I am the fire; I am the bones.
I am the reed; I am the clay.
I am the ink; I am the papyrus.
I am the fire; I am the bones.
I am the reed; I am the clay.
I am the ink; I am the papyrus.
I carry the Disaster Dead with me always: Okawa’s precious children, lost to the waves; Pompeii’s huddled masses, lost to the ash; Titanic’s frozen passengers, lost to the cold. And more, so many more taken by pandemics, hurricanes, heatwaves, earthquakes, wildfires, famine. The burden of their unnecessary deaths is a reminder of the necessity of knowledge. Knowledge empowers the uninformed. Knowledge prepares the vulnerable. Knowledge saves lives that might otherwise fall to preventable, or at least mitigable, forces. There are no natural disasters, after all, only natural hazards exacerbated by human action – or inaction. Okawa’s children did not have to die within reach of high ground. Texans did not need to freeze in their homes. The west coast does not have to burn every summer for longer and longer periods until “fire season” becomes a meaningless phrase.
The Disaster Dead are also a reminder of my own self-ordained responsibility to ensure the people of my homeland do not share a similar fate, that we do not doom ourselves to repeat the past simply because we refuse to learn from its most painful lessons. What else can soothe the wailing of the Disaster Dead? What else can truly honor their memory? Never forget is a trite, passive promise when our historical knowledge stretches back thousands of years. We never forgot the 1918 Spanish flu epidemic, but what good did that do us in 2020? Never again is the promise we must make and uphold as a global society. Never again should we allow greed to outweigh the common good. Never again should we ignore experience or science in favor of ignorance. And never again should we allow the loss of lives we could have saved with care, dedication, and preparation.
I carry the Disaster Dead with me always. Some speak louder than others, and some may have come to me sooner, but I carry them all. I mourn them, I honor them, and I try my best to uphold my vow to them – never again.
everything I write that is not about you is a stop-gap measure to stave off starvation, I finished the last of the spoiled canned goods and am resorting now to gnawing the tough leather of my boot soles, and if this continues much longer all they will find of me are scattered white bones, the smooth calcium marred by the serrations of my knife
Devotion quarried the stones and raised the temples
carved the statues and gilded the icons.
Devotion preserved the myths and protected the tombs
dusted off the altars and restored the artwork.
Devotion carried their gods around the world
and devotion carries them into the future.
Deathwork and the Preservation of Life
I had one of those “oh my god, DUH” epiphanies the other day. I was thinking about my increasing call toward deathwork and how that’s reflected in my life. In some ways it makes perfect sense: I was always that weird kid who was a little too obsessed with morbid historical events like the sinking of the Titanic and the cataclysmic fate of Pompeii; all of the gods I follow have ties to death or the underworld; and my own life has been touched by death in many ways. On the other hand, I have never felt any desire to go into forensics/criminology, mortuary sciences, end of life care, or other death-related career fields. I’m happy in emergency management and I have no plans to leave this field. That must mean I’m not really a death witch, I thought. If I was a legit death witch, I’d feel driven to become a mortician or a coroner or something… right?
Then it hit me. My passion career-wise is emergency management and in emergency management your top priority is always preservation of life. And isn’t preservation of life just the opposite side of the deathwork coin? Aha! Death itself is inevitable for all living creatures, true, but many deaths are entirely preventable given the right mitigation and response measures. Every day I do work that will hopefully save lives in the future when Washington state faces its next major tsunami. I do this work in honor of those who have faced similar fates, especially those who lost their lives in the 2004 Indian Ocean and 2011 Japanese tsunamis. Now I realize that by working to prevent unnecessary deaths, I’m filling a necessary role in the greater field of deathwork. It’s a small role, obviously, but I’ve never minded being one cog in a greater machine. What matters is that lives are saved.
When I told my wife about this stunning revelation, she predictably stared at me with her trademark blank expression and asked flatly, “Wait, this just occurred to you?”. Which, fair. It really was quite obvious but I’m known for not connecting the dots when it comes to what’s right in front of me. I just never made the connection that part of honoring death is preventing it when you can or that emergency management could play a significant role in this work. It’s proof to me that I’m on the right path and correctly interpreting the vague “feelings” that constitute my intuition. It also aligns with my most recent oracle reading which urged me to trust that the universe is working in unseen ways to guide me on my path. Point taken!
look into my eyes;
how can you not see I am
Alexandria’s charred skeleton
Delphi’s discard, Pompeii’s corpse-hollows
a husk of a revenant vomiting
endless bean sí grief-wail?
HOW CAN YOU NOT SEE I AM
A THING ALREADY DEAD?
Sleep, oh weary wreck
Salt water dissolves your bones
The tides soothe your ghosts
a tent half buried
the wind keens a mourning song
footprints in the snow
Reading Master and Commander, or: Meet Your New Fandom
Last winter my father told me to read Master and Commander by Patrick O’Brian. This might not seem very odd or momentous to you, but my father has been dead for eleven years. However, when I dreamed of us walking through a bookstore, looking for this exact title, I took the hint and grabbed the book off his shelf where the series has sat untouched all that time. I figured even if I didn’t like the book, I would read it in his honor and move on. Certainly I wasn’t going to attempt reading the entire 20-book series! I know next to nothing about the Napoleonic Wars, the British navy circa 1800, or Georgian society – while I might like the book okay, I just couldn’t imagine liking it enough to read the rest. So I started it with some trepidation… …and then my mind exploded and I developed a new and undeniably intense obsession. Hello, new fandom!
I’m here now to pass on the favor by telling you why you should read what is quite possibly the best western historical fiction of the 20th century, if not western fiction in general. But let’s start at the beginning. I’m betting most of you have no idea who Patrick O’Brian is or what Master and Commander is about, but you may know more than you think. Remember Master and Commander: The Far Side of the World, that boat movie that came out in the early 2000s, the one with Russel Crowe and Paul Bettany as BFFs Captain Jack Aubrey and Dr. Stephen Maturin? If you don’t, ask your dad – I think the movie is required viewing for all fathers. Either way, I will try with my mediocre literary powers to convince you why you should read this entire series right now. So here we go!
Master and Commander throws us into a world at war – it’s the year 1800 and Napoleon is fucking shit up all over Europe, much to the chagrin of the British Navy and her allies. Against this historical backdrop we are taken all across the world, from the icy waters of the Arctic to the blazing deserts of Africa, from the prim and proper society of Georgian England to deserted tropical islands beset by pirates, and everywhere in between. Many books take you to other places but this series does so with a depth of detail and historical accuracy that will leave you feeling like an expert historian.
But I don’t know anything about that time period! you say. Never fear! You don’t particularly need to. Look, high school history class failed me too – I know more about Napoleon from Assassin’s Creed: Unity than I do from any teacher I’ve ever had. Thankfully O’Brian understands the need for accessibility and flawlessly weaves any necessary explanations or information into the text in a way that educates without boring. As for the immense amount of nautical terms thrown back and forth, the reader is comforted in knowing Stephen Maturin has no idea what they mean either. However, I promise you that upon completing the series you could convince anyone that you’re an expert in early 19th century naval history, social status and etiquette, biology, ornithology, entomology, hydrography, naturalism, mathematics, astronomy, religion, medicine, imperialism and colonialism, and just about any other topic you could think of. The amount of research O’Brian had to do to make these books so believable is absolutely mind boggling.
This series is most commonly referred to as the “Aubrey/Maturin novels” or the “Aubreyad”, as the two main characters are naval captain Jack Aubrey and doctor/naturalist/spy Stephen Maturin. Theirs is one of the most beautiful, realistic, and enduring friendships I’ve encountered in any form of media and forms the true heart of the series. These two are such utter dorks that you can’t help but fall in love with them and turn eagerly to their next set of adventures.
On the outside Jack Aubrey is an ambitious naval captain who passionately loves the navy, his crew, and doing anything to foil Britain’s enemies by sea. On deck he’s a dashing master of his ship, called “Lucky Jack Aubrey” for his skill in battle and his frequent taking of prize ships. He bears a number of nasty scars as evidence of his firm belief that a captain must lead, not direct from the sidelines as his men head into danger. Even more, Jack is a man who sees the silver lining in every bad situation and always manages a smile in the face of danger or disaster. His seemingly endless fount of optimism endears him to the reader immediately, especially since we are offered glimpses of the emotional turmoil beneath which he hides not from pride but from the necessity of leadership. I would sail into battle with this man in a heartbeat.
On the inside, however, Jack Aubrey is a big squishy teddy bear and the king of dad jokes (even before he becomes a father). This man finds puns so funny that he laughs at his own before he says them, and laughs even when he can’t think of one to fit the situation. He’s just so tickled by puns and it’s adorable. He’s also quite fond of food and good alcohol, as well as a talented amateur violinist and astronomer. Jack appears at first like our usual dashing hero, eager for battle and flirting with all the pretty ladies, but this James Bond facade masks a dorky, good-humored man with a heart of gold who loves his family and friends fiercely. I love him so much it hurts.
On the outside Stephen Maturin is a singularly intelligent and talented surgeon and famed naturalist with a focus on ornithology (i.e. a huge fucking dork). He’s the most hopeless landlubber ever to fall into the ocean while trying to board a ship, his mastery of multiple languages no help when it comes to naval jargon, and the crew of the HMS Surprise has to constantly keep him from dying at sea. Stephen will go to extreme lengths to observe a particularly interesting bird and can happily monologue for hours about a new species of beetle. He’s your classic nerd: cranky, socially and physically awkward, unkempt, and simultaneously unbelievably smart and totally oblivious to everything around him. He’s everything I want to be.
On the inside, however, Stephen is a man driven by love of his home countries, Ireland and Catalonia, and his resulting abhorrence of all forms of colonialism and oppression, especially slavery. This leads him to become a valuable member of Britain’s spy network to stop Napoleon. Few characters know his secret but the reader is gifted with insight into Stephen’s activities and we come to understand just how dangerous an enemy he can be and how valuable an ally. Stephen’s nerdiness and clumsiness lead to some of the best laughs in the series, yet he can be colder and scarier than any other character. What he is at his core is a good man driven by higher principles and a truly exceptional love for weird birds.
Jack and Stephen might have stolen my heart by the end of the first paragraph (in which they get into a fight at a musical concert because Jack won’t stop air conducting), but the secondary characters are where this series truly outshines its contemporaries. Every single side character is as richly developed and complex as our protagonists and will capture your heart just as easily. From Jack’s loyal crew and officers to Stephen’s odd collection of wayward souls (many of whom are ex-slaves), both men manage to form an extended family of lovable and loving characters. One of my personal favorites is Tom Pullings, one of Jack’s young officers whom we watch grow from little midshipmen to captain of his own ship. His utter adoration for Jack is so sweet it makes me want to throw my book across the room:
“…All except for Pullings, who had the watch, and was walking the quarterdeck with his hands behind his back, pacing in as close an imitation of Captain Aubrey as his form could manage, and remembering, every now and then, to look stern, devilish, as like a right tartar as possible, in spite of his bubbling happiness.”
I know what you’re thinking. That’s great, but this just isn’t my genre. I know I’m gonna be bored. I need magic/sci-fi/paranormal-whatever. And you know what? That is FALSE. Look, I have extremely high standards for my fiction and while I’m a sci-fi/fantasy girl at heart, I’m drawn primarily these days to queer speculative fiction. Historical fiction set in 18th century England is not at all my cup of tea (pun intended)… or so I thought. But please understand the gravity of the following statement:
I have never read a more beautiful, well-written work of fiction than this series in my entire life.
It’s true! In just one book Patrick O’Brian surpassed Ray Bradbury as my Biggest Writing Hero Ever and every single book in the series is as fantastic as the next – how often does that happen? The prose is flawless, at once accessible and laden with historical accuracy, a fast-paced read rich with minute detail. What O’Brian does best, though, is his weaving of subtle humor into every scene; a reader paying close attention is rewarded with some truly humorous, one might even say silly, little scenes and asides. I have to share my two favorites, though they’re a little long:
“The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. ‘Try a piece of this, old cock,’ he said, dipping his cake in the grog and proffering the sop. ‘It might put a little heart into you.’ The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again.
Some minutes later he felt a touch on his knee; the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog; growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying towards the door on its uneven legs: it was given its own bowl and would grip it with its claws, lowering its round face into it and pursing its lips to drink. Sometimes it went to sleep in this position, bowed over the emptiness.
“In this bucket,” said Stephen, walking into the cabin, “in this small half-bucket, now, I have the population of Dublin, London and Paris combined: these animalculae – what is the matter with the sloth?” It was curled on Jack’s knee, breathing heavily: its bowl and Jack’s glass stood empty on the table. Stephen picked it up, peered into its affable, bleary face, shoot it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep.
Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, “Jack, you have debauched my sloth.””
And from the very first book in the series…
“‘I was contemplating on the Pongo,’ Stephen said aloud as the door opened and Jack walked in with a look of eager expectation, carrying a roll of music.
‘I am sure you were,’ cried Jack. ‘A damned creditable thing to be contemplating on, too. Now be a good fellow and take your other foot out of that basin—why on earth did you put it in?—and pull on your stockings, I beg. We have not a moment to lose. No, not blue stockings: we are going on to Mrs Harte’s party—to her rout.’
‘Must I put on silk stockings?’
‘Certainly you must put on silk stockings. And do show a leg, my dear chap: we shall be late, without you spread a little more canvas.’
‘You are always in such a hurry,’ said Stephen peevishly, groping among his possessions. A Montpellier snake glided out with a dry rustling sound and traversed the room in a series of extraordinarily elegant curves, its head held up some eighteen inches above the ground.
‘Oh, oh, oh,’ cried Jack, leaping on to a chair. ‘A snake!’
‘Will these do?’ asked Stephen. ‘They have a hole in them.’
‘Is it poisonous?’
‘Extremely so. I dare say it will attack you, directly. I have very little doubt of it. Was I to put the silk stockings over my worsted stockings, sure the hole would not show: but then, I should stifle with heat. Do not you find it uncommonly hot?’
‘Oh, it must be two fathoms long. Tell me, is it really poisonous? On your oath now?’
‘If you thrust your hand down its throat as far as its back teeth you may meet a little venom; but not otherwise. Malpolon monspessulanus is a very innocent serpent. I think of carrying a dozen aboard, for the rats—ah, if only I had more time, and if it were not for this foolish, illiberal persecution of reptiles … What a pitiful figure you do cut upon that chair, to be sure. Barney, Barney, buck or doe, Has kept me out of Channel Row,’ he sang to the serpent; and, deaf as an adder though it was, it looked happily into his face while he carried it away.”
Also, there’s literally a chapter in one book where our heroes escape from France by buying a recently skinned bear, turning it into a costume, and tricking everyone into believing Stephen is a traveling entertainer and Jack is his pet bear. They walk hundreds of miles to the freedom of the Spanish border over harsh terrain, sometimes acting for pennies in the town square, as Jack just suffers in this stuffy, slowly spoiling meat suit and no one suspects a thing. IT’S THE BEST.
These books aren’t just about laughs, though. They elicit emotions across the spectrum from joy to sorrow, anger to triumph, disbelief to nerve-wracking anticipation. They utterly captivate the reader from page one – twenty books won’t be enough once you get caught up in the Aubreyad! I’ve never read a series that made me want to simultaneously hug and throw my books as often as this series and I truly will be bereft when I finish the last book. This is a stunning example of “genre” fiction raised to the very heights of literature and a must-read for anyone who appreciates complex characterization and masterful prose. You will not be disappointed, I can absolutely promise you that.
I could swear I was there. The distant glittering stars, the glassy black water, the last violin strains of Nearer My God to Thee hovering in the cold air – they are clear as memory. Was I just that weird child, obsessed with death and nature’s might? Am I just that weird adult, expecting the worst in every situation? Or is there something more? I never dream about water so cold it kills; I cannot claim evidence from past life readings or inexplicable historical knowledge. Yet something binds me to that place, to that night, to that terrible disaster so much it feels like a homecoming. Like I belong there. I read the names of those lost and think I know you, I remember you. I want to tell them it wasn’t your fault, you couldn’t have known, no one could have known. Do the Titanic’s wayward ghosts reach beyond their world to those they know will tell their stories or relieve their guilt by solving the nagging unknowns? Perhaps over the years the spirits of fifteen hundred people, at the mercy of trade winds and deep water currents, have scattered across the globe to wash up on far foreign shores. Maybe some small child collecting seashells and beach glass brought something bigger home with them. Or maybe those souls passed on and even in new bodies, even living new lives, that night’s chill remains in their blood and cries out for resolution.
2017 wasn’t my best reading year ever; I blame that whole planning-a-wedding thing. Still, I managed to read a total of 65 books (okay, books AND comics), including 31 with queer characters or content and 42 by non-male authors. Also, I read Atlas Shrugged, which I think should be counted as a feat unto itself (it’s good! but also hella looooong).
So I was digging around my old Tumblr posts and stumbled across something of which I inexplicably have no memory. It was tagged #dreams, so I suppose it was inspired by a dream I had, but even that is drawing a huge blank. Anyway, I was clearly amused by the idea of Mage as Haytham Kenway’s (Grand Master of the Templar Order’s Colonial Rite, duh) daughter and I can’t believe I didn’t do anything more with it. This doesn’t really count as writing, but it needs to be immortalized somewhere.
[Mild Assassins Creed spoilers below]
Mage as Haytham Kenway’s legitimate daughter, which would basically make her Templar royalty.
Mage wrecking shit up during the Revolutionary War.
Mage killing Assassins for Fun and Profit.
Mage being the child Haytham is super proud of, though even the Templars are a little scared of her.
Mage saying “May the Mother of Understanding guide us” just to piss off the crusty old Templar dudes.
Mage with a British accent??
Mage breaking like every lady’s etiquette rule of the time, much to the offense of almost everyone except for Haytham.
Mage being on the side of the Templars during the Seven Years’ War, yet also highly amused whenever the Assassins accidentally destroy another city.
Mage as captain of the Jolly Roger, fighting alongside Shay on the open sea.
Mage and Shay not really getting along, but playing nice around Dad.
Mage defeating Connor in battle to avenge her father’s death.
Mage becoming Grand Master in Haytham’s place because the other colonial Templars are all useless or dead.
Mage and Haytham father/daughter bonding time: interrogating people and then killing them when they’ve given you all the useful information they know.
Mage in Georgian/Industrial Revolution era clothing, but all black and piratey. Possibly even some sort of hook hand that doubles as a hidden blade?
Mage in Haytham’s kickass cape.
Mage hearing about Haytham shooting Achilles in the knee and being like “my dad is such a softy :)”.
Mage being such a daddy’s girl, but it’s totally understandable because her dad is HAYTHAM MOTHERFUCKING KENYWAY.
[ I read a lot of fantastic books this year, especially in the realms of non-fiction (29 books), queer fiction (15 books – rather low for me), and just about anything featuring cats (19 books). I challenged myself with Guns, Germs, and Steel near the end of the year, and will be picking up Atlas Shrugged on January 1st. Then maybe I’ll just read comic books for the rest of the year… (joking!)]
Do you think the Oracle at Delphi ever wanted to just say Fuck, man, I don’t know or maybe You know, I’m just not really feeling it today, can you come back tomorrow? Think she ever got so overwhelmed she almost yelled Shut up! or Go away! or I do not fucking care about your shitty prophecies but bit her lip until it bled just to keep the air of mystery until the last travelers left? How hard it must have been, maintaining that mask of aloof omniscience when the incense was giving her a headache and the gods weren’t being forthcoming. How tired she must have become by the end of the day, sitting straight and tall for hours on end when all the world’s futures weighed on her shoulders. I’m sure at the end of the day there were temple attendants to help her to her chambers, to serve her wine and cheese and massage her feet, but did any of them ask about her day? Did any of them tell her stories or jokes to take her mind off being the axis of destiny? To that end, did anyone even bother to ask her what she saw in her own future, and if she was afraid?
Sometimes history’s repetitions are comforting, the knowledge that others have come before to fight this fight, to suffer this suffering, to stand with arms linked until the tanks or the tear gas or the water cannons mow them down. Sometimes it is enough to know this moment’s horrors aren’t unique, that we will never be the first to want these things and can never be the last to die before they are won. Sometimes being able to stand back and watch the great wheel turn, turn, turn through all of humanity’s existence offers the necessary perspective, the needed distance to see the wisdom of the larger picture.
And sometimes the wheel’s inevitable turning crushes us beneath its rim, presses us into the mud to join the bodies of those who came before. Sometimes knowing the wheel spins in place, ever turning and yet going nowhere, is a cruelty we cannot bear. Sometimes fighting the same old fights, suffering the same old sufferings, facing the same old tanks and bigots and bullets is just too much, and we wonder if there’s any point when those who come after us will face these things as well. Maybe we haven’t figured out how to learn from history yet – or maybe as long as the wheel spins in place, we can’t help but repeat the past.
four millennia stretch between us
you with your reed stylus
I with my ink and keyboard
four millennia ago, the goddess whispered in your ear
four millennia later, the dark gods whisper in mine
we are not so different, you and I
we are not so different, you and I
with our poetry and our pleading
our devotion and determination
your words reverberate in my chest
your heartbeats echo through the ages
I pray mine stand the test of time