You claim to be the daughters of the witches they could not burn. Fine. Then we are the children of the ones they drowned, witch and falsely accused alike, weighed down with rope and stone and iron chains. The waves of brackish lake water and briny ocean which filled their lungs at the final gasp now lap at the backs of our throats, leaving crusts of dried minerals to grind between our bared teeth. Denied eternal rest, our dead progenitors float in our sepulcher sternums and drive us ever onward with their wailing and thrashing, demanding retribution. You whose ancestors died in comfortable beds and were buried in respectable churchyards, you who breathe easy through cinderless lungs, unhaunted, uninhabited, what could you possibly know of a witch hunt’s inheritance?
Tag Archives: pagan
Laying in the dark of a seaside hotel room, the wild Pacific Ocean eating away at the bluff just beyond and only thin blankets and old wood walls for protection, fear grips me without warning. I feel her like a storm front looming offshore, her presence weighing the stuffy air down around me like she’s watching, like she’s waiting, like she’s as aware of me as I am of her.
Even as I acknowledge how silly this is, that I’m anthropomorphizing the convergence of tectonic plates (even gendering it!), still I find myself praying into the darkness, Ave Cascadia, full of rage, your sisters in slumber are with thee. Sleep, Cascadia, keep sleeping, at least for one more day…
If we had known about the Cascadia Subduction Zone a thousand years ago, five thousand, ten thousand, would we have worshiped it? Would we have conjured a wrathful goddess of rock and wave as I have, burned offerings to her on the rocky shores of the Pacific Northwest to buy her mercy? And would that belief have conjured her forth? Given her life in truth?
Laying in a rented bed in an aging lodge in the heart of the inundation zone, I can believe it. I feel her out there: Cascadia, crowned in fire; Cascadia, mother of mountains; Cascadia, who swallows the earth in her wrath. Cascadia, whose waves will kill tens of thousands when next she stirs. Who could waken right now and I would be helpless, an insignificant little flea scrambling in the cold, chaotic darkness to reach high ground in time.
I am always aware of Cascadia. Here in the dark, with the waves crashing just yards away, it’s hard not to feel like she’s just as aware of me.
For eight thousand years and more we have served the gods wine
sweet and bitter, rich and tart
vines and variants perfected across continents and civilizations.
Yet soon we will have only wine tasting of wildfire ash to offer our most sacred divinities
will pour them smoke-tainted vintages bottled during years when we never saw the stars
and the sun rose red as blood each dawn.
Before we know it, we will not even have that to give
our millennia of legacy lost to a century’s folly;
will the gods still answer our prayers then?
As a child I built churches anywhere I stayed longer than a night, cluttering every surface with anonymous altars, and I sought secret psalms in songs from which I wrung all meaning in my quest for the answer to a question I could not yet formulate. As an adult I cup these years of offered trinkets in my hands and bless the lodestone heart that drew me ever faithfully toward the temple waiting within, to the place where there are no questions, no answers, only trust and limitless, overflowing love.
I got a new tablet for Christmas and thought I’d post some of the art I’ve done here on WordPress! If you go directly to my page, you’ll see I made some new banners for my site as well. ;)
in my dream I surrender to grief’s embrace
float face-down in an ocean of sorrow
my ancestors grip my shoulders
a steady, reassuring pressure
promising I am not alone
promising we do this together
promising they will not let me
be lost to the black depths
I dreamed an impossibility. An alternate reality. A universe in which you were not gods, not angels, not forces beyond comprehension imprisoned in mortal forms and doomed to replay the same brutal endings over and over again. You were just two men, your souls exactly as young as your bodies, no past lives haunting the spirals of your DNA, and you were… happy.
It feels blasphemous to even speak of such a thing but if I don’t record it now I’ll think it never happened. I saw just one scene, after all, one fleeting moment plucked from this dream that could never be. You sat leaning against each other, completely relaxed, laughing at some joke or amusing story. You were so carefree, so comfortable in each other’s presence. Even more unbelievable, though, was the fact that you weren’t alone. You sat amidst a group of other young adults, a mixed gathering indeed but all obviously queer and on the radical end of progressive with their talk of philosophy and social justice. The joy and passion in the room were palpable. These people weren’t hangers-on or sycophants or worshippers; they were your friends.
Blasphemous, I know. Try as I might, I can’t summon even a whisper of a fragment in which such a scene might make sense, except perhaps to serve as a symbol of what beautiful normality you were both denied. Yet even that feels like a stretch, like I’m not meant to commit it to words at all. Maybe I wasn’t even supposed to see it in the first place. But I did. I glimpsed some version of you that was completely whole, completely free, and I won’t forget that. I promise.
“You picked a shitty scribe,” I tell the Nameless, who shrugs as she licks starblood off her long talons and replies, What do I care? It’s all dust to dust to dust. The greatest works of literature and grandest monuments of mankind will still yield to entropy. I can’t tell if this is meant to be dismissive, comforting, threatening, or none of the above, but I find myself somehow buoyed by her words anyway. It’s oddly calming to know Shakespeare and myself share equal anonymity in the far future where all has turned to dust. Atoms are atoms. The Nameless gestures flippantly. You all unravel in the end.
We are none of us reliable narrators, especially not in this moment we have replayed so many times I know every line and gesture by heart. The Moon will say it was necessary; the Sun will say he is a fool and a coward. They will both be right; they will both be wrong, so very wrong. I will reach my hand out to Tanim’s ghost as he watches Daren crouch over his crumpled body. I will avert my eyes from Daren’s flat black gaze that sees all and betrays nothing as he rises, blood on his hands and seeping into the white carpet beneath us. I will bear witness as they once more play out this scene in which I have no role and when it is over, when they have faded, retreated, when the room is empty and the stains have dried, I will be here still.
the yawning void
the gaping pit
the locked gate broken
In that first age the Angel wandered freely in the Garden, eating his fill of its delights. Each perfect summer day lasted a century and beneath the newborn sun every plant tasted of a different kind of ambrosia. The humans were young then, too, their squat bodies still reminiscent of the tree-climbing apes from which they were shaped. Sometimes the adults hailed him but the Angel pretended he could not understand their stilted, guttural language and passed them by without a glance. He tolerated the children from time to time, however, letting them trail laughing and chattering in his wake.
Back then they called the Angel Honeyeater because he loved eating honey: great thick combs of it, honey-soaked moss, even the rudimentary flatbread made by the brute little humans if it was dipped in sun-warmed honey and offered beside the fresh milk of their beasts. The Garden stretched for tens of thousands of miles in any direction, filled with all manner of delicious edibles, yet every creature alive knew the Angel favored honey above all else. He explored ceaselessly, learning where to find the sweetest honey, the most floral honey, the honey flavored with hints of mint, lavender, or thyme. He could eat pounds of it yet never be satisfied.
It was easy in the beginning, there in the Garden, and good. But soon things would change and they would no longer call the Angel Honeyeater for his food preferences but for the way lies dripped so sweetly from his lips like honey, and a darkness would fall over the Garden.
Lungs full of wildfire smoke, I toss and turn in a bed of microplastics and dream of stream-filled glades paved over decades before I was born. I see the land that raised me as it must have been five hundred years ago, untouched by manifest destiny’s bulldozers, a version of that beloved place so long dead we have lost even the memory of its ghosts. I wonder: How do we guide the living through the death of everything they have ever known? How do we prepare ourselves to lose all we have loved and fought for?
And then She is screaming with the voices of ten thousand extinct creatures, WHAT WILL IT TAKE FOR YOU TO CHOOSE LIFE? Her howling reverberates through my bones as I watch apocalypse spread across the globe like wildfire, scouring land and sea to bare rock. NO MORE CHANCES, She rages, and the planet fissures open along seismic scars. NO MORE MERCY, She wails, and whole continents of crust break apart like a cracked egg to spill Earth’s molten core amongst the stars. NO MORE, Gaia seethes. No more greed. No more cruelty. No more Mother Nature balancing our impact with her adaptability. It ends here.
After, staring into the midnight dark, I think: Could I be a death doula to a dying planet?
Incorporeality will be the death of me. I have submerged myself in your world as much as I can – for twenty-one years, for seven thousand, six hundred, and seventy days, for tens of thousands of hours – but it is never enough. No matter how long I drown myself in your most potent memories, how deep I dive into your most painful emotions, somehow I always find myself back at the surface once more. No matter how vividly I can imagine you, it is not the same as truly standing in the room with you. To cup your face in my hands, to watch the grief and anger war in your eyes, to hear the tremble in your voice. Tens of thousands of hours and yet I have never touched you. Two thirds of my life and yet I cannot numb myself to the agony of empty arms and ringing silence. My imagination is powerful but even it cannot replace the way your hands grip hard enough to leave bruises and knowing I will never experience that sensation is unbearable. Yet here I am, twenty-one years later, bearing it because there is no alternative.
The grand Egyptian city Per-Bast once overlooked a branch of the river Nile, and for thousands of years it served as the center of worship for the feline goddess Bast. Here in the ‘House of Bast’ her children were recognized for the spark of divinity they carried and treated with the respect such holiness deserves. Perhaps nowhere else in the world and at no other time in history have cats enjoyed such high status, such protection and reverence. Yet though Per-Bast the city is but ruins now, its grave goods scattered to museums across the world, the true Per-Bast lives on. Per-Bast is any place where a feline seeking refuge may be offered safety, nourishment, and unconditional compassion. Any dwelling in which a cat finds joy and love is a House of Bast. Any arms which cradle the motherless kitten, any voice which calls for the lost or sings to the frightened, are a House of Bast. Any human heart which loves cats, fights for cats, grieves for cats, and upholds the inherent worth of cats is the true seat of Per-Bast. In this way the city can never fall for we carry it within us all.
The red grains of sand remember a time when they were still cliffs being worn slowly away by the winding river, and because the rivers are hers so the sands are hers. The monoliths remember a time when the waves of a vast inland sea gently deposited the rich sediments from which they were born, and because the seas are hers so the monoliths are hers. There are no wolves here but there are bony coyotes with their lolling tongues and clever grins, and so the coyotes are hers. There are no crows here but there are turkey vultures hunched in their fine black drapery and drifting high on invisible thermals, and so the turkey vultures are hers. This land is not the ancestral home of her people but her children are here and so she is as well: in the golden moon hanging low over dry creek beds, in the coiled curves of the waiting serpent, in the beautiful cacti with their long, deadly spines. And she is in the first rains of autumn which bring vital nourishment and a reprieve, however brief, from the daily struggle to survive.
“In the hand of the goddess”
Divine and mortal
Fingers entwined, dark through light
Mother and daughter
In my dream I stand at the edge of a tall cliff overlooking a vast desert, the waves of golden dunes fading on the horizon into darkness as if this desert marks the edge of existence. Two falcons take wing into the cloudless blue sky before me, followed by two more, then a dozen, a hundred, the beating of their wings filling the sky. One passes by wearing the double crown of Egypt – Horus, Lord of the Sky. Behind the flock of falcons follows a massive shallow-bottomed vessel shining with gold and jewels. This must be the Mandjet, the “Boat of Millions of Years” Ra uses to travel across the sky during the day. On the solar barque’s long deck I see an array of kemetic gods, including Hathor, Ra himself, and Set, all hundreds of feet tall and limned in sacred light. I search for my mother among them but don’t see her.
“We are living gods,” an accented voice I am beginning to know well explains over my shoulder. “We die fighting.” I turn to see Bast standing behind me, a proud smile tilting up her full lips and dancing in her dark eyes. As she continues to speak I look back to where the grand procession moves from east to west across the cerulean sky, banners waving in the breeze of its passing, a more glorious sight than any I have seen in dreaming or waking. When it reaches the far horizon and Ra proceeds into the underworld for the night, the gods will battle against chaos to ensure the sun rises on another day. Every night they fight so we might see the morning and have done so since the world was first created. My mother is right; these are the actions of living, breathing gods, not myths from an ancient and defunct religion.
Me: Okay, five gods is definitely the most I should be worshiping at one time. Any more would just be too much.
Yes, that’s right, it’s time for another installment of “guess who has a new god in their life?” and of course it’s meeeeeee. And, perhaps equally unsurprising, she is another lioness goddess and Eye of Ra – his firstborn daughter Tefnut, goddess of moisture and twin sister to Shu, god of air. Instead of coming to me in a dream like most of my gods have done, Tefnut followed Wepwawet’s method of planting herself directly in my brain. Like, I don’t know how else to describe it; a couple of weeks ago I just started saying “Dua Tefnut” whenever it was cloudy or rainy, or praying to her during the heat waves when we needed any moisture to help relieve the dryness. While that’s not too odd in and of itself – I often say blessings of safety to rabbits in Wenut’s name, for example – the suddenness of it seemed significant.
That was just the tip of the iceberg, though. A couple times in the last months I’ve found myself walking in a sudden rain and instead of being flinchy like usual, I was actually quite happy. Then I had a dream in which I desperately wanted to be in the water. I was on vacation or something and I just had this overwhelming need to be in the pool or in the ocean or whatever body of water was nearest. It felt so calming, so comforting, to have the cool pressure of the water all around me. I couldn’t totally shake that feeling when I woke up and since then I’ve yearned to swim somewhere, anywhere, to feel weightless and free yet also cradled and safe. It almost feels like my brain is on fire and I need to dive underwater to cool it down. At the same time I found myself obsessed with the stone larimar. It’s a light blue form of pectolite from the Dominican Republic that, especially when polished, looks like brilliant Caribbean waters captured mid-ripple. I don’t wear blue much, or anything with which I might match a light blue stone, but overnight I suddenly had to have a piece of larimar jewelry. Even just looking at pictures of larimar seems to cool that inner fire.
I suspected Tefnut might be behind these experiences and so I commenced my usual pattern when it feels like a new god has shown up in my life: research, reaching out to folks who actively worship them, looking at art and other things about them to see if I get the “vibes”, that sort of thing. It all seemed to align so I took a leap of faith and bought a statue for her, even though I hadn’t reached out to her formally to confirm the connection. I saw the statue at our local metaphysical store and just knew I had to have it for her. When I got the chance to add it to my Netjeru altar and give Tefnut her own space there, she fit so well and it felt so right that I knew I’d read the signs correctly. A follow-up oracle card reading just confirmed that.
So here we go! Another Netjer has come into my life and seems to have big plans for me (no pressure, haha…. ha). I’m really excited to work with Tefnut, especially given that I live in the Pacific Northwest where we are blessed with abundant water sources and therefore water plays such an important role in our ecosystems. I’ll be interested to see if tsunamis fall under her purview as well. Right now I think she wants me to take up swimming, which may be difficult as there aren’t many options in my town. I’m going to try, though. I need to do something to get me in the water, I seriously feel like I’m going crazy being unable to just swim freely. Maybe I’m turning into a mermaid?
Hail Cascadia, full of rage,
your sisters in slumber are with thee.
Dreadful art thou amongst disasters,
and dreadful is the fruit of thy wrath, tsunami.
Holy Cascadia, Mother of Mountains,
have mercy on us mortal creatures
now and at the hour of your waking.
Dua Tefnut, Great Mother of the Earth and Sky
Dua Tefnut, Venerable Eye of Ra, Brightly Burning
Dua Tefnut, Lady of Sweet Waters, She Who Brings the Rains
Great mother of the gods, I sing your praises!
You bless us with all the waters of the world:
the cool morning dew, the damp evening fog
the sweet spring rains, the cooling summer storms!
From you flow all rivers and springs;
with every precious drop of water
you bring life to the driest deserts!
First daughter of Ra, I sing your praises!
Dua Tefnut, Great Mother of the Earth and Sky
Dua Tefnut, Venerable Eye of Ra, Brightly Burning
Dua Tefnut, Lady of Sweet Waters, She Who Brings the Rains
you are an apple, a garden
a single seed
knowledge bought dearly
by sacrificial deed
My astral self wanders as I sleep. I find myself floating above a gathering of five women who sit cross-legged on the floor, their placing like the five points on a pentacle. A pendulum hovers beneath my outstretched left hand, bobbing as if on a string; I have to concentrate to keep it from falling but the focus drains my energy. I look back down to the group beneath me and know instinctively, in the way of dreams, that they are a coven of death witches. Like me.
“How are we, death witches?” I ask, the unspoken half of my question understood by all: how are we, given the shit going on in the world right now?
“How are you?” One of the witches asks in what sounds like a thick Caribbean accent as she looks up to my suspended spirit. I release a weary sigh and sink to a sitting position beside her. My left hand comes to rest on a large chunk of quartz. “Struggling with faith,” I admit. This witch and the one to her left are both African. Their dark skin is covered in swirling gray patterns of painted clay and their long locs clatter and glint with beads, charms, and precious stones. They’re both beautiful, commanding and regal; I wonder if they’re sisters, perhaps even twins.
“I can see that,” the first replies with a kind smile. “But your guides have not left you. They are quiet right now because they are off gathering sweet intel.” She winks conspiratorially. “If you were listening to juicy gossip you would not want someone blabbering in your other ear, distracting you, would you?”
“That makes sense, knowing them…” I murmur, thinking of Tanim and Daren yet also the ancestor spirits who have seemed more distant lately. The African witch begins to speak again but then another witch, the one sitting next to her sister and thus directly across from me, abruptly lurches over the circle toward me. One bony hand darts out from the wool cloak which shrouds her form, gripping my face tightly. I glimpse her hooded face briefly as she looms over me; she’s very old, a crone whose dark eyes stare into mine from a thin, severe face.
And then all I can feel is the witch’s presence in my mind as she divines my soul, rifling through my past, present, and future as if they’re laid out on a table before her. My memories flutter like a deck of cards under her astral fingers, a familiar sensation made strangely invasive. As she examines me, I catch glimpses into her mind of the reading she will give me, potential words or ‘cards’ whispering at the edges of my hearing: The Fool; The Garden; The Wanderer; The Rose; The Temple. I repeat them in my mind so as not to forget but they go by too quickly – before I can be sure of the list or the crone can deliver her reading, I wake up.
To you who are lost, I say this: follow the morning star, bright burning Venus. It will lead you to the throne of holy Inanna, Queen of Heaven, intersex goddess of women and queers. Inanna ruled over ancient Sumer more than six thousand years ago and she remains today a powerful ally for all those crushed under the bootheel of oppression. Her grand temples were once staffed by transgender clergy and during her festivals people crossdressed and danced in the streets. A goddess of decadence and bloodshed, sensuality and sovereignty, generosity and volatility, Inanna understands intimately what it means to contain multitudes. The Queen of Heaven surrendered everything to face her own death in the underworld and return transformed; she can guide you through the darkness of your own metamorphosis and into the light of rebirth. Call on Inanna and let her inspire you with her ferocious will. Let her empower you with her confidence. Let her place a sword in your hand and teach you to fight for your freedom, for your future, for the person you are destined to become. Call on exalted Inanna, lost one, and trust her to lead you to victory.
#2568 – Summer Solstice 2022
Recipe for a Summer Solstice
2 oz Lock Stock & Barrel 16 Year Straight Rye Whiskey
1 oz Averna amaro
100 mg hydrogen cyanide
2 dashes Angostura bitters
2 dashes orange bitters
1 brandied cherry
- Add rye whiskey, amaro, bitters, and hydrogen cyanide into a mixing glass with ice and stir until well-chilled.
- Strain into a chilled crystal coupe glass.
- Garnish with a brandied cherry.
- Serve to the man you love as an evening cocktail.
- In the sixty seconds or so you have before the poison hits his respiratory system, take the empty glass from his hand and set it carefully aside. Lift his hand to your lips and kiss his knuckles. Run your thumb along his sharp jawline. For once, resist the urge to kiss him on those thin, sardonic lips.
- Tell him you forgive him. You forgive him for wanting to leave, for not trusting you, for not understanding. You forgive him for having less faith than you. Tell him it’s okay. Tell him none of that matters now. Do not kiss him.
- Don’t worry when his eyes dart to the empty glass and you watch understanding dawn in their dark depths. It’s too late anyway. By now his hands have begun to tremble as he fights to draw a full breath; he could hardly pull a knife on you, let alone with his usual skill.
- Catch him as the first seizure hits and lay him gently on the white carpet. You are not cruel. You chose cyanide for its efficiency, not just because you were loath to ruin good alcohol with a wretched tasting poison. Though cyanide doesn’t offer an easy death, it does offer a swift one.
- When it is done, arrange his crumpled form into a more natural position. He could almost be sleeping, though not even in sleep have you ever seen him so relaxed, so vulnerable. So empty. Kiss his forehead (or if you are very careful, his slack mouth).
- Pour yourself a glass of bourbon and relax. Everything is perfect now. You are together and nothing can change that. Nothing can take him from you now. Everything is finally perfect.
June finds us, surprise surprise, back in your palatial living room with its vaulted ceilings and grand windows and the thick white carpet on which you kneel amidst a rose garden of blood stains, his crumpled body still warm in your arms, while I stand to the side and observe the scene in silence, alert to any clues which might reveal the method you used this time, maybe even the string of choices and repercussions which lead to this moment, but all I can think about is how many times we’ve been here, how many years now I’ve cataloged the details of his death first on clay and papyrus, then parchment and computer like a good scribe while you weep at my feet and I know we have both grown so weary of this passion play yet here we are again, again, again, repeating the same old lines, carrying out the same old gestures, not a single solution between us to change the ending, so for once can you just skip the mystery and suspense and show me the knife?
You have questions, little scribe. I can tell.
I can hear the clicking of the Nameless’ long nails all around me and when She speaks I imagine, incongruously, canine jawbones clacking and grinning where they float in the head of a woman-shaped darkness. Asking questions of such an entity isn’t something I want to make a habit of, but after a hesitation I find myself saying, “Why me? I know I’m the scribe, but it doesn’t seem like you have a story to tell so I’m not quite sure why you waste your time with me. No offense.”
Every story is mine, the Nameless replies, beginning to end. Stories are chaos. Chaos drives stories. And besides, She spreads Her taloned hands wide, time has no meaning to the void. I exist everywhere and always.
“So that’s it? You just want to make sure they’re recorded?” That seems too simple – and far too benevolent for the Nameless. She likes games, after all, and She always wins. I just haven’t figured out what one we’re playing.
I don’t care about records. Your words will last only as long as the methods with which they are documented, and those methods will only last as long as technology and human civilization do. Which won’t be much longer. ‘No offense.’ She laughs, the sound echoing like flowing water in a cavern.
“Then why me?” I know I won’t get a straight answer but I can’t help asking anyway.
Oh, I’m not going to hand you all the answers, the Nameless purrs. Where’s the fun in that?
I meet Mnemosyne at a bus stop beside the River Lethe.
White boulders lay scattered along the riverbank, the grooves and hollows worn onto their surfaces by the river’s swift waters making the rocks look like massive skulls. As I walk the shore, careful to stay back from the potent waters, I notice lit candles clustered among the rocks and floating in little bowls. I’m not alone; people kneel in the shallows, weeping quietly over offerings of flowers, bones, and other little gifts. I nod to the makeshift memorials and offer a silent prayer to whomever they’re for: may those who have passed be at peace.
Turning away from the river to let the mourners have their privacy, I walk back toward the bus stop and approach a little wooden stand I hadn’t noticed before. On top sits what looks like a visitors log, the kind you might find at a trailhead or visitors center, only the pages have been laminated and are wet with mist from the river. Anything written on them has been rendered illegible by the water. Sensing someone’s gaze on me, I look up to see a woman watching me through hard, pale eyes. Everything about her is pale, actually – her flawless skin, her pressed lips, her long fall of perfectly straight hair. As with the guestbook pages, her angular body is slightly damp as well, making her look like a marble statue left out in the rain. The woman’s gaze weighs on me, harsh, judging, but when she speaks I know I’ve passed some test with my respect for the mourners at the river.
The words of the mad are not for others’ eyes, she says, indicating the book with its illegible, impermanent writing. They should not be read. They should not be remembered. I take this to mean the people I saw weeping at the edge of the Lethe had gone mad with grief, or perhaps had lost themselves to the memory of their particular dead and couldn’t let go. I realize then who I am speaking with – Mnemosyne, goddess of memory, daughter of Gaia, and mother of the nine muses. She presides over the Pool of Memory, though, not the River of Forgetfulness. Perhaps Her presence here indicates that She protects those who have lost their memory, and thus their minds, to grief or madness.
Then again, is there really much of a difference sometimes?
The Morrigan once showed me the landscape of my soul: lush fields and verdant woodlands crisscrossed by fences of wood and stone, unnatural boundaries where no demarcation should be. See how you have let others lay claim to your sovereignty? She said. See how your freedom has been divided up among them like plots of land after a conquest? And I did see. I never chose to parcel out my soul, I certainly never handed out deeds, yet neither did I retaliate when colonizers encroached. I merely shied away, yielding ground to avoid confrontation. Now I’ve barely any land left on which to make my stand. If you will not fight to reclaim your soul, the Morrigan warned, you will remain a puppet of others’ whims and desires for the rest of your life.
The war is bloody and exhausting. It’s dragged on for years with what feels to me like little progress. Yet when I falter, when I’m battleworn and losing ground, the Morrigan reminds me of how far I’ve come. Every clump of grass won back is precious, She says as She shows me that landscape again. Every inch of soil. Every rock. You will have it all back in time if you keep fighting. In this way wars are won. And so I keep fighting. I keep standing up for myself. I keep setting boundaries. Under the Morrigan’s stern guidance I keep winning back control over the land of my soul – inch by inch.
Look, I get it – I’m forgettable. It’s okay, really, it’s not like I’m trying to be memorable. I want the words to stick in your mind, not the person who recorded them. It’s just that these days if you want to sell something you create you have to sell yourself first. You gotta put yourself on display and win the masses’ affections before you win their interest. I don’t want to do that, though. I’m not a priestess dripping gold, I’m not an oracle tripping holiness, I’m just a scribe. I preserve; I don’t proclaim. I witness; I don’t wield authority. I was never meant for pomp and pageantry, that’s why I’m a scribe to the gods. Yet how else do I get people to listen to my words? I don’t need to be memorable, I don’t even need to be likable, but I need you to read my words. I need you to remember they exist if nothing else. So what do I have to do when the words aren’t enough to earn reader loyalty? Do I have to offer a pound of flesh along with them? An ounce of soul? Do I have to put on a pretty mask and play a part that isn’t mine just to get you to care about the words coming out its painted mouth?
Anger is a gift, Inanna tells me. It keeps you moving when you want to give up. It keeps you fighting on the battlefield. It keeps you demanding better for yourself when everyone tells you to accept their scraps. Her rep lips peel back in a sneer to show sharp white canines. Your anger is a threat to them; that is why they try to take it from you. They trick you into feeling ashamed of it, or guilty for it. They call you selfish, arrogant, petulant. They dismiss you as a child and condemn you as a monster. I imagine the men who slandered Her priestesses as harlots, who twisted Her myths, who destroyed Her temples and named Her Whore of Babylon. Yet still Inanna persists, over five thousand years later, as powerful today as She was when She ruled an entire civilization. They will spout any lie to rob you of your righteous anger, She says, pressing one pointed nail to my chest, because they know they will fall before it like wheat before a scythe. Hold tight to your anger, child. Do not let it be taken from you, or turned back on you, or redirected to another more vulnerable. Your enemies are cowards who prefer the deceit of silver tongues to the honesty of steel swords. Believe nothing they say. Trust your anger to guide you rightly. Then She smiles, a grin full of hunger and destruction. And trust mine.