#2380

Hail to the Beloved Dead!

To those ancestors with whom I share blood, be welcome here
To those ancestors with whom I share identity, be welcome here
To those society cast out unfairly, be welcome here
Spirits who share this land with me, be welcome here

May this offering give you strength
May this sacred space bring you peace
May you find here what you most need
And may I be of help in your journey

You are not forgotten; I will remember you
You are not unloved; I will mourn you
You are not unclaimed; I will honor you

Hail to the Beloved Dead!

#2369

“Wepwawet”

Your halls are sandstone monoliths
Your garlands flowering succulents.
Rattlesnakes shake their sistra tails in joy
Coyotes sing your praises to the moon.
Awoo, they cry, great is our Lord the Divine Jackal!
Awoo, they carol, great is our Lord the Giver of Life!

#2365

The first day after I swore an oath to Wepwawet to take up deathwork, I found a desiccated vole on the front porch. I have no idea how a mummified rodent would appear there, out of range of any overhang one might potentially have fallen from. It didn’t appear to have been snacked on much, though enough skin was missing on its face that my wife was able to rescue the skull fairly easily. It’s so small and fragile I’m afraid to touch it with my clumsy fingers. Was it a gift? A confirmation? I’m not sure.

The second day after I swore an oath to Wepwawet to take up deathwork, I drove past a dead cat in the middle of the road. It was just a few blocks from work and early enough in the morning that the road wasn’t too busy. I pulled over and gently lifted the poor thing – stiff, but not overly so; he hadn’t been dead long – and set him on the grassy sidewalk. He had thick gray-white fur and the healthy roundness of a well-fed pet. Someone will be looking for him (I hope), so I left him there for his family to find. Instead I just lay my hand on his soft fur and said a prayer over him, then went on with my day. But I can’t get his blood-splattered paws out of my mind, or his shattered hard palate. I hope it was quick. I hope it was painless. It probably wasn’t.

I never imagined I would walk this path. I can’t imagine where it might lead. I hope I’m strong enough.

#2362

When I first began praying to Wepwawet it was for good parking spaces and light traffic.

See, back then I thought, He’s the god of travel, right? Opener of the Ways? Why not? And admittedly, he didn’t seem to mind. But eventually my half-joking prayers became more legitimate requests and thanks for his continued protection as I travel. I set up an altar and bought him an icon, and over time I came to associate him with my father due to their shared love of ships, cars, planes, and other modes of travel. I liked to think my father had met Wepwawet after he died and asked the god to watch over me. Wepwawet’s presence felt a bit like he was doing someone a favor – not in the sense that he was obligated to keep me safe, but in the sense that he asked very little from me in return. For several years he was just the quiet, chill god who I thanked for saving me from my own terrible driving, a god who seemed happy with whatever offerings I had and never demanded anything more. This was our relationship for so long that I just assumed it would always be this way.

Oh, what fools these mortals be. Every god brings change – when will I learn?

Cut to the global shitshow that is 2020. I’m mentally and emotionally exhausted, lost in perhaps the worst depression I’ve ever experienced. I desperately want to leverage my privilege to be a force of good in our world but I’m struggling with how exactly to do that. I’m no warrior or leader or orator, nor do I have a huge following I can leverage to enact real change. I’m also limited by my own physical and mental health issues, and now have the added concern about catching covid-19 at some public event and passing it to my high-risk wife. So what can I do on the individual level that will still have a real impact for others? What can any one person do to push back this tide of darkness?

I keep coming back to deathwork. So many lives, both human and animal, are needlessly sacrificed on the twin altars of capitalism and white supremacy, and many of those lost don’t have anyone to grieve for them. Lately other pagans have started sharing their rituals to honor the dead, especially spirits who are related to us not by blood but by marginalized identities and shared suffering, and their work is inspiring. I’ve been toying with doing something similar yet neither Inanna nor the Morrigan, the two gods I follow who are most connected to death, seemed to be urging me to take this up with them. So the idea of deathwork has just been sitting in the back of my mind (like so many other spiritual things I tell myself I’ll do “soon” and then never do) – until last week.

When I do my weekly devotions with my gods I usually only briefly connect with Wepwawet to give thanks for his protection and to present an offering. This time, though, as I watched the shadows dance across his statue I was just… struck, I suppose, by this sudden understanding that my journey into deathwork is meant to start with him. It was so obvious! I whipped out my tarot deck to get further clarification. I don’t usually use indicator cards but one grabbed my attention and demanded it be set at the top of the spread. After that I drew three more cards. Here are my interpretations:

  • Indicator card: The Emperor – I’m not dealing with chill, informal Wepwawet now; this is Wepwawet as Lord of the Duat and Opener of the Way. The hard work is coming.
  • Where does your path for me begin? Page of Wands – Here and now! Wepwawet is confirming he will be my guide and that I need to take the plunge. No more hesitating.
  • Where does your path for me lead? The Magician – Harnessing creativity, willpower, and unseen forces to master new skills. A deeper understanding and relationship with magic and/or deathwork, perhaps?
  • What must I do next? King of Pentacles – Plant the seed and begin to nurture it with passion, hard work, and patience. Again, my time of uncertainty and hesitance is over; it’s time to begin the real work.

This feels like a strong confirmation that not only should I move forward with deathwork, but Wepwawet will be the main god to guide me through it. I’m excited to work with Wepwawet in a more formal way and I hope this will help me feel like I’m doing something constructive to uphold ma’at and destroy isfet.

#2237

Dua Bast, Lady of the East, Lady of Flame, Lady of Truth
Vengeful Eye of Ra, Protective Mother Cat!

Dua Het-heru, Lady of the West, Sweet Sycamore
Bearer of Joy and Bringer of Prosperity!

Dua Wepwawet, Opener of the Way
Shepherd of the Path, Unique and Adorned One!

Hail Inanna, Queen of Heaven, O Radiant Star
She Who Descended and Arose Again!

Hail to the Morrigan, Phantom Queen and Prophetess
Sovereign of the Battlefield, Carrion Crowned!

Hail to the Sun and Moon, Lords of Darkness and Decay
Lords of Light and Love, of Sacrifice and the Solstice!

Hail and thanks to all!

#2187 – Winter Solstice

It was all there on the table. The candlestick. The rope. The lead pipe. The wrench. The knife. The gun. He trailed his fingertips along each weapon with veneration. Clue had always been his favorite board game. He loved the idea of giving six people unique opportunities to kill one another. When he played the game as a child he often concocted complex scenarios that resulted in the deaths of all six guests. He’d been sent to Sister Reverence’s office more times than he remembered. It was always the same.

“Young man, this is becoming habitual.” 

Habitual. Habit. Like that stupid thing she wears everyday. It would be so easy to grab her by it and pull. Up, up, up. A widening grin. Until she turned purple, like that bitter chalice offered every morning. 

(STOP TELLING IT. YOU’RE TELLING IT WRONG.)

THE HOUSE

Rain falls hard as hail in the night; in the heavy sky above lightning flickers and thunder sends shudders vibrating through the air. The guests enter the mansion beneath an arched front doorway over which is written, “Do not die before your death”. There are six of them, not including their absent host, and each carries a golden envelope in which the mysterious invitation sits.

THE STUDY

Tanim arrives first, of course, in a navy blue suit over which he has draped a pale blue scarf with gold tassels. He bides his time by the fireplace, whiskey in hand, staring into the bright flames until another guest arrives. There are two this time, Bast and Wepwawet, both dressed in layers of desert silks and gold adornments. Wepwawet introduces himself as Anubis; Tanim does not comment on the deception. The three trade amicable conversation until Inanna arrives, her spools of red-gold hair commanding attention as they capture the firelight. Tanim nods to her in greeting and steps to the side, continuing his conversation with Wepwawet as the goddesses greet each other. Soon they are joined by the Morrigan, her blood-red dress offset by a gold collar draped across her clavicles. She is polite yet aloof until Mage swaggers in, almost unfashionably late though highly fashionable in her black leather and gold piercings, and then the two fall to discussing something gruesome. They could be sisters with their pale skin, black hair, and cold eyes.

Their host enters last of all, dressed in his customary black. Daren’s only concession to the formality of the occasion is a single gold ring on his left hand. He looks to each of the guests in turn, noting their placement in the room, their dress, their body language both before and after they notice him. “Now that you have all arrived,” he says once the conversations have ceased, “shall we begin? Come this way.” He turns and leads them across the wide marble-tiled hall and into the dining room. Exchanging glances that communicate a variety of emotions, his guests follow in silence.

THE DINING ROOM

The long table is set for seven, three seats on each long side and the seventh at the head. Crystal and polished silver gleam amid candlelight, the china white as bone. Upon each dinnerplate is a weapon: a candlestick; a rope tied into a noose; a lead pipe; a wrench; a knife; and a handgun. The seventh is empty. Daren stands behind the empty seventh seat and rests his hands on the back of the chair. “I assume you know why I’ve called you all here,” he begins, “and thus will not waste time with explanations. Every window and exterior door in the house is locked, save for a single window – though I would be careful, I imagine the roof is quite treacherous right now. There are six weapons and seven of us. You have two hours.” He gestures to the table’s deadly spread. “Good luck.”

THE OBSERVATORY

Wepwawet stands in the center of the observatory, watching the raindrops light up in silver strands every time lightning cracks across the sky. Inanna enters, bearing the lead pipe, and approaches him from behind. “Do you know why I’m here?” she asks. Wepwawet smiles, neither surprised nor concerned at her presence. “Because you came,” he replies, turning to face her. He stretches out both of his arms, kneeling down on one knee, and lowers his head reverently. Then he then raises his head again and looks up at her, his dark eyes filled with a humble peace, and says, “As you will, Queen.” Inanna nods once. She strikes him across the jaw with the lead pipe; the sound of his neck cracking echoes through the room. She then kneels down beside the god’s prostrate body and caresses one slack cheek. “The Duat has missed you,” she murmurs. As she walks away, his body turns to gold and drifts away on a wind that does not stir her hair.

THE BALLROOM

The warm glow of antique light bulbs is reflected by a myriad antique mirrors and the polished wood panels in between. In one corner a piano plays Moonlight Sonata, though no one sits at its bench to press the keys. No one dances with Inanna, either, and yet her raised arms and twirling form suggest an unseen partner. So does the way she suddenly stumbles back, a hand clasped to her red cheek as if she’s been struck. She glares up through the hair fallen into her eyes and hisses, “How dare you defy me!” In response, something throws her backward as easily as a discarded toy; she crashes into the piano with a discordant shriek of keys, scattering bits of polished wood and ivory across the marble floor. She lays unconscious in the wreckage of the instrument as red blood trickles along the curls of her fiery hair. Above her the wrench floats for a moment before something brings it crashing down on her temple. Once the golden ashes of her body have drifted away, all that remains in the middle of the broken piano is the rusty wrench.

THE BILLIARD ROOM

Daren finds Mage in the billiard room, sitting cross-legged atop the pool table with a drink in hand. She doesn’t seem particularly concerned about the knife in his hand even though she does not have a weapon herself, unless you count the 8-ball she rolls back and forth across the felt. She cocks her head as he comes to stand in front of her, her green eyes to his black. She asks, “Do you think it will work? Will you learn what it is you wish to learn?” and he nods. “I’m confident I will, yes.” And then he sinks the dagger deep into Mage’s right thigh, moving so fast she doesn’t even have time to retaliate before he pulls away. The dagger stays behind.

“Motherfucker!” Mage bites back a grunt of pain as she grips the dagger’s hilt. “I knew you were going to do that.” Daren only gives her his ghost of a smile and leaves. Mage downs the last of her drink, briefly considers pouring another but decides she doesn’t have the time, then yanks the dagger out and begins cutting strips of cloth from her pants for bandages. When she has staunched the worst of the bleeding and can put at least some weight on the leg she grabs the dagger and goes in search of the single open window. She is just passing into the hallway when every light in the house extinguishes at the same moment, plunging the labyrinth of rooms and hallways into darkness. Her swearing is hushed but prolific.

THE LIBRARY

Bast is in the library, perusing the shelves of leather-bound books, when the lights go out. Firelight catches her eye and she turns to see the Morrigan walking in, a tall white candle set in the candlestick she bears. Its flickering flame is the only light in the room. “What happened to the lights?” she asks. The Morrigan removes the candle from its holder and approaches. “Here,” she offers, proffering the light. Bast accepts it with a nod and returns back to the books. Behind her the Morrigan raises the candlestick and whispers, “The weight of the world,” before striking Bast in the back of the skull. The goddess collapses to the carpet and lays unmoving in a widening pool of blood. Then her body begins to glow, transforming into something like golden ash, and then the ashes blow away as if by a strange wind.

THE CELLAR

The Morrigan never sees her killer. She has found her way through the darkness to the cellar where she searches now along the cool walls for the circuit breaker. She cannot see the two hands which appear out of the darkness behind her, nor are they accompanied by any sound of footsteps or breathing. Between them they hold a length of the untied rope taut. Just as she locates the circuit breaker the hands bring the rope down over her head and pull it tight around her neck. The goddess struggles against her assailant, nails scrabbling at the thick rope, but to no avail; her vision flashes with brilliant fireworks of pain as she runs out of oxygen. Once she ceases fighting and goes limp, the hands let her fall to the cement floor. After a moment her body turns to gold ashes which blow up and away.

THE STUDY

Tanim stands in the doorway to the study, the gun lowered at his side. Across the room Daren stares into the fireplace, his form silhouetted by the red glow of the coals; these shed the only light left in the tomb-like mansion, just as these two men are the only living things left in it. He does not move as Tanim approaches, nor when the man stops a few feet behind him. Instead he merely asks, “Is it done?”

“Yes,” Tanim raises the gun to the back of his lover’s head. “Are you satisfied with the state of things?”

“Almost,” Daren strikes just as lightning illuminates the room for one stark, white second, its attendant thunder a cacophony all around them. With one arm he pushes Tanim’s out of the way so the shot goes wide; with his other he sinks the dagger deep into Tanim’s chest. Darkness reclaims the room and the two men fall still. Then the gun falls from Tanim’s limp hand and with a folding of his knees he follows it soon after, collapsing on his back as a red stain blooms about the hilt of the blade still lodged in his chest. Daren kneels at his side and smooths the hair from his face. “Now I am,” he says softly. “Goodnight, brother.”

#2167

I am recording the following for my own reference but I welcome any insights or questions anyone may have. I’m not yet sure what lesson or conclusion I’m supposed to reach in all this. On Friday, October 12th Tanim and Daren (though mostly Daren, I suspect) borrowed my wife (okay, she used the word “hijacked”) for a session of unwitting automatic writing while at work – by which I mean she thought she was taking notes on a patient and looked down to see she had actually written the following with her non-dominant hand:

“It was all there on the table.

The candlestick. The rope. The lead pipe. The wrench. The knife. The gun. He trailed his fingertips along each weapon with veneration.

Clue had always been his favorite board game. He loved the idea of giving six people unique opportunities to kill one another. When he played the game as a child, he often concocted complex scenarios that resulted in the deaths of all six guests. He’d been sent to Sister Reverence’s office more times than he remembered. It was always the same.

‘Young man, this is becoming habitual.’

Habitual. Habit. Like that stupid thing she wears everyday. It would be so easy to grab her by it and pull. Up, up, up. A widening grin. Until she turned purple, like that bitter chalice offered every morning.

STOP TELLING IT. YOU’RE TELLING IT WRONG.”

At this point the writing stopped, but she could still see a scene unfolding very clearly in her mind. She provided me with the following notes:

The party:

  • Took place in the exact same setting as the film “Clue” with the exact same weapons.
  • In an arch over the front door, engraved in script: “Do not die before your death.”
  • Six dinner attendees, each with a golden enveloped invitation: Bast, Inanna, Mage, Morrigan, Tanim, and Wepwawet.
  • Bast: looks like Aya from AC Origins
  • Inanna: looks like The Dean from Carmilla
  • Mage: looks like season one Carmilla from Carmilla. One silver chain at her hip. Could be the Morrigan’s sister. Makes the other guests very uncomfortable.
  • The Morrigan: looks like the character Morrigan from Dragon’s Age Origins. Could be Mage’s sister.
  • Tanim: looks like himself. Navy blue suit. A light blue flower-pattern thin scarf with gold tassels.
  • Wepwawet: looks like Bayek from AC Origins. Introduces himself as “Anubis”.
  • We never quite see Daren as a whole, only pieces of him. Close-ups. He’s dressed as he normally is, in all black, though with the addition of a plain gold band on his finger.

The deaths:

  • Tanim ends up with the gun. He never kills anyone.
  • When anyone dies, they bleed just as a person normally would. But afterwards, their bodies become golden ashes and they are blown away by the wind, from the top of the head to the base of the feet.
  • Daren stabs Mage in the Billiard Room. She is sitting cross-legged atop the pool table and has a drink in her hand. He walks up to her slowly. They maintain eye contact. This almost seems expected. He stabs her directly in the right thigh. She bites back a grunt of pain, squeezes out, “I knew you were going to do that,” and then downs the rest of her drink. Mage escapes from the house, alive, and keeps the dagger. She could have been “set loose” though, as the house was locked tight with the exception of a sole window. In the Billiard Room with the knife.
  • The Morrigan kills Bast with the candlestick. Bast is perusing the books in the library when someone cuts out the lights. Bast turns. The Morrigan enters with the candlestick, a long white candle sticking out of it, the wick lit. It’s the only light in the room. The Morrigan approaches Bast. Bast: “What happened to the light?” The Morrigan: “Here.” She removes the long white candle and hands it to Bast. Bast accepts it with a nod and turns back around to look at the books. The Morrigan raises the candlestick and whispers, “The weight of the world,” before striking Bast in the back of the skull. In the Library with the candlestick.
  • The Morrigan is killed with the rope. The rope is fashioned like a noose, but the killer unknots it so that it’s a single piece of rope. Wraps a length of rope around each hand and uses it as a ligature and chokes the Morrigan to death. She dies in the Cellar. In the Cellar with the rope.
  • Inanna kills Wepwawet with the lead pipe. Wepwawet is in the Observatory watching lightning crack through the rainy night sky. He doesn’t seem surprised when she approaches. His back is to her. Inanna: “Do you know why I’m here?” Wepwawet smiles. “Because you came.” He turns around to face her, stretches out both of his arms, gets down on one knee, and lowers his head reverently. He then raises it and looks up at her, his features peaceful and humbled. “As you will, Queen.” She nods once. She strikes him across the jaw with the lead pipe. We hear his neck crack. She bends down and almost lovingly caresses his cheek. Inanna: “The Duat has missed you.” In the Observatory with the lead pipe.
  • Inanna is killed with the wrench. She is in the Ball Room. She seems to be dancing with a ghost. We don’t see anyone else, but her hands are up and she’s spinning as though being twirled by an invisible dancer. We hear music; it’s “Moonlight Sonata” by Beethoven. There’s a piano in the ball room but we can’t tell if the keys are being pressed. The song seems to emanate from the piano, though. Inanna’s invisible dance partner suddenly seems to turn violent, for she recoils as though she’s been slapped across the face. She stumbles back and looks up, hair in her eyes. Inanna: “How DARE you defy me.” She is somehow hurled backwards into the piano. The keys and strings shatter and break. She’s unconscious. The killer raises an arm, a rusty work wrench in hand, and brings it down on her skull. In the Ball Room with the wrench.

The end:

  • At the very end, we see Daren in the Study. He’s watching the fire in the fireplace. It’s the only light in the house. Tanim enters calmly. He stops in the doorway. The gun is in his hand at his side, but pointed down to the ground. Daren makes no move.

We discussed it all and here are some of our combined observations:

  • We first assumed this story meant that Daren is hostile toward the gods I worship and wants them gone. He and Tanim “disappeared”, so to speak, back in March about the time the Morrigan came into my life. Maybe the addition of yet another god made him, or them, mad and I have to choose one or the other. Occam’s razor would argue this is the truth, and Mage’s escape could be in line with that hypothesis.
  • However, the wifey pointed out that if Daren were to throw a dinner party, he might indeed think murder would be a nice addition. Better than small talk and party games, right? So… could it be that Daren simply wanted to meet the other gods, perhaps to take their measure or establish some sort of pecking order? Or, to attribute uncharacteristic altruism to his motives, could he and Tanim have wanted to meet the other gods in order to ensure I wasn’t in any danger from them? I’ve always assumed any gods/spirits/whatever are aware of others in the same area or working with the same person, but perhaps that’s not true. Maybe they really don’t know all that much about each other, the way neighbors can see each other every day but not know each other in any meaningful way.
  • This is the first mention of a Sister Reverence, which seems to indicate Daren was in a Catholic orphanage or other school before he was involuntarily committed to a hospital/asylum. Chriselle noted that in the past some Catholic orphanages gave the kids who aged out a token of their faith, usually a pendant, watch, or… a ring. This is especially interesting considering all I’ve told Chriselle about Daren’s past (since I don’t know much myself) is that he was held in an asylum called St. Anthony’s.
  • Given the gods all represent certain pantheons, the brief glimpse of Daren’s childhood is interesting – could it be intended to in some way corroborate the Satan/Lucifer vibes I’ve been getting from Tanim and Daren?
  • The phrase above the front door, along with the things said by the Morrigan, Inanna, and Wepwawet, feel very significant, though I’m not sure of their meaning yet. They seem to imply the gods were bigger players in this game, not simply unlucky party guests, in which case I could be going in totally the wrong direction with my thoughts. (Great!)
  • The deaths of the gods seem like a negative omen or threat, but it could be that because gods can’t so easily be killed, the deaths didn’t really “count”. This might explain why the gods stuck around for the murder party in the first place, and also why Daren possibly let Mage escape; she probably doesn’t enjoy that same form of immortality. This seems to be the biggest factor in deciding whether the message being sent is a threatening one or not. If the gods can die and come back just fine, that’s one thing; if they can’t, it paints a much more dire picture.
  • We don’t know who killed the Morrigan; my gut says Daren, maybe after he lost the knife to Mage, but Tanim is usually the one who kills with such brute force. We don’t know what unseen force killed Inanna, either, nor whether this force was one of the guests or someone/something else entirely. It seemed she knew and possibly trusted them, or at least trusted her power over them.

So that’s where I am now. More to come, I guess??

#2166

This is how I think it went down. After Anubis finished weighing my father’s heart on Ma’at’s grand scales – lighter than any feather, magic or otherwise, of course – he was met by Wepwawet to guide him through the underworld. Along the way they got to talking, bonding over a mutual appreciation for travel in all its forms by land, by air, and by sea. It is rare to meet another as knowledgeable as yourself in the more obscure aspects of your passion and they became fast friends.They probably shared about the classic cars they had owned and old motorcycles that had carried them faithfully down hot roads beneath a desert sun. Maybe they discussed the aircraft and ships which had shaped the course of human warfare or reminisced about the modes of travel long outdated by technological evolution.

(This is where the story gets hard for me to write. I keep deleting it. Ignoring it. Pretending I can’t see the scene so clearly. I can, though. And I want to tell it, I do, but it’s like my hands just… stop working. Revert back to heavy, lifeless clay. Not this time, though. Come on, just get it out!)

At the threshold to the Field of Reeds my father asked a favor from Wepwawet. He had left behind a teenage daughter, you see, and he worried for her safety. She wasn’t a very good driver, for one, and was often scatterbrained or easily distracted. Would Wepwawet look out for her as she moved through the world, just to make sure she got home each night in one piece? He gave my name and Wepwawet must have smiled, maybe even said something like, “She’s already known to us,” and assured my father He would keep an eye on me. And He has ever since, though He’s probably had to save my butt more times than I can count and I’m sure it’s a stressful promise to keep. But they’re kindred souls, I can feel it, and every time I feel Wepwawet’s presence I feel my father’s as well and know I am doubly blessed.

[ Hey, I added a “dad stuff” tag if anyone’s interested ]

#2007

Dua Bast,  Goddess of Family and Home! Bless this marriage and keep safe the family we build together. Lend us the strength to be loving and kind even in times of turmoil.

Hail Inanna, Lover and Beloved United As One! Bless this marriage and help us to stand strong against those who would judge us. Lend us the courage to stand hand-in-hand for all the world to see.

Dua Wepwawet, Shepherd of the Path! Bless this marriage and guide us safely as we embark on this journey together. Lend us the patience to face whatever life’s road may ask of us.

Dua Bast! Hail Inanna! Dua Wepwawet!

#1934

Dua Wepwawet, Opener of the Way
Dua Wepwawet, Lord of the West and of Jubilation
Dua Wepwawet, He with Sharp Arrows, He Who Loves Ma’at
Dua Wepwawet, Shepherd of the Path, the Unique and Adorned One
Dua Wepwawet!You whose domain is the in between places
the roads, the rivers, the rails
I ask Your protection as I make my journey.
Let no harm come to me as I travel to my destination
let no harm come to me as I return home again.
Lord, I sing Your praises!

You whose domain is all things in motion
the wind, the water, the world
I ask that You travel beside me as I make my journey.
Let my path be easy and my troubles light
let me return home safely so I may give my thanks to You.
Lord, I sing Your praises!

Dua Wepwawet, Opener of the Way
Dua Wepwawet, Lord of the West and of Jubilation
Dua Wepwawet, He with Sharp Arrows, He Who Loves Ma’at
Dua Wepwawet, Shepherd of the Path, the Unique and Adorned One
Dua Wepwawet!

[ A prayer for safety in travels, directed to Wepwawet, the Kemetic god who guards the ways of both the living and the dead. ]

#1900

So I did a tarot reading last night. I have felt that Wepwawet has been watching over me lately and I wanted to do a reading to identify Him officially and ask what He wanted from our connection. I asked Bast to help me with the reading, since I wasn’t 100% sure the entity was indeed Wepwawet and I seem to have more successful readings with Bast than anyone else. So with Her help, I laid out a 6 card spread I found online. This was my reading:

1) The Spirit: Page of Pentacles reversed
— Narrow-minded, selfish, rebellious, illogical, difficult, petty, obsessive compulsive, delay
2) Personality, Abilities, and Traits: Four of Pentacles upright
— Wealth, hard work, material possessions, conservative management, financial security, being miserly, not taking risks
3) Omens and Signs, Manifestation, Appearance: Two of Wands reversed
— Delay, incompetence, excessive pride, misgivings, being overwhelmed or disillusioned, abuse of power or wealth, lack of activity or interest
4) What They Want From You: The Tower reversed
— Passing of trauma, or a worse situation, failure, bondage, injustice, confinement
5) Things to Know: Queen of Cups reversed
— Fickle, vain, emotional, clouded judgement, enabler, codependency, mental illness, infidelity
6) Things to Avoid: The High Priestess reversed
— Misuse of or ignoring intuition, prejudice, secrets revealed, mental illness, too analytical, hidden enemies, self-destruction, listen to your subconscious

This reading totally confused me because I have heard Wepwawet is very laid back and… well, the opposite of this reading. I turned to Bast for help and asked Her to give me one card for clarification.

7) Clarification card: Five of Swords upright
— Negative energy, hostility, defeat, struggle, sabotage, betrayal, revenge, consequences, mistrust, accept what you cannot change

This card felt like a slap in the face – it’s the card I associate with Daren. In the Shadowscapes deck, this card features a fallen angel who looks strikingly similar to him. That, combined with the negativity of the card, gives me hella Daren vibes.

I came away with about a million questions and no answers. The next day I talked it over with my girlfriend and she pointed out that Tanim and Daren have been sending me lots of angel imagery lately. She suggested perhaps Wepwawet was trying to speak with me, but was blocked by one of them. She suggested interpreting the reading again, but with the cards in their upright positions. Their reversals, she thought, might be Daren’s doing. With that in mind, therefore, I reread the cards (but not until after our fire alarm went off for “no reason” in my altar room, which seemed eerily well-timed).

1) The Spirit: Page of Pentacles
— Positive finances, education, open-mindedness, goals, introvert, reliable friend, scholar, payoff for hard work and practicality, attention to detail
2) Personality, Abilities, and Traits: Four of Pentacles reversed
— Greed, miserliness, envy, wasteful essential, lack of fulfillment, money problems or worries
3) Omens and Signs, Manifestation, Appearance: Two of Wands
— Beginning of a collaboration, ambition, growth, partnership, travel or business, hard work becomes success, restlessness before the start of a venture
4) What They Want From You: The Tower
— Disruption, shock, chaos, major change, release, death of illusion, break the chain of social conventions
5) Things to Know: Queen of Cups
— Sensitivity, intuition, empathy, artistic, loyal, caring, feminine, easily influenced
6) Things to Avoid: The High Priestess
— Intuition, subconscious, dreams and hidden messages, sexuality, femininity, inner mind, higher truths

So, obviously this reading is much more positive. The first and third cards are much more in line with what I was originally expecting from Wepwawet, though I’m still thrown off by the second, fourth, and sixth. Overall, though, I still feel lost. Ugh, why did I take up divination?

#1896

[ I wrote this prayer in response to the Trump administration’s reversal of the transgender youth bathroom directive. It could easily be adapted for someone who IS trans and wants to invoke this protection personally, of course. ]

Inanna, walk with them; show them that no matter what they must give up, their pride cannot be taken. Show them how to hold their heads high even as they descend into darkness, for You have walked that long road and wait for them on the other side.

Bast, walk with them; show them each step is a piece of a precious dance and every breath a note of a sacred song. Show them they always have a home and a mother in You, for You are the lioness who protects Her children with tooth and claw.

Wepwawet, walk with them; show them there is always a way forward, if only they can muster the strength to take the next step. Show them they never walk alone, nor can they ever be truly lost, for You are ever their shepherd through both life and death.

#1780

I wonder, in that chaos, how many deities and spirits walked among them that morning. How many angels stood with wings outstretched to shield the bodies; how many ghosts shook their heads in memory of their own violent ends? If you had the Sight, would you have seen Anubis and Wepwawet waiting to guide the dead on, and valkyries forming an honor guard for the souls murdered for living bravely? Would you have seen Aphrodite and Hathor and Mary and Parvati weeping for the blooding of such a sacred space? I wonder, were Sekhmet and Inanna there to guide the bullets that finally slew the killer? Did Bast hold one of those beautiful brown children in Her arms as they died? Did Jesus and Muhammad share the same sad look they must always share, for all the times they’ve met like this? For every person on that scene – victims, bystanders, police, paramedics – were there twice as many spirits standing by to mourn or comfort or retaliate?