everything I write that is not about you is a stop-gap measure to stave off starvation, I finished the last of the spoiled canned goods and am resorting now to gnawing the tough leather of my boot soles, and if this continues much longer all they will find of me are scattered white bones, the smooth calcium marred by the serrations of my knife
I’ve carried the burden of extinction on my shoulders since I was a child, haunted by the sacred spirits of panthera uncia, tigris, and leo, by puma concolor and acinonyx jubatus, by the wailing specters of the burning Amazon and the melting Arctic. Even then I saw the irreversible trajectory of our folly and in the years since no amount of hope in mankind nor faith in divinity could shake that nihilistic certainty. I do not need cursed Cassandra’s terrible gift to know we crossed the point of no return long ago; we will never invent a technology capable of undoing the evils mankind has wrought, and certainly not in time to reverse the mass death we’ve set in motion. Even my childself, full of the dreams and promises of youth, understood the planetary genocide to which she’d bear witness in her lifetime.
Yet as I drown in grief I must remember my own words: turn to geology on your deathbed, it is the only science that can save you. When the ocean is clotted with orcinus orca’s ghosts and plastic shopping bags, it will still wear away continents and heave forth cataclysmic waves. When the mountains are littered with canis lupus corpses and abandoned solar panels, they will still cleave the sky and bury empty cities in eruptions of ash and mud. When every living thing is dead and we have finally committed the last of our species’ incomprehensible crimes, the earth will still remain. The planet will continue its endless cycles of upheaval and erosion, rupture and subduction, its titanic geologic metamorphosis, as if we had never been. Earth, at least, we cannot truly kill, no matter how hard we try.
you ask why I rage
while you toss the leavings
from your chainsaws
on my fires
Beyond rock bottom is the void
waiting to wrap you in chaos.
She is not capable of love;
isn’t that comforting?
What newborn pup could tell
sweet milk from sour
fresh meat from rotten?
I, too, long
to bite the hand that fed me
knowing what I know now.
I am a fragile thing
bone and soft meat
like a mollusc shell I fold over the words inside me
and think, I will protect you
I was drowning. Pandemics, wildfires, depression, abandonment, grief, grief, grief. The sky is red and the air is toxic. I was so deep in the well I was sure this time I truly wouldn’t be able to climb back out. I thought this was something from which there was no return. So I begged. Send me something, anything, please.
Hetheru sent a bright sunflower growing straight out of a concrete barrier in the middle of the interstate. Wepwawet sent a bright-eyed and bushy-tailed coyote dashing in front of my car, apparently running late to an early morning meeting. Bast sent a sweet old cat named Oreo whose eyes held the piercing gaze of my mother goddess as I drove past his home. The Morrigan sent ravens and crows and ospreys and scrub jays. And my father sent the Green Weenie, a bright green Plymouth Road Runner with a black racing stripe, a car he sold over twenty years ago, a car I have not once seen since the day someone else drove it out of our yard when I was, what, ten? eleven?, but there it was, right on the waterfront happy as you please as if it’s been living beside me all these years just waiting to show up when I needed it most. I’d been thinking as I drove home from work, I should have done more in those last few days, those last hours, why didn’t I do more? Why didn’t I beg him to stay? What would he say to me now, about his final moments on earth? Is he mad I didn’t try harder? and there the car was around a bend in the road, just minutes from my house, to tell me he loved me and that after thirteen years I needed to finally forgive that child who could not have known she would lose the person she loved most. That car told me he was proud of me for the work I’m doing, serving my state during these disasters and striving to mitigate the ones to come. That car told me to breathe, to rest, to give myself a goddamn break.
Have faith, my gods, my guides, told me. Be kind to yourself. We’re here.
Resurrected by the dying light and trailing the dirt of your grave pit, my corpse once more takes up its patrol. The alley; the living room; the bedroom; the roof. Finding no evidence of habitation, not even a drop of blood or the faint linger of cigarette smoke, it returns once more to the alley to start the round over again. Driven by duty to the approaching solstice, it will continue this pointless vigil no matter how much dust accumulates as proof of your final abdication. Such a dumb, brute thing! It simply cannot comprehend that you are never coming back. Yet I suppose I should not blame it – your instructions are carved into its bones, woven into its muscles, encoded in its cells. Even in death my poor corpse knows no rest and will limp along until its rotting limbs can carry it no longer. Foolish thing. Look what loyalty earned you.
“Is this anything?” I ask
proffering a chunk of flesh
(garnet red, still warm from my depths)
but they have already turned away.
I discard it on the floor
with the others.
look into my eyes;
how can you not see I am
Alexandria’s charred skeleton
Delphi’s discard, Pompeii’s corpse-hollows
a husk of a revenant vomiting
endless bean sí grief-wail?
HOW CAN YOU NOT SEE I AM
A THING ALREADY DEAD?
You will survive this
the Morrigan pronounces
staring into my dull eyes
bone shards and congealing blood
you took everything)
but the words are no kindness
only Her battlefield prophecy
impassive and immutable
Now I know you are gone, truly gone
because I no longer hear your voice in my head
that subtle blade which you wielded so expertly to reopen old wounds
and when did you ever miss a chance to remind me of my failures?
I watch my state burn
Blood sacrifice to hubris
And can do nothing
He eats my sweetbreads raw
garnished with the blood of the lamb
The mercy of cannibalism
a blessing from Satan himself
It’s beyond salvage
Ashfall shrouding charred ruins
No one’s noticed yet
My muses dumped me
How embarrassing is that?
Rats flee sinking ships
My love for you is a dead weight I have dragged behind me for years now, a rotting corpse I somehow convinced myself I could still revive if I just kept searching this desert for the mythical spring from which flows the water of regeneration. I just needed more time, I told myself, always just a little more time, a few more steps, another chance for redemption and reunion. Yet I have stumbled across this desert for years and still I have nothing to show for my pains but a heart nearly as desiccated as yours and no hope, no hope left at all. I do not even hallucinate your touch or your voice in my weakest moments; I have no strength to pretend you might show me such mercy. Even your corpse contrives to ever avoid my eyes.
If there is an oasis here in this wasteland, it is the wind which gently brushes my cheek and whispers with my Mother’s voice, “You owe Them nothing.” And I am incapable of feeling sorrow anymore, for you or myself, but I might be ready to feel pride. And anger.
You can’t publicly mourn anymore. Not really. You can’t claw at your skin or tear out your hair. You can’t howl and beat your breast. Polite society demands we tame our grief into dry-eyed stoicism or silent, stately tears. Lacking an outlet, I settle for picking at scabs that never heal and pulling out my eyebrows until my fingers ache, but it’s never enough. They call it dermatillomania and trichotillomania because if you do this to yourself there must be something clinically wrong with your mind. I think a more accurate term, if one is so necessary, would be obsessive compulsive mourning. Can we be blamed, though, given the state of the world? We’re drowning in grief and our bodies long for the catharsis of mindless animal exertion. Some sorrow you can only release in screams so loud they leave you voiceless. Some rage you can only set free by clawing it out of your flesh with your own fingernails. Some mourning only heals when you are surrounded by others who wail and rend with you. There’s solace to be found in the ugly, violent mourning of our ancestors – but instead we cage the misery inside ourselves, where it rots us slowly from within.
You are more death than desire. Why does that surprise you?
Every time I feel the knife twist I see your smile in the darkness like the thin blade of the crescent moon. You are clearest to me in these moments where self-loathing bridges the gap between us, and though I know you cannot be trusted I listen still to your soothing cruelty. You are honest, at least, and there is comfort in your lack of platitudes or promises. Or maybe I just appreciate your attention.
Oh wise Anup who weighs the hearts of the dead, how heavy mine feels today! Be gentle as you hold it else I am sure it will burst from sorrow. How can any heart which beats in these dark times remain lighter than a feather? How can any empathetic heart not soak up all this pain? Even ravenous Ammit would spit out my heart, bitter as it is! Oh chief healer, I beg you take your sharpest knife and lance my septic heart so I may bleed out this toxic isfet. Empty my heart of this impotent rage and never-ending grief, that I may refill it with love and peace!
Sometimes I manage to forget
(Just for a moment)
That I’m a shitty friend
And a shitty employee
And a shitty wife
And a shitty daughter
But then the knives come out and I remember again.
They’re a kindness, really;
If I get too comfortable I might start liking myself,
And we can’t have that, can we?
You will never be enough, you say, and I feel the truth of it like an ache in my bones. Perhaps this is why I feel such kinship with you. Is it possible we, two people who are each lacking so much, could together make a whole of true value? Of course not, and your mocking smile cuts through my hope like a fine blade. Yet I can almost feel your hand at the back of my neck like a benediction, can almost believe that this shared inability to be even just adequate stirs at least some fondness or attachment in you. Almost. But if we cannot be enough for those we love then certainly we cannot be enough for each other, or even ourselves. You get used to being a disappointment, you say. But when?
With these words I buy
A moment of sanity
Precious yet fleeting
I am a ghost town
Built around a dried-up well
Oh how the winds cry
Writing used to be a seance, divination by psychography, a holy communion between worlds. Now it’s just DIY vivisection with a mirror and a knife, my bloody hands cutting out chunks of vital organs to smear on the page and call art. Yet Spirit is an endless fount and my body a limited resource; someday soon I will run out of flesh to offer up, and then bone, and then I will have nothing left. Is this offering worth the attendant sacrifice? Does the creation of one thing balance out the loss of the other? I fear the scales are unevenly weighted. Perhaps a pound of flesh buy less than it once did?
Take this last precious ship from this dying planet and go, go journey into the inhospitable depths of space and find the door torn in the fabric of our reality. Pass through to a new place, a new time, somewhere so very far from here where perhaps out of ten thousand hostile lands you may find one, just one, with gentle arms to guide you to a safe landing. Even if this new home does not exist you deserve at least to try, to abandon this wreckage of a world and perish in the struggle for life somewhere else. No hope can grow anymore in this dead earth; take your last little seed and fly away, fly away from here before you give up your bones to my graveyard. And if you do make it to some happier home, somewhere and somewhen far from here, try to remember me fondly. I was not always a desert. I knew once how to love.
I don’t know how to not be a writer. I don’t know how to let thoughts and feelings drift by without trying to craft them into beautiful passages. I don’t know how to experience a dream or fleeting memory without capturing it and preserving it in amber metaphor. Worse, I don’t know how to be okay with not creating; I don’t know how to not tear at my hair, to not beat my breast, to not whip my back bloody in penance for every unwritten sentence. When the words won’t come I can’t just let them go, I keep scrabbling in the dust until I’m bruised and bloody and have nothing to show for my struggles. I don’t know how to not be a writer. I don’t know how to give up on this thing that tears me to pieces. I don’t know how to stop. I don’t even know how to want to know how to stop. But it’s killing me.
You know how when a tooth hurts you imagine taking a pair of pliers and just yanking it out, and that mere thought of removing the source of the pain brings a small measure of physical relief? It’s like that. If I imagine vomiting up a torrent of black sludge I feel a little less weighed down by the darkness pooled inside me. If I imagine clawing open my breast I feel a little less like a cage of flesh and bone for something greater than myself. If I imagine hacking off these hands which so offend me and casting them away I feel a little less pressured to use every second to create, to narrate, to commit to the innately limited nature of text the wordless vortex inside me. It’s just a brief reprieve, hardly more than a heartbeat, but there’s no root canal or surgery that can provide anything better.
Not to stress the point or anything, or get too graphic, but it really is like gutting myself, like reaching in and pulling loops of intestines out onto the floor to divine the meaning of their pattern, like smearing my cut palms on the walls to paint a Rorschach test (what do you see?), and every finished piece, every precious word of every hard-bought sentence is a chunk of flesh or a shard of bone hacked off my ever-dwindling body for the masses who do not care enough about such offerings to come bear witness. Perhaps I make it look too easy, perhaps they suspect a trick of corn syrup and food dye or a magician’s sleight of hand, but I promise there are no mirrors here, no trap doors or invisible strings, my meat is real and so is the knife and if still you suspect deceit then watch me tear with my fingernails, watch me gouge with my teeth, watch me rend myself apart with my own hands to dig out the words hiding deep within. I’m used to putting myself on display anyway, and oh how I long to prove with what agony each syllable is purchased, so come, pull up a chair, I don’t know how much longer I can keep this up so you better catch the show while you can.
Name me Alexandria for I am always burning up from within, my ribs a charred cage to cradle this conflagration of words which was once a heart. Watch the embers smolder behind my eyes; watch me open cracked lips to breathe out ashen smoke thick as a funeral shroud. Call me Alexandria for I am a tower of fire and ruin, and only by the black clouds of my pyre might you divine the true worth of the works lost to the inferno.