You wax so poetic about the lives of cities, how hot pavement swells with each behemoth breath, subway arteries rushing with electric lifeblood; look at Paris and New York, Rome and Sao Paulo, oh what ancient beasts of civilization! Yet even the oldest cities are naught but animate skeletons, great slabs of concrete death laid out upon the graveyard of a once living land. You want real sentience? You want a consciousness so vast its leviathan architecture is incomprehensible to your human mayfly mind? Go to the country. Go to the wilds. Go to the green growing places where man has yet to fully intrude, where you can be surrounded by things which exist only for themselves and not your convenience or society’s continuity. Walk out into the fields at night; feel the weight of the darkness on your shoulders like a raptor descending, the cool serpentine scales of the silence as it brushes against you. Stare up at the sharp, distant stars which scorn to shine on the polluted corpse-cities and sense like all prey animals the true primordial awareness boring into you. Understand for the first time how very small and fragile and fleeting you are, here among the collective consciousness of a wilderness untamed. The city can kill you just as easily, of course, but when you die in the country they’ll never find your body.
Tanim and Daren are gods who balance and oppose each other – sun and moon, summer and winter, light and dark. Yet, while I am certain that Daren is the chosen form of Death, it hasn’t felt right to say that Tanim is therefore the form which Life has chosen to take. He doesn’t feel like Life. Life, at least in opposition to Death, is a thing of creation and fertility, generosity and gentleness, and Tanim doesn’t embody those qualities. While he isn’t Death, he carries a shard of its mercilessness with him, too much to ever associate him with something so bountiful as Life. So I’ve been struggling to figure out what he is, if not Life, and I’ve come up with a two-part answer that (at the moment at least) seems to solve the equation.
First, what if we remove the labels of Life and Death and look simply at the basic drivers of those forces. For Death it’s stagnation, leaving, the ceasing of the beating heart and the sudden stilling from animate to inanimate. Death is inert. For Life, then, it’s growth, survival, advancement, the strangling by one plant of another to ensure its own propagation or the taking of life by a predator to provide sustenance for its cubs. Life is active. So maybe the equation is less Life versus Death and more Desire versus Death, as Desire drives us forward and Death is the moment all desire ceases.
Second, what if the equation was never meant to be a balance of two opposing forces, but three? That would explain why I haven’t been able to solve it yet. So let’s say there’s a third element here that would balance out Desire and Death. What would it be? We have Desire driving purposeful action, and Death as the ceasing of all action, so… what about Chaos as driving action without purpose? What if the Nameless is supposed to form the third corner of this trinity, so to speak? That would explain her presence and her seeming connection with Tanim and Daren, even though she is decidedly not part of their story. She also offers a bit of a counterpoint to their cycle of life/death/rebirth which is perhaps exactly what they’ve been missing. With Chaos included, Death and Desire don’t have to encompass an entire universe.
So that’s where I am as of several sleepless nights in Spring 2021. I don’t think these three are gods so much as forces of the universe taking form to interact with me, but gods is the easiest term so that’s what I use. Daren is Death, Tanim is Desire, and the Nameless is Chaos. This is not at all intimidating or terrifying and I am totally fine.
The day we’re knocking on heaven’s door for Grey; Bara was downstairs, getting ready for his own battle. In so much extent, his situation is better, though the risk of the surgery is just as great. The guilt from failing to bring Grey back is still an overwhelming pressure. Though cats are said to have…ETERNAL FLAME
Worship the monstresses, girl;
they are hungry and fathomless.
Feed your rage to Ammit.
Feed your sorrow to Medusa.
Feed your terror to Charybdis.
Lay your howling at the altar of the Nameless
and let her fill you with the cold vacuum of the void.
Worship the beast queens, girl;
they will teach you to devour your oppressors.
Holy shit, you do not feel good. You are dimly aware that one of the witches from the bar has followed you out, but you trudge stubbornly through the parking lot without acknowledging her. You’re fine, you just used too much magic, you’ll sleep off the drain and feel better in the morning. It begins to rain; you ignore it, letting the fat drops soak your tangled black hair. Did you park here? You can’t remember through the fever haze. Better to just walk home, it’s not that far (no one’s going to steal that junk heap anyway).
You let your combat boots lead the way down the familiar sidewalk, exhaustion dragging down your eyelids, the chill rain a distant irritation in the growing dark. But your steps are uneven no matter how carefully you try to place them and though you could swear you haven’t let your eyes close for more than an instant, suddenly you’re tripping over railroad ties and rusty nails, splashing through weeds and puddles instead of stepping on firm cement. You’ve wandered a bit off your path, haven’t you? And shit, you’re so fucking tired you could fall flat on your face right here and spend the night in the ditch for all you care. Then you do start to fall (whoops), but there are arms waiting to catch you…
You wake beneath blankets in a bed about a hundred times more comfortable than yours. The witch from the bar, the one who followed you (earlier tonight? yesterday?), sits beside you. Now that you’ve slept off the spell drain fever and can actually focus, you realize she’s all kinds of gorgeous and you’re briefly mortified for going so weak around her. She’s going to think you’re some newbie baby witch who can’t handle herself. But then she asks you how old you are (“very” you answer as the flames crackle in your ears and the smoke sears your lungs from across the centuries) and there’s wonder in her voice, not mockery, certainly not pity. She explains that they solved the issue of spell drain a while ago but that of course a witch your age wouldn’t know that. (You’re from a time when it wasn’t safe to trust other witches; you never really shook that habit, did you?)
But maybe for her you could. You get to talking as you recuperate through the morning and she tells you about her life. This home serves as her coven’s base; she teaches mortuary science at the local university, and many of her students are fellow witches who live here with her. They provide funerary services as well, to both the witch and non-witch communities. She’s funny and sweet and has a level head on her shoulders, and she doesn’t let you get away with any bullshit. Not that you attempt much, apart from some initial cagey answers and sarcasm drier than the flames of Hell, because you find the truth spilling from your lips more easily than it ever has. Magic? No. She’s just so damn genuine that she makes you want to be genuine as well. (Guess there’s a first time for everything.)
You realize as she talks that you want to be part of her world, of her life here in this busy house full of youthful noise and camaraderie. You want it more than you’ve wanted anything in all your centuries of existence – save one. And as your eyes meet, the words between you falling silent with anticipation, you cup her face in your hands and find that thing which you have most longed for (and never thought could be yours) on her sweet lips.
In one of the lesser stone halls, far from anything of significance, there is a wooden door. If you step within (it is forbidden, but not impossible when the guards are on their rounds) you’ll find a small room lined with warm, richly carved wood. On a side table sits a leather-bound book, its pages filled with cramped text and beautiful illustrations. You won’t have time to fully read the tale preserved in these pages but your eyes will be drawn to the art and the captivating woman who stares back at you. Her proud features are faintly aquatic, the angles of her face sharp and predatory like a deep sea creature’s, but her luminous eyes hold only a fathomless sorrow. Merrowyn, the text calls her. She is queen and goddess both to her people.
You won’t have much time before the guards catch you, so hurry through the next door. In this larger chamber you’ll find something that seems both museum and mausoleum. It is an exhibit of sorts, at any rate, though one not meant for your eyes. Here beneath glass lay the only remaining artifacts of the civilization that once ruled these lands. Paintings, pottery, fragments of scrolls; someone has even sculpted life-sized statues to capture the image of these extinct people forever. They are blue-skinned and amphibious like their goddess, some with gleaming iridescent scales or ridges of fins, little barnacles dotting their elders like liver spots. It’s clear they were a peaceful people; they dressed in flowing cloth, wove seashells and gems into their long locks, and none pictured seems to bear a weapon. From a speaker somewhere overhead their only remaining song plays, a mournful dirge moaned by a chorus of haunting voices in a language long dead. You can’t possibly know the words and yet they will make you want to weep anyway.
Having seen this, will you understand? Will you comprehend the bones on which your kingdom was built and the destiny they’ve kept from you all these years? You must because the guards will be coming, they will find you here in this forbidden place, your mind full of this forbidden knowledge, and you had better have a plan. Merrowyn’s blood runs in your veins, after all, and you are her people’s last hope.
I’ve carried the burden of extinction on my shoulders since I was a child, haunted by the sacred spirits of panthera uncia, tigris, and leo, by puma concolor and acinonyx jubatus, by the wailing specters of the burning Amazon and the melting Arctic. Even then I saw the irreversible trajectory of our folly and in the years since no amount of hope in mankind nor faith in divinity could shake that nihilistic certainty. I do not need cursed Cassandra’s terrible gift to know we crossed the point of no return long ago; we will never invent a technology capable of undoing the evils mankind has wrought, and certainly not in time to reverse the mass death we’ve set in motion. Even my childself, full of the dreams and promises of youth, understood the planetary genocide to which she’d bear witness in her lifetime.
Yet as I drown in grief I must remember my own words: turn to geology on your deathbed, it is the only science that can save you. When the ocean is clotted with orcinus orca’s ghosts and plastic shopping bags, it will still wear away continents and heave forth cataclysmic waves. When the mountains are littered with canis lupus corpses and abandoned solar panels, they will still cleave the sky and bury empty cities in eruptions of ash and mud. When every living thing is dead and we have finally committed the last of our species’ incomprehensible crimes, the earth will still remain. The planet will continue its endless cycles of upheaval and erosion, rupture and subduction, its titanic geologic metamorphosis, as if we had never been. Earth, at least, we cannot truly kill, no matter how hard we try.
Preserving the Memory of the Great Tohoku Earthquake and Tsunami in Literature
March 11th, 2021 marks the 10th anniversary of the Great Tohoku Earthquake and Tsunami, one of the most devastating disasters in recorded human history. The magnitude 9.0 quake which struck off the eastern coast of Japan on March 11th, 2011 remains the 4th largest recorded earthquake in modern times; it not only caused widespread damage in Japan, but even shifted the axis of the Earth. The massive tsunami following minutes after the quake took the lives of over 10,000 people, triggered meltdowns at 3 reactors in the Fukushima Daiichi Nuclear Power Plant complex, and left over $235 billion US dollars’ worth of destruction in its wake. After crossing the Pacific Ocean, its waves struck distant coasts hard enough to cause notable damage in the United States, Papua New Guinea, Peru, Chile, and the Galapagos Islands.
Yet the true human impact of such earth-shaking disasters is not captured only in the number of casualties or the cost of response and recovery; it is captured in the personal experiences and journeys of those who survived, and the memories they bear of those who did not. So too are the lessons they learned, which are priceless to those of us who live on or near vulnerable coastlines. For example, with the Cascadia Subduction Zone just off the North American West Coast, our “Big One” could look very similar to Japan’s and strike with just as little warning. As we say in the emergency preparedness world – it’s a matter of WHEN, not IF.
Therefore, in honor of the 10th anniversary of the Great Tohoku Earthquake and Tsunami, I would like to share some of my favorite written works on the subject. There can be no better way to honor those who lost their lives to this tragedy, nor to show our respect to the survivors who have worked so hard rebuilding their communities, than to take their stories and lessons to heart. Don’t let the subject matter dissuade you; we should not shy away from tragedy, because in tragedies like the Great Tohoku Earthquake and Tsunami we find poignant evidence of the beauty and strength of the human spirit.
Ghosts of the Tsunami: Death and Life in Japan’s Disaster Zone by Richard Lloyd Parry
Ghosts of the Tsunami is not a light read, yet it is absolutely worth the emotional journey. While Ghosts of the Tsunami touches on other aspects of the Great Tohoku Earthquake and Tsunami, its focus is the tragedy of Okawa Elementary and the 74 students lost while under their teachers’ care. Parry’s masterful narrative follows their grieving families through the immediate aftermath of the disaster and continues over the span of many years as some parents seek closure while others push for answers and accountability. The story of these families is a haunting reminder that disasters of this magnitude have the power to reshape the future of a community for generations – not only through quantifiable impacts like infrastructure and economic damage, but through the responsibility and emotional burden survivors carry with them.
So Happy to See Cherry Blossoms: Haiku from the Year of the Great Earthquake and Tsunami edited by Mayuzumi Madoka
Given the importance of poetry in Japanese culture, it is no surprise that there are several poetry collections about the Great Tohoku Earthquake and Tsunami. So Happy to See Cherry Blossoms is distinctive for both the poignancy of its 17-syllable poems, all of which were written by Japanese citizens who personally experienced the disaster, and the amount of detail provided within. Along with both the Japanese and English translations of each poem, the reader is provided with the authors name, age, the number of tsunami-related fatalities in their hometown, and either backstory or direct quotes from the author explaining the inspiration for the piece. Interspersed between chapters is also commentary from the editor, distinguished haiku poet Mayuzumi Madoka, who travelled through the disaster zone in the months after to help survivors heal through poetry writing.
The Phone Booth in Mr. Hirota’s Garden by Heather Smith and Rachel Wada
The Phone Booth in Mr. Hirota’s Garden is a beautifully illustrated children’s book based on the true story of “Kaze no Denwa” (the phone of the wind or wind phone), a disconnected phone booth built by 72-year-old garden designer Itaru Sasaki to help him process the death of a close relative. After the tsunami devastated his town, other survivors began using the phone booth to communicate with their own lost family and friends; many found this expression of grief gave them the closure they needed to begin healing. Tens of thousands of people have visited the phone booth since 2011, many even traveling from other countries to experience its unique form of therapy. The Phone Booth in Mr. Hirota’s Garden crafts a simple yet heart-wrenching version of this story that speaks equally to young readers and adults alike, reminding us that grief is part of the human experience and healing can be found in the unlikeliest places.
Beyond Me by Annie Donwerth-Chikamatsu
Beyond Me is a fiction novel-in-verse told from the point of view of a 5th grader named Maya. Maya experiences the March 11th earthquake from the relative safety of her inland town where she’s lucky to lose neither her family nor her home. Instead, she struggles with survivor’s guilt and the trauma brought on by constant unpredictable aftershocks, many of which are major earthquakes in their own right. This is where Beyond Me truly shines – through clever use of font formatting and a disjointed writing style, the reader experiences each earthquake in real-time with Maya. Dropped into Maya’s uncertain world where even the ground beneath your feet can’t be trusted, readers of any age will identify with her conflicted emotions. Likewise, I’m sure many readers will identify with the impulse to ignore one’s own problems because “others have it worse”, and hopefully will learn with Maya how to help both themselves and others in a healthy way.
In addition to these 4 books, below is a short list of additional recommendations. This is hardly an exhaustive list of the English-language literature available on the Great Tohoku Earthquake and Tsunami, but I believe there is something of value available for everyone (and all ages!).
Drowning in the Floating World: Poems – Meg Eden
Facing the Wave: A Journey in the Wake of the Tsunami – Gretel Ehrlich
March Was Made of Yarn: Writers Respond to Japan’s Earthquake, Tsunami, and Nuclear Meltdown – Ed. David Karashima, Elmer Luke
The Orphan Tsunami of 1700: Japanese Clues to a Parent Earthquake in North America by Brian Atwater, Musumi-Rokkaku Satoko, Satake Kenji, Tsuji Yoshinobu, Ueda Kazue, and David Yamaguchi
Tsunami vs the Fukushima 50: Poems – Lee Ann Roripaugh
Up from the Sea – Leza Lowitz
Your fingers like iron around his neck, your arm a statement of possession around his waist; ah, we return to tread familiar ground! You dance hip to hip beneath a moonless night sky and when the forest’s monsters come sprinting forth to take him down as prey they stop short at his outstretched hand. He reeks of you, of Death, and even these many-fanged and many-clawed beasts flee in fear of that primal entity so much older than they. You watch their retreat over his shoulder with a knife-blade smile, starlight limming the white skull painted on your pale face, and drag his mouth to yours.
In my dream, myself and two girls were led to a room where women in beautiful robes crafted elaborate porcelain masks. One of the women sat us at an empty table amid the group and served us tea in delicate china cups. Just one sip of tea sent us all into some sort of trance state and it suddenly seemed as if my face was submerged in a pool or bowl of bright water, yet I could still breathe easily.
I blinked and then before me in the water I saw the square of a great ancient city. Where the branching streets met in the center of the square stood what looked like a big fountain, though I couldn’t make out its shape. Then it moved and I realized it was a living statue in the shape of a lioness with white marble skin. The statue sat up, golden eyes blazing out of a lean face, and then on its head raised up a white serpent with matching gold eyes. I recognized Her immediately – my mother, the goddess Bast. Identical statues on either side which I had not noticed moved as well to mirror the pose of this one. Then another feline head, far larger, rose in the sky above the middle statue. Its eyes were as big and as bright as the sun; they were the sun. I knew then this was Bast, yes, but specifically the royal Bast, Bast as the Eye of Ra, the blazing sun, Queen of the Gods crowned in the sun disk and uraeus. I think I was crying from happiness, honored to receive a visit from Her in a dream.
The image faded and in the water I saw next the sweet, smiling face of a domestic cat. The little cat said something like, “You see but you don’t understand. Understand.” It was ‘understand’ with the implication of trust, though, like I can see the truth of divinity but I’m not letting myself trust enough to embrace it fully, or to trust that it’s meant for me, and that’s blocking my ability to fully grasp the gods’ messages. Something like that. I just felt so much love from Her, filling and overflowing every corner of my being. Then the trance state lifted and I was back in the room with the mask-makers. The other girls were too. We looked at each other in wordless wonder for what we each had separately experienced, tears streaming down our faces, then hugged each other tightly. The woman who had served us the tea smiled and escorted us out.
Be careful when promising your firstborn! Make sure you stipulate your first born human child, blood of your blood and flesh of your flesh. Otherwise the fae with whom you made the fateful arrangement might one day come for your first novel, your first painting, your first album. They are wily ones who find even the smallest loopholes in an agreement; if that contract isn’t airtight, it won’t matter if you never have a child in the traditional sense. On the day you complete your first and most precious creation, no matter what form it takes, the fae will come knocking. Will the bargain have been worth it when they leave with the product of your sweat, blood, and tears?
“Point,” Alice scowled as the practice blade darted through her defense and poked at an unpadded joint. She shifted her stance and went on the offense.
“Point,” The blade whipped around Ali’s attack to tap her unguarded throat. Blowing a sweaty strand of hair off her face with an impatient huff, she responded with a renewed assault, her own rapier a flashing blur in the sunlight.
“Point,” Mage grinned as she slipped around the whirling blade, snuck a quick jab through another gap in her opponent’s light armor, and jumped back before Ali could retaliate. “Jeeze,” she called, “did you line your armor with lead or something? Why’re you moving so damn slow?”
“I’m just tired,” Alice growled, trying to close the distance between them with each swing of her blade. “Some of us have been dreamwalking to aid the defenseless instead of lazing about the palace all day.” Mage only scoffed at this. “Oh darling,” she retorted, “you and I both know that’s not what this is about! You’ve been out of sorts for weeks. Something on your–” she dashed in, bopped Alice on the crown with her free hand, and dashed back out, “–mind?”
“No!” Ali rubbed her head and fixed Mage with a baleful glare. “I’m fine! Just drop it.”
“You suuuuure?” The elf danced in a circle around Alice, feinting with the practice blade just enough to force the other immortal off-balance from dodging. “‘Cause you seem pretty distracted lately! What is it, huh? What’s up? What’s going on?” Her sword moved in time with the rapid-fire questions. “Are you mad? Are you sad? Are you hangry? Are you–“
“I’m not mad!” The shout echoed through the training ground, followed by the clattering of Alice’s falling sword. It startled even Mage into stillness. Ali’s next words were a mutter through clenched teeth. “I’m jealous, okay? I’m jealous that you got to have your revenge. You spent years meting out your own brand of justice for what Tivius did. You broke the Lighthouse, for gods’ sake! I’m not saying I wish I had done it instead, or that I agree with what you did, but…” She shrugged. “At least you let all your wounds bleed themselves clean.”
“Ali…” The sound was more sigh than actual commentary. Mage set her rapier down with a bit more care than Alice had and closed the distance between them. Before she could offer any platitudes, snarky or otherwise, Alice held up a hand to stop her. “It’s true,” the woman continued. “I fought for Tivs’ legacy until the very end, even when I was utterly alone. And then we came here and all that’s suddenly in the past, we’re free, time to let it go, and I guess I never dealt with the emotions I’d buried during the war. Not the way you did.” She hugged her arms around her thin frame. “I think I tried to heal the wounds he left so quickly that I never bothered to drain them and now they’re…”
“Infected and full of puss?” Mage offered helpfully. The lump that had been building in Alice’s throat broke free in a burst of laughter. “Yeah,” she chuckled, “something like that.”
“Hmm…” A sly smile pulled up one corner of Mage’s mouth. “You know, normally I’d suggest tracking down the motherfucker who hurt you and exacting some very physical revenge as therapy, but in this circumstance that’s rather complicated. So…” The training ground blurred around them with a snap of Mage’s fingers. When their surroundings sharpened once more, Alice and Mage stood on the swaying deck of the Jolly Roger. Lightning jumped between storm clouds overhead and briefly illuminated the dark hulk of an island on the horizon.
“There we go!” Mage clapped Ali on the back and bent to retrieve her sword. “Why don’t you try reliving one of my battles? Blowing shit up can be very liberating.”
tsunami’s skeleton lingers
tanker carcasses, prefab husks
concrete seawall spirit tablets
restless plates rattle memorial bones
decaying half-lives, funereal mud
seventy thousand pine tree ghosts
you ask why I rage
while you toss the leavings
from your chainsaws
on my fires
Beyond rock bottom is the void
waiting to wrap you in chaos.
She is not capable of love;
isn’t that comforting?
they cut your lover from your side, thinking to fell you once and for all, yet you rose again crowned in a blade of shadow, stripped of humanity and laid bare to your immortal intensity beneath, no longer the earthbound godling ruled by the fallibility of the flesh but Death Ascendant rimmed in wings like shards of ice, cold as the knife and hard as the fall
“Incitement of the Morrigan”
Warriors, why do you let your weapons fall?
A battle lost is not yet a battle done!
Does the outnumbered wolf bare her throat
to await the killing bite? Never!
She fights until her very last breath
no matter how much blood she’s lost
or how her vision darkens!
Her snapping jaws are ever at the ready
to take one final foe down with her.
Pick up your blades, warriors;
fight with every heartbeat left!
CW: brief mention of attempted sexual assault
In my dream I drag the would-be rapist down the stairs of the porch by his hair, fingers sticky with blood. In my other hand I grip a hammer of pure silver. The girl follows behind, stifling her sobs behind her hands; unviolated, yet not uninjured. The music from the party inside vibrates the cool night air and throbs in time with my war-drum heartbeat.
“You fucking coward!” A crowd gathers as I throw the young man to the pavement. “You worm, you stain, how dare you!” My voice thunders like Sekhmet’s, a lioness battle cry of wrath, while my prey cowers below me. “You will touch no one. You will hurt no one ever again.” My pointing finger condemns him as sure as any blade. “I bind you. I take away your name. No one will know you. No one will welcome you or give you succor. No one will remember you. No one will mourn you.”
Somewhere in the crowd, the woman I love watches. The silver hammer gleams in the moonlight as I raise it high. “You will wander unloved and unwanted the rest of your days, scorned by all,” I swear, “and when you die the darkness will devour your rotten heart and you will cease to exist.”
The crowd roars as I smash the man’s head open.
I thought Tsunami would be a feral thing, silt between her teeth and gasoline rainbow hair tangled with fishing nets, distorted siren wail vomiting toxic black sludge. She’s frenetic, ravenous, a cataclysmic Charybdis, right? But Tsunami was scoured clean when I met him, a china-white skeleton in black robes like a Buddhist monk’s. Such silence in the sockets of that rictus face, such stillness, such unwarranted serenity! We look the same beneath, he told me, and I saw that I too had rotted down to fragile paper crane bones. The revelation did not disturb me; it was comforting to be done with the meat and its attendant miseries. We did indeed look identical, Tsunami and I. Just two skeletons clad in black, smiling through eternity.
in my dreams
I slit the throats of abusive fathers
my nails sharp as harpy talons
I drag rapists into the streets by their hair
smash their skulls with a silver hammer
I ride laughing through dark woods
on the back of a great goat
I fear nothing
and no one
in my dreams
Forgive my lack of manners, I just /devour/ poetry
can never seem to let it breathe, take a sip
roll the vintage along my pallet and
discern dimensions of linguistic terroir.
I am just so /parched/ you see
I swig straight from the bottle like a boor
each syllable sweet as honeyed wine
divine versification rejuvenation!
But then the last stanza’s been swallowed
metaphors drying on my tongue
and I’m a desert /desperate/ for a drop
pining for poetry’s reprieve once more.
Born under Leo in the year of the Dragon
Ace of Wands embers smoldering in my marrow
I am driven to create, feverish with purpose.
Yet now I prostrate myself upon winter’s wet soil
extinguish my flames, welcome the dark
and let scavengers tear out the choicest sweets.
I shall disperse in beetle bellies, corvid craws
rot down to inert atoms under the moonlight
cease, surrender, stagnate
I consult the Oracle while she sweeps the kitchen floor; my spilled guts collect in little piles with the cat hair and the pine needles. Tossing this detritus in the trash, she tells me to let go of the presumption that my gods have abandoned me. She reminds me that I am no more the person I was when I met them half a lifetime ago than they are now the men they were that same fateful day. People grow; why not gods? I cannot expect our relationship to remain static when we three have changed so much, nor can I expect the old methods of communion to yield the same results. I have to discover who and what we have become in the years we’ve walked this shared road, and where we are meant to go from here. To do this I must have faith, the Oracle says. Faith is not a passive state, it is a choice we make actively every day. I must let go of my death grip on the past and choose to have faith in the gods to which I pledged myself, and trust that everything will work out as intended.
The Oracle’s words are wise, I know they are, and I cannot ignore the truth in them. Yet I’m so afraid – too afraid, perhaps, to risk the rest of my wounded heart solely on faith – and so I make a face at her and go back to playing on my phone.
When your raging heart demands justice
and you can stomach no more sour lies
cry out to the Goddess.
Hers are the swift claws of judgment.
Hers are the red teeth of retribution.
Hers is the molten heart of the sun
that annihilates all shadow.
Even Ra the Great and Powerful
sends forth His bright-burning daughters
when evil demands holy reckoning.
This January marks six years since Bast called me to begin walking Her path. Like a kitten first opening its eyes to glimpse the warm presence which has nurtured it from birth, comprehending now that Mother is an entity unto itself, so I went from stumbling agnosticism to sudden unwavering faith. With eyes wide open I saw so clearly all which had seemed before too good to be true; spirits, magic, witchcraft, other realms, and of course the gods.
Bast kindled my conscious spiritual journey that year. Under Her patient tutelage I waded into the waters of polytheism and the modern pagan community. Though I had long believed in “something”, even felt as if that something watched over me, only now did I have a name and established frameworks to build from. There was so much to learn! So much to unlearn! I felt every bit the uncoordinated kitten, yet an uncoordinated kitten who could take chances and make mistakes in the safety of mother’s watchful presence.
Other gods came in time – Inanna, Wepwawet, the Morrigan, Hathor – and their paths often required more focus than Bast’s, yet She remained always at my side. Even in my deepest depression, when I questioned not just the existence of the gods but the very concept of the soul and all that animated the universe, still I felt Her beside me in the darkness. I could not doubt Her existence when Her inextinguishable flame burned in my own chest. I am a child of Bast; it was She who shaped my soul into existence and it will bear Her mark for eternity.
So here I am, six years along on a journey I never imagined I’d take. My spirituality threads through every aspect of my life and plays a major role in all that I do. I am many things now – proud kemetic, proud polytheist pagan, proud witch – and no longer the uncoordinated kitten, though neither am I yet the confident adult. I’m still learning and unlearning, making mistakes, discovering new paths and identities. Through it all Bast is here to guide me and I remain so honored, so humbled, to walk Her path and do Her work in this world.
What newborn pup could tell
sweet milk from sour
fresh meat from rotten?
I, too, long
to bite the hand that fed me
knowing what I know now.
After all, my corpse so easily reaches out
‘cross space and time to touch its siblings:
to lay in the snow on a stark Russian mountainside
(it was not your fault, Igor, you could not have known);
to curl up among the masses huddled
beneath Pompeii’s tephra burial shroud;
to drown in Sendai’s monstrous waves
or freeze in the north Atlantic on a clear April night.
These deaths, these beloved dead,
are clear as my own memories.
Is this witchcraft?
Is this wyrd?
(Is this anything?)
I am a fragile thing
bone and soft meat
like a mollusc shell I fold over the words inside me
and think, I will protect you
Behold, my 2020 book list! 2020 wasn’t kind to me reading-wise, as being part of my state’s covid response really messed up my overall schedule, so I read way fewer books this year than in most years. Still, I made up for that by reading some REALLY good books – including 26 with queer characters and at least 13 from authors of color. Highlights included The Faceless Old Woman Who Secretly Lives in Your Home, The Shadow of Kyoshi, and the Locked Tomb, Broken Earth, and Ascendant trilogies. House of Leaves was good, but I was expecting it to have a higher body count and I wanted more spooky house shenanigans and less relationship angst.
Did you read any of these books? DO YOU WANT TO TALK ABOUT THEM WITH ME?? Let me know!
- All the Windwracked Stars – Elizabeth Bear
- The Grand Escape – Phyllis Reynolds Naylor
- Flaming Lioness: Ancient Hymns for Egyptian Goddesses – Chelsea Luellon Bolton
- By the Mountain Bound – Elizabeth Bear
- The Sea Thy Mistress – Elizabeth Bear
- She-ra and the Princesses of Power: Legend of the Fire Princess – Gigi D.G
- House of Leaves – Mark Z Danielewski
- Ice Ghosts: The Epic Hunt for the Lost Franklin Expedition – Paul Watson
- Inanna, Queen of Heaven and Earth: Her Stories and Hymns From Sumer – Diane Wolkstein and Samuel Noah Kramer
- The Cat in Ancient Egypt – Jaromir Malek
- Karen Memory – Elizabeth Bear
- March Was Made of Yarn: Reflections on the Japanese Earthquake, Tsunami, and Nuclear Meltdown – Ed. by Elmer Luke and David Karashima
- Down With the Old Canoe: A Cultural History of the Titanic – Steven Biel
- Ghosts of the Tsunami: Death and Life in Japan’s Disaster Zone – Richard Lloyd Parry
- Deathless Divide (Dread Nation) – Justina Ireland
- Stone Mad: A Karen Memory Adventure – Elizabeth Bear
- The Faceless Old Woman Who Secretly Lives In Your Home: A Welcome to Night Vale Novel – Joseph Fink and Jeffrey Cranor
- Lord of Strength and Power: Ancient Hymns for Wepwawet – Chelsea Luellon Bolton
- Descent to the Goddess: A Way of Initiation for Women – Sylvia Brinton Perera
- The Essential Rumi – Trans. by Coleman Barks
- The Best of Elizabeth Bear – Elizabeth Bear
- Mongrels – Stephen Graham Jones
- Gideon the Ninth (The Locked Tomb Trilogy Book 1) – Tamsyn Muir
- The Shadow of Kyoshi – FC Lee
- Harrow the Ninth (The Locked Tomb Trilogy Book 2) – Tamsyn Muir
- Drowning in the Floating World: Poems – Meg Eden
- Lord of the Ways: An Anthology for Wepwawet – Ed. Dianne Bolton
- Seven Devils – Laura Lam and Elizabeth May
- The Fifth Season (The Broken Earth Book 1) – N K Jemisin
- The Obelisk Gate (The Broken Earth Book 2) – N K Jemisin
- Heathen: Volume 3 – Natasha Alterici
- The Stone Sky (The Broken Earth Book 3) – N K Jemisin
- Dragon Pearl – Yoon Ha Lee
- Excuse Me, Are You A Witch? – Emily Horn and Pawet Pawlak
- Crow And Weasel – Barry Lopez and Tom Pohrt
- Girls of Paper and Fire – Natasha Ngan
- Wilder Girls – Rory Power
- The Scapegracers – Hannah Abigail Clarke
- The Deep – Rivers Solomon
- The Priory of the Orange Tree – Samantha Shannon
- Three for the Road: Stories from Dread Nation – Justina Ireland
- The Tiger’s Daughter (The Ascendant Trilogy Book 1) – K Arsenault Rivera
- The Phoenix Empress (The Ascendant Trilogy Book 2) – K Arsenault Rivera
- Girls of Storm and Shadow – Natasha Ngan
- Witch Pilgrim Heretic – K.D. Hume
- Titanic: Psychic Forewarnings of a Tragedy – George Behe
Perfectly. Immanuel means “God with us” and you all have been the best representative of such statement through and through. Each new rescue, whatever the case: from simple muscle sprain to malignant tumor. From mere parasite infestation to terminal injury. Young, old, female, male, when they come into our home; you: the whiskers’ syndicate delivers. […]…AND THEY WILL CALL YOU IMMANUEL