#2169

I would eat groves of pomegranates if by their seeds I could be cursed to remain in your kingdom of death forever. I would eat them until my teeth stained red and my fingers yellow, until that bitter juice so infused every cell in my body that I could not pass through to the realm of the living if I so desired. Come try your hand, o lofty gods, come make an attempt o you angels and demons! I would be so tainted that all the powers in the universe could not drag me from your cold realm. Every bite would win me another year until I had swallowed down a victorious eternity of darkness with you. And there I would stay, no need to name me queen – I am content merely to remain by your side.

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#2168

I ask the Morrigan what side of Her I need to better understand and She shows me the Five of Pentacles. Traditionally this card portrays a ragged individual huddled in the snow outside a stone building, their gaunt features highlighted by warm light pouring from a nearby window. I realized when the Morrigan gave me this card that I make several automatic assumptions based on the image. First, that this person is a soldier, with the bandages on their arms or legs suggesting wounds earned in battle. Second, that this stone edifice they shelter beside is a church with a service currently in session. And third, that this soldier stands in the snow outside the church, begging for a coin or bite of bread, because the church refuses to succor them. Why these assumptions? I do not know, but I feel they are the core of the Morrigan’s message regardless of the card’s classical interpretation. To me, the Five of Pentacles shows how the church has turned away this old soldier and yet the Morrigan stands with him in the cold darkness. After the war ends, after the victories and defeats have faded to mere history, the Morrigan remembers all those who fought on both sides. She remembers – and She understands. She understands the ache of old wounds which refuse to heal. She understands the weight of memories too dark to share with loved ones. She understands the difficulty of returning to a society that values war yet devalues those who must wage it. The Morrigan is not only a goddess of battle; She is a goddess of war, and war does not end just because one has left the battlefield.

#2167

I am recording the following for my own reference but I welcome any insights or questions anyone may have. I’m not yet sure what lesson or conclusion I’m supposed to reach in all this. On Friday, October 12th Tanim and Daren (though mostly Daren, I suspect) borrowed my wife (okay, she used the word “hijacked”) for a session of unwitting automatic writing while at work – by which I mean she thought she was taking notes on a patient and looked down to see she had actually written the following with her non-dominant hand:

“It was all there on the table.

The candlestick. The rope. The lead pipe. The wrench. The knife. The gun. He trailed his fingertips along each weapon with veneration.

Clue had always been his favorite board game. He loved the idea of giving six people unique opportunities to kill one another. When he played the game as a child, he often concocted complex scenarios that resulted in the deaths of all six guests. He’d been sent to Sister Reverence’s office more times than he remembered. It was always the same.

‘Young man, this is becoming habitual.’

Habitual. Habit. Like that stupid thing she wears everyday. It would be so easy to grab her by it and pull. Up, up, up. A widening grin. Until she turned purple, like that bitter chalice offered every morning.

STOP TELLING IT. YOU’RE TELLING IT WRONG.”

At this point the writing stopped, but she could still see a scene unfolding very clearly in her mind. She provided me with the following notes:

The party:

  • Took place in the exact same setting as the film “Clue” with the exact same weapons.
  • In an arch over the front door, engraved in script: “Do not die before your death.”
  • Six dinner attendees, each with a golden enveloped invitation: Bast, Inanna, Mage, Morrigan, Tanim, and Wepwawet.
  • Bast: looks like Aya from AC Origins
  • Inanna: looks like The Dean from Carmilla
  • Mage: looks like season one Carmilla from Carmilla. One silver chain at her hip. Could be the Morrigan’s sister. Makes the other guests very uncomfortable.
  • The Morrigan: looks like the character Morrigan from Dragon’s Age Origins. Could be Mage’s sister.
  • Tanim: looks like himself. Navy blue suit. A light blue flower-pattern thin scarf with gold tassels.
  • Wepwawet: looks like Bayek from AC Origins. Introduces himself as “Anubis”.
  • We never quite see Daren as a whole, only pieces of him. Close-ups. He’s dressed as he normally is, in all black, though with the addition of a plain gold band on his finger.

The deaths:

  • Tanim ends up with the gun. He never kills anyone.
  • When anyone dies, they bleed just as a person normally would. But afterwards, their bodies become golden ashes and they are blown away by the wind, from the top of the head to the base of the feet.
  • Daren stabs Mage in the Billiard Room. She is sitting cross-legged atop the pool table and has a drink in her hand. He walks up to her slowly. They maintain eye contact. This almost seems expected. He stabs her directly in the right thigh. She bites back a grunt of pain, squeezes out, “I knew you were going to do that,” and then downs the rest of her drink. Mage escapes from the house, alive, and keeps the dagger. She could have been “set loose” though, as the house was locked tight with the exception of a sole window. In the Billiard Room with the knife.
  • The Morrigan kills Bast with the candlestick. Bast is perusing the books in the library when someone cuts out the lights. Bast turns. The Morrigan enters with the candlestick, a long white candle sticking out of it, the wick lit. It’s the only light in the room. The Morrigan approaches Bast. Bast: “What happened to the light?” The Morrigan: “Here.” She removes the long white candle and hands it to Bast. Bast accepts it with a nod and turns back around to look at the books. The Morrigan raises the candlestick and whispers, “The weight of the world,” before striking Bast in the back of the skull. In the Library with the candlestick.
  • The Morrigan is killed with the rope. The rope is fashioned like a noose, but the killer unknots it so that it’s a single piece of rope. Wraps a length of rope around each hand and uses it as a ligature and chokes the Morrigan to death. She dies in the Cellar. In the Cellar with the rope.
  • Inanna kills Wepwawet with the lead pipe. Wepwawet is in the Observatory watching lightning crack through the rainy night sky. He doesn’t seem surprised when she approaches. His back is to her. Inanna: “Do you know why I’m here?” Wepwawet smiles. “Because you came.” He turns around to face her, stretches out both of his arms, gets down on one knee, and lowers his head reverently. He then raises it and looks up at her, his features peaceful and humbled. “As you will, Queen.” She nods once. She strikes him across the jaw with the lead pipe. We hear his neck crack. She bends down and almost lovingly caresses his cheek. Inanna: “The Duat has missed you.” In the Observatory with the lead pipe.
  • Inanna is killed with the wrench. She is in the Ball Room. She seems to be dancing with a ghost. We don’t see anyone else, but her hands are up and she’s spinning as though being twirled by an invisible dancer. We hear music; it’s “Moonlight Sonata” by Beethoven. There’s a piano in the ball room but we can’t tell if the keys are being pressed. The song seems to emanate from the piano, though. Inanna’s invisible dance partner suddenly seems to turn violent, for she recoils as though she’s been slapped across the face. She stumbles back and looks up, hair in her eyes. Inanna: “How DARE you defy me.” She is somehow hurled backwards into the piano. The keys and strings shatter and break. She’s unconscious. The killer raises an arm, a rusty work wrench in hand, and brings it down on her skull. In the Ball Room with the wrench.

The end:

  • At the very end, we see Daren in the Study. He’s watching the fire in the fireplace. It’s the only light in the house. Tanim enters calmly. He stops in the doorway. The gun is in his hand at his side, but pointed down to the ground. Daren makes no move.

We discussed it all and here are some of our combined observations:

  • We first assumed this story meant that Daren is hostile toward the gods I worship and wants them gone. He and Tanim “disappeared”, so to speak, back in March about the time the Morrigan came into my life. Maybe the addition of yet another god made him, or them, mad and I have to choose one or the other. Occam’s razor would argue this is the truth, and Mage’s escape could be in line with that hypothesis.
  • However, the wifey pointed out that if Daren were to throw a dinner party, he might indeed think murder would be a nice addition. Better than small talk and party games, right? So… could it be that Daren simply wanted to meet the other gods, perhaps to take their measure or establish some sort of pecking order? Or, to attribute uncharacteristic altruism to his motives, could he and Tanim have wanted to meet the other gods in order to ensure I wasn’t in any danger from them? I’ve always assumed any gods/spirits/whatever are aware of others in the same area or working with the same person, but perhaps that’s not true. Maybe they really don’t know all that much about each other, the way neighbors can see each other every day but not know each other in any meaningful way.
  • This is the first mention of a Sister Reverence, which seems to indicate Daren was in a Catholic orphanage or other school before he was involuntarily committed to a hospital/asylum. Chriselle noted that in the past some Catholic orphanages gave the kids who aged out a token of their faith, usually a pendant, watch, or… a ring. This is especially interesting considering all I’ve told Chriselle about Daren’s past (since I don’t know much myself) is that he was held in an asylum called St. Anthony’s.
  • Given the gods all represent certain pantheons, the brief glimpse of Daren’s childhood is interesting – could it be intended to in some way corroborate the Satan/Lucifer vibes I’ve been getting from Tanim and Daren?
  • The phrase above the front door, along with the things said by the Morrigan, Inanna, and Wepwawet, feel very significant, though I’m not sure of their meaning yet. They seem to imply the gods were bigger players in this game, not simply unlucky party guests, in which case I could be going in totally the wrong direction with my thoughts. (Great!)
  • The deaths of the gods seem like a negative omen or threat, but it could be that because gods can’t so easily be killed, the deaths didn’t really “count”. This might explain why the gods stuck around for the murder party in the first place, and also why Daren possibly let Mage escape; she probably doesn’t enjoy that same form of immortality. This seems to be the biggest factor in deciding whether the message being sent is a threatening one or not. If the gods can die and come back just fine, that’s one thing; if they can’t, it paints a much more dire picture.
  • We don’t know who killed the Morrigan; my gut says Daren, maybe after he lost the knife to Mage, but Tanim is usually the one who kills with such brute force. We don’t know what unseen force killed Inanna, either, nor whether this force was one of the guests or someone/something else entirely. It seemed she knew and possibly trusted them, or at least trusted her power over them.

So that’s where I am now. More to come, I guess??

#2166

This is how I think it went down. After Anubis finished weighing my father’s heart on Ma’at’s grand scales – lighter than any feather, magic or otherwise, of course – he was met by Wepwawet to guide him through the underworld. Along the way they got to talking, bonding over a mutual appreciation for travel in all its forms by land, by air, and by sea. It is rare to meet another as knowledgeable as yourself in the more obscure aspects of your passion and they became fast friends.They probably shared about the classic cars they had owned and old motorcycles that had carried them faithfully down hot roads beneath a desert sun. Maybe they discussed the aircraft and ships which had shaped the course of human warfare or reminisced about the modes of travel long outdated by technological evolution.

(This is where the story gets hard for me to write. I keep deleting it. Ignoring it. Pretending I can’t see the scene so clearly. I can, though. And I want to tell it, I do, but it’s like my hands just… stop working. Revert back to heavy, lifeless clay. Not this time, though. Come on, just get it out!)

At the threshold to the Field of Reeds my father asked a favor from Wepwawet. He had left behind a teenage daughter, you see, and he worried for her safety. She wasn’t a very good driver, for one, and was often scatterbrained or easily distracted. Would Wepwawet look out for her as she moved through the world, just to make sure she got home each night in one piece? He gave my name and Wepwawet must have smiled, maybe even said something like, “She’s already known to us,” and assured my father He would keep an eye on me. And He has ever since, though He’s probably had to save my butt more times than I can count and I’m sure it’s a stressful promise to keep. But they’re kindred souls, I can feel it, and every time I feel Wepwawet’s presence I feel my father’s as well and know I am doubly blessed.

[ Hey, I added a “dad stuff” tag if anyone’s interested ]

#2165

I return amid sirens to the immortal city of Amber, hoping therein to find some understanding of your absence that is so much like a bloodstain at the center of the world, a cancer eating reality from the inside out, see how this sickness is reflected in every shadow I cross, how everywhere I go in my search for you I feel the gaping void which once contained at least a trace of your presence, but that is impossible, it must be, for you reside in the one true Amber and thus you are reflected reverberated reiterated in every shadow from core to chaos, you must be somewhere because for you to cease is for all to cease and I am still here, I am still searching, so if I must walk the blood-black road so far that madness warps my mind then I shall do just that, I shall hellride through strange lands until I find where you are kept and win you back, tell the courts of chaos I am coming, I am coming, I am coming

#2164

People make it sound like summoning the Devil is so easy. Witches do it all the time, right? Call him up, sell your soul, get some sweet-ass powers in return. He’s always on the lookout for another person to trap in his web, after all; apparently all you need to do is light a black candle, maybe spill a little blood, and you’re good. Hello Lucy. That’s what they say, anyway, and it’s probably true for most people. Satan’s a devious one, he doesn’t often let opportunity slip by. But what if he’s tired of you? What if he’s moved on, chosen some other mortal to imperil and left you in the dust? If he said, “You can have your soul back, just stop calling me” or “Move on already, you’re embarrassing us both”? It can’t be so easy then. How do you go about commanding the Devil to do anything he doesn’t want to do? Do you crash someone else’s summoning, like just burst through the circle and yell, “Unblock me, you motherfucker!”? Nah, once Lucifer’s done with you I bet nothing in Heaven or Hell could draw him back. You’d keep trying, though. Believe me, you keep trying.

#2163

Everyone says the Morrigan tears your life apart in order to rebuild you from the ground up, so that’s what I expected: rapid, inescapable destruction. I worried over when the hammer would drop and what part of my life it would utterly wreck. Would I see it coming? Would I have any agency in the matter? Would I even survive the breaking? No subtle goddess, She; surely Her lightning would strike without warning and send my carefully constructed tower crumbling to the ground.

Lightning did strike, though of course not in the way I expected. It was a flash of illumination, not destruction, and it revealed my tower in all its fearful glory. I knew then that the Morrigan had no intention of tearing down that tower – she intends me to do it. Brick by brick, inch by inch, I will dig at the mortar until my nails are cracked and bleeding. I have been building this tower all my life, though my work began in earnest when my father died eleven years ago. To dismantle my tower I will need to deal with the grief I locked away inside. And that is correct and right, I know it in my heart. After all, what do you learn from someone else doing the heavy lifting?

Still, part of me longs for the quick, crushing swing of the wrecking ball.