet
My muses dumped me
How embarrassing is that?
Rats flee sinking ships
My love for you is a dead weight I have dragged behind me for years now, a rotting corpse I somehow convinced myself I could still revive if I just kept searching this desert for the mythical spring from which flows the water of regeneration. I just needed more time, I told myself, always just a little more time, a few more steps, another chance for redemption and reunion. Yet I have stumbled across this desert for years and still I have nothing to show for my pains but a heart nearly as desiccated as yours and no hope, no hope left at all. I do not even hallucinate your touch or your voice in my weakest moments; I have no strength to pretend you might show me such mercy. Even your corpse contrives to ever avoid my eyes.
If there is an oasis here in this wasteland, it is the wind which gently brushes my cheek and whispers with my Mother’s voice, “You owe Them nothing.” And I am incapable of feeling sorrow anymore, for you or myself, but I might be ready to feel pride. And anger.
You can’t publicly mourn anymore. Not really. You can’t claw at your skin or tear out your hair. You can’t howl and beat your breast. Polite society demands we tame our grief into dry-eyed stoicism or silent, stately tears. Lacking an outlet, I settle for picking at scabs that never heal and pulling out my eyebrows until my fingers ache, but it’s never enough. They call it dermatillomania and trichotillomania because if you do this to yourself there must be something clinically wrong with your mind. I think a more accurate term, if one is so necessary, would be obsessive compulsive mourning. Can we be blamed, though, given the state of the world? We’re drowning in grief and our bodies long for the catharsis of mindless animal exertion. Some sorrow you can only release in screams so loud they leave you voiceless. Some rage you can only set free by clawing it out of your flesh with your own fingernails. Some mourning only heals when you are surrounded by others who wail and rend with you. There’s solace to be found in the ugly, violent mourning of our ancestors – but instead we cage the misery inside ourselves, where it rots us slowly from within.
You are more death than desire. Why does that surprise you?
Every time I feel the knife twist I see your smile in the darkness like the thin blade of the crescent moon. You are clearest to me in these moments where self-loathing bridges the gap between us, and though I know you cannot be trusted I listen still to your soothing cruelty. You are honest, at least, and there is comfort in your lack of platitudes or promises. Or maybe I just appreciate your attention.
Oh wise Anup who weighs the hearts of the dead, how heavy mine feels today! Be gentle as you hold it else I am sure it will burst from sorrow. How can any heart which beats in these dark times remain lighter than a feather? How can any empathetic heart not soak up all this pain? Even ravenous Ammit would spit out my heart, bitter as it is! Oh chief healer, I beg you take your sharpest knife and lance my septic heart so I may bleed out this toxic isfet. Empty my heart of this impotent rage and never-ending grief, that I may refill it with love and peace!
Sometimes I manage to forget
(Just for a moment)
That I’m a shitty friend
And a shitty employee
And a shitty wife
And a shitty daughter
But then the knives come out and I remember again.
They’re a kindness, really;
If I get too comfortable I might start liking myself,
And we can’t have that, can we?