When I was a kid I imagined my dad’s death a lot. It was always one of two scenarios: either I would watch him shrink in my vision as the lifeboat I sat in lowered slowly into the cold water, leaving my father to await certain death on the foundering Titanic, or I would watch from the safety of the underground tornado shelter as, gripping the flimsy door to keep it latched and me safe, he was sucked up into the maw of the roaring funnel. The influence of history and pop culture on those scenes is obvious, and certainly I was a morbid child by nature anyway, but as I lay here in the midnight dark I wonder if there is more to them than overactive imagination. I wonder if my younger self sensed on some instinctive level that her father would be taken from her without warning and sought to prevent this looming disaster by compulsively imagining worst case scenarios. Or maybe she was simply attempting to blunt the inevitable future pain of his loss by repetition. Either way it didn’t work, perhaps because in those scenarios he was always sacrificing himself to save me when in the end there was no danger, no moment of swift choice between his life or his daughter’s. I was only a child, after all; back then I understood the threat disasters posed, but not that human ineptitude could just as easily shatter my fragile world.
There are many kinds of Beloved Dead. There are our ancestors with whom we share blood; those we are connected to by the branching tree of life that stretches back hundreds of thousands of years. There are the ancestors with whom we share identity; spirits who shared our beliefs, our genders and orientations, who lived and struggled because of who they were or how their bodies operated just as we do today. Blood binds us to some Beloved Dead and shared experience, shared worldviews, to others.
There are the place spirits, those who share space with you and with whom you must have a relationship of mutual respect. They may be past tenants of your home or the land on which it sits; animal, insect, and nature spirits who died there or who still live there; or wandering spirits who have come to stay for a time. Proximity ties us to place spirits, as well as our duty to honor the land and home we share with them. We are not the first to live in a location and we should not treat it as solely ours.
And there are the dead taken too soon. They are the disaster dead, the war dead, the dead stolen from us by police brutality, capitalism, climate change, by greed and hubris and hatred. They are often the faceless dead, frequently nameless, their numbers so vast we struggle to keep our heads above the sucking waters of their grief. We are indebted to their past so that their existence may never be forgotten, and burdened by their lost futures so that we may prevent others from sharing their fate.
The Beloved Dead take many forms: human and nonhuman, animal and plant, single and collective. They are strangers and friends, unknowable and familiar, yet all are equally dear. All are equally worthy of remembrance and honor.
No exes in my graveyard, instead I’m dogged by the ghosts of friendships abandoned, bodies left to rot where they fell in the undergrowth because neither of us bothered to give them a proper burial (can’t honestly say I even checked for a pulse before I ran, fearful of either outcome) and while watching yet another love begin its slow anemic decline I feel your specter sit beside me and I rest my head on her shoulder like it’s the most natural thing in the world.
An Unexpected Meeting
A week or two ago I took advantage of an offer from Aleja of Serendipities to test a new cartomancy spread intended to facilitate communication between clients and the dead. I’ve had an altar to the Beloved Dead for about six months now, and I invite many kinds of benevolent dead to take part in my offerings, so I was eager to see who or what might initiate contact. While I’m good at connecting with gods, my experience with spirits, human or otherwise, is really low.
The entity who reached out identified herself through a card called “Celebration” (Aleja was using the Vintage Wisdom oracle deck, which is just lovely) and agreed this moniker can be used for her until her true name is revealed. Through a combination of cartomancy and the use of a yes/no coin Aleja was able to determine that Celebration is not a blood ancestor of mine but a queer ancestor! I was super excited to hear this because when I reach out to ancestors I always include those “with whom I share identity” (versus blood) and specifically call out to queer, pagan, witch, and chronically ill/mentally ill spirits. Having one reach back and identify themselves as an ancestor provided validation I hadn’t realized I craved; now I know my words are being heard and are considered respectful enough to be reciprocated.
Celebration further indicated that she is proud of the work I’ve been doing to release things that no longer work for me and to stay true to myself. She can also help me with surrendering to the flow of things (something I’m very bad at) to reduce obstacles and minor mishaps in my life. She wants to spend more time with me, and one way I can connect better with her is by standing in my power. When asked if there was anything else she wanted to say, she said we have a lot in common and that’s how she found me – the card she used for this was called “kindred spirits”.
I asked a few follow-up questions but didn’t want to press too much, as it seemed like the connection was a little tenuous. Aleja shared that Celebration’s energy was somewhat femme, appearance is important to her, and that she’s a bit like a wine aunt who’s secretly a mother hen. The connection wasn’t strong enough to get a great visual image, but Celebration is perhaps from the late 60s or early 70s. (I’ll add a note here that I thought I got a feeling that she might be African or African American but this could just be because her vibe reminded me of Hathor, so I’m taking that with a big grain of salt for now.)
Moving forward, I’m going to try connecting with Celebration using my own oracle deck. She seems hesitant about divination and my particular oracle deck is probably easier to understand than a tarot deck. I’m also going to use a yes/no coin and will maybe try a pendulum, though I’ve never had luck with those myself. Hopefully between offerings and some quality time, she and I will be able to find a communication method that works for her.
[ I found Aleja’s reading to be extremely informative, as have some past readings she’s done for me, so I highly recommend her services! ]
Look, I’m just the pilot; I don’t have any control over what meatsuit I was assigned. I didn’t get to pick the make or model or color or any of that, I just operate the damn thing. It’s a machine, you know? And this one came off the factory floor full of design flaws and defects so it requires even more work than some others to keep it functioning. I try my best to maintain all the parts, I even call in a mechanic when a task’s above my skill level, but I didn’t choose this 24/7 job and I’m really not that attached to it. The meatsuit doesn’t define me. I don’t identify with any of its individual components or the composite whole. I’m the operator, separate from that which is operated. Try to remember that when you look at me; I’m stuck inside this unit but that doesn’t mean you should judge me by its appearance. After all, what am I supposed to do – trade it in for a new one?
Can you really blame the gods who saw what humanity had become and chose to just wipe the slate clean, start anew? Perhaps when Ra or YHWH or Zeus looked down upon an earth crawling with mortals they saw not present vices but future crimes; not idolatry and rebellion but nuclear war, global warming, and the creeping, inevitable extinction of every beautiful species they themselves created. Maybe the gods saw all that shit and thought nope, gotta get these guys the fuck outta here. Tell me, and be honest now, can you say with perfect certainty that you would not have done the same, had you been in their position? Or would you also send a worldflood or hungry war goddess to handle the situation in your stead? For the bees I might have. For the bees and ice caps and rainforests.
feel like i’m going crazy, i keep seeing absent ghosts everywhere, pseudo-specters, nothing-theres, whatever you want to call them, the empty spaces of missing trees that i could swear were there this morning but are gone now this evening, it’s like the city swallowed them whole while i wasn’t looking and left behind more vacancy, more vacuum, more v o i d . . .
or maybe there was never a tree right there in the first place and i’m just too obsessed with ecocide, maybe i’m going crazy from grieving all the trees i couldn’t spare the chainsaw, whole forests weighing on my conscience, i don’t know i just swear there was a tree in that space before and now there isn’t and i’m afraid that if i look away for too long there won’t be anything green left when i turn back
You cannibalize everything on Earth I value
so I cannibalize everything in myself you value.
You devour trees, swallow rivers
I abolish gender, rescind sexuality.
You consume precious resources
I deny you obedience.
You make the world
so I make myself
If you leave me nothing
I will give you nothing.
See? I can be a ravenous beast as well
but I won’t be the one that starves first.
Of course this body has never felt right – not because my gender identity clashes with its appearance, though, but because my body has never been a refuge. How could I recognize the discomfort of dysphoria when pain, anxiety, and exhaustion dominate my senses? How could I discern whether this disconnect between spirit and flesh is caused by a lack of gender or by all these years spent trapped in chronic illness? When it comes down to it, I’m not sure I’ll ever know whether I’m unhappy in my body because it looks “female” or because it has only ever been a burden requiring constant care. I can change my appearance all I want, slick back my short hair, cover my skin in tattoos, but that won’t stop the migraines or the stomach aches or the OCD. Even the clothing I wear is always half aesthetic and half will I be too warm in this or too cold, will it make me sweat too much and cause a panic attack, will this hat keep me from picking my scalp bloody or will it give me a headache instead? It’s always something; between the faulty wiring in my brain and all the other aching, breaking bits, I don’t really have tools sensitive enough to scan for undercurrents of dysphoria. My body’s never been a home and maybe it never will be, no matter what colors I paint the outside or what interior walls I tear down.
A Prayer to Find a Lost Cat
Mother Bast burning bright
guide your child by your light.
Bring them safely home today
there in love and joy to stay.
Here we are again, back at the annual attempt to jumpstart my inert heart. Summer’s smoke scorched it dry and now I must perform an autumnal resurrection with mummy’s dust and witch’s brews, guttering candles and rattling chains. Can I be honest, though, Ray? I’m tired. Bone tired. I can’t recall when last soft rains came to wet these gargoyle lips and set free the words frozen in stone. I don’t know if I have the strength left to whistle monsters home to roost on cathedral eaves. I feel like Mars long abandoned by native civilization and colonizers alike, just fifty-six million square miles of red sand and dust-covered ruins and the trash of a thousand forgotten generations. I feel like a barren rock hurtling through space that has never known a single Halloween. Yet the full harvest moon shines a bright gold coin in the sky on this equinox eve and I’m gonna try, Ray, I really am, though what kind of jack-o’-lantern tree will grow from soil this parched I do not know. But with your words as my witness, I’ll try.
I carry the Disaster Dead with me always: Okawa’s precious children, lost to the waves; Pompeii’s huddled masses, lost to the ash; Titanic’s frozen passengers, lost to the cold. And more, so many more taken by pandemics, hurricanes, heatwaves, earthquakes, wildfires, famine. The burden of their unnecessary deaths is a reminder of the necessity of knowledge. Knowledge empowers the uninformed. Knowledge prepares the vulnerable. Knowledge saves lives that might otherwise fall to preventable, or at least mitigable, forces. There are no natural disasters, after all, only natural hazards exacerbated by human action – or inaction. Okawa’s children did not have to die within reach of high ground. Texans did not need to freeze in their homes. The west coast does not have to burn every summer for longer and longer periods until “fire season” becomes a meaningless phrase.
The Disaster Dead are also a reminder of my own self-ordained responsibility to ensure the people of my homeland do not share a similar fate, that we do not doom ourselves to repeat the past simply because we refuse to learn from its most painful lessons. What else can soothe the wailing of the Disaster Dead? What else can truly honor their memory? Never forget is a trite, passive promise when our historical knowledge stretches back thousands of years. We never forgot the 1918 Spanish flu epidemic, but what good did that do us in 2020? Never again is the promise we must make and uphold as a global society. Never again should we allow greed to outweigh the common good. Never again should we ignore experience or science in favor of ignorance. And never again should we allow the loss of lives we could have saved with care, dedication, and preparation.
I carry the Disaster Dead with me always. Some speak louder than others, and some may have come to me sooner, but I carry them all. I mourn them, I honor them, and I try my best to uphold my vow to them – never again.
In the end it isn’t Cascadia who comes to me at all but her mother Gaia, she whose incandescence alchemizes stone into liquid, birthing a great fiery ring of volatile children. She watches with pride as they shape the landscape of her body through sudden cataclysms and eons-long processes deep within her crusts. Cascadia, Mariana, Tahoma, Krakatoa, Mazama, how they rend the brittle earth, how they sink cities beneath waves and raze them with mudflows! How they shake the very planet when they unleash their full energy! It has taken humanity thousands of years to determine how her children work such miracles and disasters, but Gaia does not mind. There is still much for them to discover about the tectonic mysteries of subduction, collision, and volcanism, still so many scientific revelations awaiting those who best understand and truly respect the awesome might of her geologic offspring. That respect serves mankind well, at least when they are willing to listen to something besides their own greed. And when they are not… well, her children are there to act in Gaia’s honor and remind mortals by whose grace they reside on her creation.
My 8th zine is here to rock your world! “Turn to geology on your deathbed“ is full of poetry, prose, and hand-drawn art celebrating the nature and lamenting our role in its destruction. Topics include geology, nature, disasters, climate change, environmental justice, and the burden of being alive in such a dark time. The work here is filled with grief, rage, awe, hope, and responsibility.
As always, you can find physical and digital versions of my zines in my Kofi shop! Physical copies are just $5 plus shipping and digital versions are free/pay-what-you-want.
After a night spent tossing and turning, grieving the endless noise of humanity and the oppressive heat of summer, the pale September dawn extends a peace offering of thin fog hovering over dewy fields dotted by stands of evergreens and clusters of sleepy cows. This isn’t quite reconciliation – evening traffic will still clog the city’s arteries with exhaust fumes and once white-capped mountains are still disturbingly barren – but perhaps it can serve a noble purpose anyway. Whether it’s a true promise of approaching autumn or only the last vestiges of that dying liminal season, soon to go the way of Tahoma’s dwindling glaciers, I take the gift for what it’s worth and tuck it behind my sternum for safe keeping. Some future night when I’m half mad with mourning all we’ve ruined in the name of progress I’ll pull this memory out and wrap it ’round myself like a blanket, breathing in the scent of damp soil until I finally fall asleep.
Bees bob between moss-covered statues in Gaia’s forest garden, big fat bumblebees and tiger-striped honeybees all fuzzy as dandelion puffballs. Globs of golden pollen weigh down spindly legs so they must beat their translucent wings like mad to stay aloft in the warm spring air. I hold my arms out and they gladly alight upon me by the hundreds, settling onto skin and clothing and hair; they’re light as feathers to my sturdy human frame, just ticklish as they explore this unfamiliar blossom. The bees’ droning floods my mind and vibrates down to my bones until it drowns out every dark thought, eases every tensed muscle, even soothes my aching heart. I’m one with the colony and in harmony with the secluded garden around me. I carry this precious gift from the goddess with me when I wake, the memory of bees drifting lazily through beams of sunlight like giant dust motes a balm for my weary soul when I need it most.
Full Name: [ REDACTED ]
Alias(es): Darkelvenmage, Shatterpan, Lightbreaker, The Dark Lady, The Wanderer, Exile Queen
Ship’s Name: The Dread Ship Jolly Roger
Age: Unknown, minimum estimate 3,500+ years
Species: High elf
Weight: Slender build
Distinguishing Marks: Right hand and lower half of arm appear to be made of a substance like shadow made flesh. Fingers on that hand are shaped like long, sharp claws.
Quirks: Likes to leave graffiti around the worlds she visits.
Other Special Traits: Immortal; immune to cold and less susceptible than others to illusion magic.
Magical Abilities: Summon and control lightning; summon and control living shadows, draw down darkness, move through shadows unseen; commune with monsters and beasts; dispel illusions; minor necromancy; break wards, seals, locks, barriers, etc; most sorcery.
Fighting Style: Relies primarily on speed and agility. Takes advantage of opportunities to play dirty, loves taunting her opponent.
Preferred Weapons: Short blades, throwing knives, uncomfortable truths and mockery.
I’m woken abruptly in my dream by music blasting from a phone somewhere. I don’t recognize the song, though the band sounds like Wardruna and among the Norwegian I catch the singer saying “Loki Laufeyson” in the chorus. Stumbling through an unfamiliar house, I finally find the smartphone from which the song is erupting and shut it off. I’m so dizzy, though! Dizzy and tired like I can’t shake the sleep I was torn from so quickly. For a moment I sway where I stand, fighting to clear my head in the silence and force open heavy eyelids, then my legs give out and I fall to the floor.
“Here,” instructs a harsh voice, “eat this.” A woman stands over me, holding out a stone on which herbs have been crushed into a paste. I recognize dandelion petals, maybe the bright yellow of turmeric. That voice isn’t one to disobey lightly so I lick the paste off without question. The drowsiness lifts a bit, allowing me to sit up and look at the speaker. Though She has never shown Herself to me in full, I recognize the Morrigan immediately – I would know that tall, thin form, those high cheekbones and proud hooked nose, anywhere. Her dark eyes bore into mine as if peering through clothing, flesh, and bone to lay bare my soul within.
I try not to squirm under the goddess’s sharp gaze. She thrusts another stone at me, this one naturally curved like a shallow bowl. Water and the remains of the crushed herbs fill its small depression. “Save this,” she instructs. “Even if it tastes terrible, you need to finish it later.” Her tone is clipped with what seems like impatience so I jump up and hurry to find something in which to store the water. I only manage a small glass bowl, more ashtray-shaped than anything else and dusty with disuse, which I can tell when I bring it back is not deemed nice enough. The Morrigan scowls but allows it for now.
“You need to cut back,” She scolds instead, changing the subject. “What you consume clouds your mind, making it impossible for you to hear our messages or to channel your creativity.” She shows me a mental image of something small and triangular, like a pill. Does she mean medication is clouding my mind? Or does this symbolize something else, perhaps a detrimental habit or belief, or some player in my life whose bad influence I haven’t noticed? I think I ask the goddess if the unfamiliar force I’ve been feeling in my life lately could be a new god making themselves known to me and She says yes, perhaps. She also tells me to watch a god’s face when they speak to you, that even gods betray their emotions in their expressions and in this way you can tell if one is lying. Frustrated, I start to ask, “But what if I can’t see them?” because this new force has yet to show itself to me, but I don’t get the chance. Nor do I get the chance to ask Her who or what it was, though I’m sure She knows. The dream changes before I can say anything else and I do not see the Morrigan again.
The river of time bends in its bed just north of here, leaving the Place of Many Berries nestled in the slower currents of its inner curve. The years have been kinder there, marked more by the growth of saplings into trees than the destruction of forests for cheap housing developments and box stores like everywhere else. The kingfishers still perch on telephone wires as they search for salmon fry in the estuary’s lazy waters; the stately heron still wades in the shallows and darts out his long neck to snap up a crab. The same decaying barns still gradually sink into the waiting soil and the same weathered fences still disappear bit by bit beneath encroaching blackberry vines. The beast of greed which devours this sleepy community’s larger neighbors has yet to turn its full ugly gaze on her bountiful woodlands, has yet to covet her velvety nights and clear, crisp mornings, and I pray it never has the chance. I pray society comes to its collective senses before bulldozers break the sacred ground of these fields sprinkled with wildflowers and tadpole ponds. This land grows children quick like deer, curious like crows, and generous as apple trees in autumn. Given a little more of time’s kindness it might raise enough generations of such honorable souls to slay greed’s beast for good – or if not, may it at least remain the last bastion of peace in our rapidly crumbling world. Hold on, home of my youth. We will try to keep you safe as long as possible.
Inanna comes to me as the Whore of Babylon, naked as the dawn with golden goblet of wine in hand. In her wake she leaves a trail of red footprints from the battlefield where she danced on her enemies’ corpses, men who thought her pendulous breasts and round hips were theirs to covet. Plump ruby lips pull back from grinning white teeth as she leans down to spear and hold my meek gaze with her gleaming starlight eyes. You owe them nothing, child, she pronounces in a voice which shakes all of existence from heavens to underworld, not gender, not desire, not beauty. You don’t owe them answers or obedience, please or thank you, respectability or humility. The goddess straightens, taking a long drink from the goblet, then licks wine off her lips like a lioness cleaning blood from her fur. She fixes me with her hard stare once more and points at me with her free hand as she adds, And you sure as fuck don’t owe them silence. Go loud.
Six by six and nine by nine
Honeyed tongue and honey wine
Rowan, ash, yew, and alder
Salt ring around the altar
Red as marrow, black as pitch
Words and wyrd at crossroads stitch
North wind, south wind, moon and sun
With midnight oath Hers become
Close to two years under siege in these endless lockdowns, I decided that I had enough.I had to throw away a cardboard cat house Sheilla made after its resident kitten died of Panleukopenia, two days after I brought him home. A girl from the slum nearby ran off and dragged her mother along, asking her…HOMECOMING
The wolf managed to ignore its hunger the first night but tonight it’s ravenous, so desperate for the taste of fresh meat that when it catches the scent of blood on the wind it eagerly tracks the smell through rainy back alleys and dark city streets. It’s new to the hunt but knows enough to stick to the shadows while it discerns the metallic odor beneath layers of gasoline, cigarette smoke, and exhaust. It reaches the source, a pool of fresh blood at the end of a narrow alleyway, just as a body slumps to the wet pavement.
“Oh. Hello there, lovely beast,” The pale man who stands over the discarded body licks blood from his fingers as he eyes the wolf. Its hackles rise under his flat black stare, growl rumbling out from between bared teeth – no human would dare hold a predator’s gaze so boldly. Instead of shrinking in fear the man smiles, revealing sharp canine teeth. “Aren’t you a fine one with your black fur and blazing blue eyes? Very scary.” He took a step back, gesturing with one hand to the still body. “You look hungry, though. I’m done here if you’d like the rest.”
The wolf hesitates, trying to decipher any lies through the man’s body language, to sift through his strangely indefinable scent for some hint of ulterior motive. Finding none, when the man backs up another step the wolf chooses hunger over wariness and falls upon the body, tearing into the still warm meat with relish. The stranger has disappeared by the time its hunger is finally sated.
Tanim tips his head up, surreptitiously scenting the chill evening air. This basement level apartment seems to be the place, though its unlabelled door and tightly shuttered windows certainly don’t suggest recent occupancy. His new senses haven’t failed him yet, however, so he knocks anyway. After a long moment the door cracks open and familiar dark eyes stare back at him out of a narrow, pale face. Tanim wets his lips; that hard gaze is just as inscrutable up close as it was the night before.
“Hey, I didn’t get a chance to thank you for dinner,” He holds up the bottle of obscenely expensive liquor held in his other hand and offers a tentative smile. “I thought maybe I could pay you back? My name’s Tanim.”
Those dark eyes bore into him a few agonizing seconds longer before one side of the stranger’s thin mouth lifts in the shadow of a wry smile. He opens the door wider, stepping aside and gesturing for Tanim to enter. “Daren,” he replies. “Come on in.”
This is what it means to love the Three of Swords: no matter what choices you make, what mistakes you try to avoid this time around, still you will always come to the blood and the begging. All roads lead here, to this moment when his hands tremble and his eyes glaze with panic and his chest jerks as he sucks in each staccato breath, only to choke up blood on exhalation. Even if you do nothing to hasten this end you will still wind up on your knees beside him one day, your fingers brushing back his tangled hair and wiping at his tears while you plead, “Stay, darling, please, hold on, you can’t go yet.” But he has no choice; his heart was pierced long ago and that unhealed wound bleeds eternally just like yours. He too must have a failsafe in case the time comes when you cannot bear to take up the knife and commit the deed yourself. Did you really think he would be exempt from your shared fate?
Did you really want him to be?
Sometimes it really is this simple: a pile of tangled blankets on the floor, his arm laid across your chest, pale morning light filtering through the half closed curtains. See how gently the dawn limns his strong hands and washes over a brow smoothed by restful sleep. Even you who love to ruin good things are loath to break this fleeting peace and so you lay still, your only movement the slow gliding of your fingers through his sable hair. There will be time later to dwell on the past, to dread the future, to define yourselves by mistakes instead of the good intentions with which they were made. In this finite fragment of your infinite existence you are simply two men, together and in love, and it is enough. May it last.
In my dream I crush spell ingredients against my palms, selenite and lavender and something gritty like sand or charcoal, while behind me a friend whispers sacred words and rubs herbs into the skin at the base of my neck. I look up into the blue dome of the sky where a bright full moon hangs and begin to pray. As I do, a woman appears in the sky beneath the moon, her voluptuous body and flowing robes all rich shades of green; at the same time, above the moon appears the planet Saturn, as close and vibrant as the moon itself. I raise my hands, palms pressed together, and cry out to this glorious vision of Gaia who smiles down at me: Please, give me control of my dreams again, take away my fear, help me be strong! The goddess spreads her arms wide and I’m enveloped in a violet aura of holy energy, the music of birdsong filling my ears as the blessing swirls around me. When it dissipates I’m left shaking with adrenaline and awe.
Ah, the divine duality of man:
that he may bend himself so studiously
to the lifelong search for enlightenment
yet still pass wind and pull his wedged robes from his bottom
and in doing so find the very enlightenment he pursues!
[ An eccentric Buddhist monk told me this in a dream and I swear it was very important despite the toilet humor. ]
I am above all things the scribe. That is my gender, my religion, my morality and creed. See these? They are the scribe’s bones. And these? The scribe’s breasts. Cut open my organs and watch them bleed ink. Uncoil the long strands of my DNA and see how words build its base pairs, not polymers: scribe, sesh, scrība, scríobhaí, grammateús, dubsar. The gods claimed me for their own at my spiritual conception, pressing their fingerprints into the soft surface of my newborn soul so I would carry their whorls and ridges forever. I do not know who I am outside of this role because I do not exist as a complete being apart from it. I am the scribe before every name I have ever borne and beneath every face I have ever worn. And I will be the scribe in every life, in every universe, unto the end of all existence.
Awake or asleep? I bite down and an upper tooth crumbles, filling my mouth with shards and blood. I spit them out but my mouth just floods again.
Awake or asleep? The new apartment is full of earwigs. Did they even bother fumigating before we moved in? I hate it here. I hate this city. Why did we move here? I’ll take any job, even one at that shitty factory, if it means making enough money to move away one day. I have to get out of here.
Awake or asleep? Everything is blurry; I can’t quite see the road past my heavy eyelids. I try to turn the steering wheel but it won’t move, so I just close my eyes as my car jumps the pavement and hurtles into oncoming traffic.
Awake or asleep? As the bus rolls beneath me I stare at the curved scar in the center of my palm. When did I get this? I don’t remember it. Has it always been there? Its mirror twin rests on my other palm. They begin to hurt, a sharp, urgent pain like something is trying to burst through my skin.
Awake or asleep? Above me lightning and meteors illuminate a stormy night sky. The meteors crisscross in a hatchwork, hundreds, then thousands, tens of thousands, and then suddenly – they freeze. Grow brighter. Brighter. Brighter. Their light blazes, burns! Around me people begin to scream and flee, but it’s too late. We’re already infected.
Awake or asleep? This room doesn’t feel quite right. The windows, were there always two? The bed, is it smaller than usual? Does the hallway look correct? Awake or asleep, why doesn’t this feel right? Am I awake or asleep? I’m awake. I’m awake, right? I’m awake, but then I wake up. I wake up, but the room doesn’t feel quite right. The window is wrong. I’m awake, but then I wake up. Something about the bed is strange. Alien. Am I awake? I wake up.
I’m awake. Right?
cupped in my palm
weary bee sipping honey
we talk of lavender