#1976

Depression in the Time of Hannibal: On Queerness and the End of the World (I Guess)

These days I’m either apathetic resignation or heart-crushing sorrow, wondering how old I’ll be when we finally destroy the world and what will get me in the end – the megaquake, the atomic bomb, the weaponized smallpox, the white guy with a gun and a grudge. To protect myself, I practice accepting the inevitable – the mass extinctions, the strip mining and poisoned oceans, the death of democracy and the third world war just around the corner. It’s easier than caring, I find, and gets me at least to minimal functionality day by day.

I don’t have a lot of faith left in humanity, is what I’m saying. I’m a realist, and I really think we’ve gone past the point of no return for our species, and possibly for our world as a whole. I’m trying to not think about all the awful things we’ve created because then it feels like our whole existence, past and present and future, is pointless. If I can cling to the few good things we’ve done, the future seems less bleak. At least we managed to not fuck this particular thing up, I think. At least we invented this and that before we killed every living creature on the planet.

If you suspected that the last two paragraphs were simply an elaborate means of getting to my true topic, NBC’s Hannibal, then you were right. And you know me too well.

If you suspected none of this, and possibly thought I was going to write something insightful and timely, then wait! Don’t click away just yet. I’m semi-serious here.

You see, Hannibal is one of those things I look at and think, Maybe we’re not a totally worthless species. If a team of us could create something so dark, so beautiful, so heartbreaking and poignant and atmospheric, I guess I have to give credit where credit’s due. Don’t get me wrong, I’m still in utter despair. But I’m in utter despair while watching Hannibal fanvids on Youtube, which is honestly better than any therapy or medication. I dare you to watch this video and not feel a little better about the world.

Cause here’s the thing – can we talk about Hannibal? Is that okay? Cause, okay, here goes…

[SPOILER ALERT]

Hannibal is motherfucking perfect. Its three seasons contain a single gut-wrenching story arc that makes you question what you think you know and believe about love, right and wrong, queerness, fate, and beauty. This isn’t just a show that makes you root for the bad guy – it forces you to confront the very concept of love and the myriad ways it manifests, both in good ways and bad, and decide for yourself where you draw the line. It makes you admit that beauty is truly subjective and question whether, and when, a person’s honest perceptions and love language can be labeled as deviant.

Cause here’s the thing, friends. Here’s the thing: we have never, and may never again, see a relationship like Hannibal and Will’s on network TV. It’s honestly astonishing that NBC even aired the third season, given how it’s still revolutionary to show a gay kiss. See, what’s so different about the relationship/connection between Hannibal and Will is that it defies not only labels but also any recognizable relationship structure taught by society. Contextually, we’re lead to assume both Hannibal and Will are straight. Yet by the end of the second season, we see that Hannibal has been working toward a life in which he, Will, and Abigail are some sort of (admittedly dysfunctional) family. He wants this future so badly that when he is betrayed by Will, he takes Abigail away as punishment and leaves Will alive with the burden of his choices. Hannibal’s response, while admittedly drastic, is the response of someone who has had their heart broken. This isn’t the fallout from a bad friendship – if it was, Hannibal would probably have killed Will and moved on. His actions show their relationship is much more complicated.

Will Graham: Is Hannibal in love with me?
Bedelia Du Maurier: Could he daily feel a stab of hunger for you, and find nourishment at the very sight of you? Yes. But do you ache for him?

 

By the end of the third season, Will has come to understand the life Hannibal wanted for them – and to desire it himself, even as he knows it’s impossible. In this season these two men, who have been both friends and enemies, consciously and purposefully become something more. We never know what that something is, though, because that’s the point – their connection defies labels. Hannibal and Will love, or are in love with, each other in a way we simply don’t see in most media. Are they friends? Frienemies? Lovers? Romantic partners? Queerplatonic partners? Partners in crime? Can they be more than one of these options? We just don’t know. We are left to decide that on our own.

Hannibal takes three seasons to tell us the story of two people in love. That this story is nothing like we’ve ever quite seen, that this love is so impossible to label even as our characters embrace its existence, is what makes this show so captivating. You just don’t see this kind of storytelling on television. Hell, you can hardly find it anywhere besides obscure indie literature and, well, my blog. This just isn’t a story major media would ever take a chance on. That Bryan Fuller was able to so explicitly confirm Hannibal and Will’s relationship is probably in great part thanks to Hannibal’s mid-season cancellation. Season 3 pulls no punches and reveals all subtext because the team wasn’t constrained by the need to earn a fourth season. The last half of season 3 is everything the show is and could be, and its greatest triumph is this captivating relationship and the fact that it is glorified in the final episode, not vilified.

I’ve never understood how the queer community seemed to totally miss Hannibal, despite its two canon queer relationships. When we talk about queer representation and the need for it to go beyond the L and G, beyond monogamy and labels and boxes, this is what we’re talking about. Attraction and love both exist on vast spectrums; to insinuate that romantic love and sexual attraction always fit the same two or three models is both incorrect and, frankly, boring storytelling. Hannibal shows us that love is strange and unpredictable and cannot be constrained by gender, sex, or any other label society tries to impose. And that’s fucking awesome. Like, seriously, why aren’t more people freaking out about this? This show was on NBC, for fuck’s sake! It had a minimum of four queer characters and a lesbian couple that didn’t die!

So, to summarize:
Hannibal is queer as shit and you need to watch it.
Its existence is keeping me from sliding into utter depression.
The world can end now because nothing humanity creates will ever be better than this motherfucking show.

#1973

I want to love you
but you make it so hard
we fight over everything
and you cry so fucking much
can you please get a hold of yourself?

I want to love you
but you make it so hard
you’re cold and breakable as porcelain
and anxiety riddles you like hairline fractures
do you even have a backbone?

I want to love you
but you make it so hard
you can’t do anything totally right
and mostly you just fuck things up
would it kill you to accomplish something?

I want to love you
but you make it so hard
you are flawed through and through
and have been from the start
must you always disappoint me?

I want to love you
but you make it so hard
I’m tired of giving excuses for you
and accommodating your whims
don’t you think you owe me by now?

I want to love you
but you make it so fucking hard
I want to find freedom in acceptance
and yet I slip back twice for every inch I gain
are you as tired as I am?

#1904

I feel like I’m going crazy. Literally.

Over the last two years, I’ve frequently felt like my own brain is gaslighting me. At work, I miss red flags that I specifically looked for; I calculate budget numbers but then can’t figure out how I came to those totals the next day; I forget tasks or duties I’ve never had trouble remembering before; I swear I started a project but then find no evidence in my files; my completed documents are riddled with obvious mistakes I thought I checked or corrected; emails I have a vivid memory of reading were never sent to me. I’ve even run two red lights – not because I wasn’t paying attention, but because I could have sworn that the light was green. Every day, I feel tripped up by false or missing memories, by basic math that makes no sense, by this frustrating “Past Elyssa” who keeps fucking everything up for the present me. Sometimes I find her mistakes the next day, when I can fix them before my boss notices, but other times I don’t find her mistakes until months later, when a tiny issue becomes a monster. I find myself apologizing over and over and over again, promising I’m a hard worker, dedicated, detail-oriented, that I’m not who Past Elyssa makes me out to be. But what if I am?

For two years now, I’ve felt like I can’t trust my own mind. This paranoia leads me to second-guessing everything I do. I double and triple-check information I’ve long had memorized; I have shadow systems for everything I might possibly need to track or remember; I leave myself sticky notes for the most obvious of tasks. I read and reread emails and documents before I send them, and I check my math however I can. But it’s not enough. Things still slip through at an alarming rate. And it scares me. It scares me because this isn’t who I am. I am detail-oriented. I am good at remembering deadlines and tasks. I am able to complete complex tasks. Yes, I’m bad at math, but I’m not usually this bad. I’m not usually inept.

When the brain weirdness first started, it had a definite cause. I had just gone on Topamax, a medication well known for reducing the user’s cognitive functions. And boy, did it slow down my brain. I was like a different person at work: forgetful, prone to missing obvious mistakes, and overall just slower at grasping even simple tasks. When I forgot to take another important medication for an entire week, I finally went off the Topamax. I assumed the side-effects would linger for a while, which they did… and did… and did… and do. I still feel like I’m on the Topamax, though I was only on it for a couple months and I’ve now been off it for over a year. At this point, whatever I’m experiencing simply can’t be caused by the medication. My doctor has suggested my migraines (for which I was taking the Topamax, ironically) might be causing my forgetfulness and decreased cognitive function. This is a good theory, but I don’t buy it 100%. This stuff just seems to happen too often to be the result of a migraine.

So what is it, then? None of my other medications cause such side-effects, and they’re all meds I’ve taken for years without issue. My diet and general health are good, so it’s not my body trying to run at half-capacity. The issues happen no matter what my mood, so it’s not anxiety or depression related. I don’t fit any of the other symptoms of adult onset ADD. I don’t love my job, but I’m dedicated and focused, so it’s not just that my brain is checked out. Plus, that doesn’t explain the times I’ve run red lights.

I feel crazy. That isn’t me co-opting an often misused word – I truly feel like I can’t always fully trust my mind or my perception of reality. These things have happened too often for me to just laugh off. Now every time I find a weird mistake or have a memory that apparently didn’t happen, I feel myself unravel a little more. It’s a creepy, frustrating, scary feeling. I don’t like being a bad employee. I don’t like being unreliable. I don’t like putting myself in danger by accident, or questioning even bland, innocuous memories. I already deal with anxiety, depression, and invasive thoughts; I really need my brain to otherwise work okay. If something’s wrong, I want to know so I can treat it with therapy or medication or whatever will work. It’s the not knowing, the not being able to act on a problem, that’s eating away at me.
[ I feel like this sounds really dramatic, and maybe I’m overreacting, but I’m going to make myself post it. Blurhg, brain bad. ]