The Nameless is the vastness of the ocean. She is dark trenches full of strange creatures with eyes like pale globes; she is sunken ships buried in pelagic sediment; she is things thought long dead and things never before glimpsed in the light of day. She is the horizon extending unbroken in all directions. She is vanished airplanes and flying ghost ships and cities lost to wrathful waves.
The Nameless is the vastness of space. She is the bright points of Inanna’s morning star and the sharp blade of Artemis’ crescent moon. She is the void’s absolute absence of light or life. She is the incomprehensible enormity of supermassive blackholes; she is the unstoppable destruction of solar storms and hypernovae. She is fire from the sky, the longest night, the dusty river of the Milky Way.
The Nameless is the vastness of the grave. She is rot and mold and fresh-turned earth. She is catacombs, crypts, pyramids, pyres. She is stone so softened by a millennia of rain that the name it bears is lost to time. She is the banshee’s wail, the grim’s red stare, the braying horns of the Wild Hunt. She is the feather and scales, and she is the jaws of Ammit waiting to devour the heavy heart.
Some say revenge is a dish best served cold. Others say the best revenge is a life well lived. These claims, however, are in actuality both quite inadequate. I have taken revenge countless times, in every manner possible and with every kind of weapon, and I therefore can state with confidence that the most satisfying revenge is intimate. A razor to the throat; a blade to the breast; a knife to the back. The sort of sharp, bloody end most fitting for traitors and cowards, those whose betrayal has cut you to your very core. You want to hold your victim in your arms so you feel the moment his strength finally fails. You want to hear the blood bubbling in his throat as he struggles to breathe. You want to hold his gaze as he dies so in his final moment he knows you did not forget and will not forgive. It is like a dance, two partners entwined, heartbeat to heartbeat, and then the knife. It always ends with the knife.
You ask why the Moon killed the Sun but never why the resurrected Sun in turn killed the Moon. Did he really do so to restore balance to the world, as the story says? To complete the cycle of sacrifice and usher in glorious summer? Perhaps. It gives a nice symmetry to the mythology, doesn’t it? Death for life and life for death. But maybe that’s just the fairy tale version where everything has a purpose and everyone a happy ending. Maybe that’s nothing more than a lovely lie.
Maybe the truth is that the Sun killed the Moon simply for the sweet satisfaction of revenge.
I am the many times great grandchild of cursed, damned Pandora. All my life I have witnessed the consequences of her thoughtless decision and yet all my life I have repeated her mistake as if it runs so strongly through my veins that it moves my body of its own accord. There is a sweet music that plays when the lid of my own box is opened, you see, and sometimes I am sorely tempted to pull back the lid so others can hear it as well. The problem is that I’ve stuffed so much into my box with the intention of locking it all away that when I do crack open the lid, even the tiniest bit, anything might come spilling out. Anger, fear, depression, anxiety, cruelty, grudges, sorrow, grief, mania, jealousy, apathy, shame, any of them could break free if I’m not careful. The music my box plays is beautiful but is it worth the worry that what escapes might hurt someone I love? Is it worth the chance that someone might see all of me and not just the parts I’ve tamed and made presentable? Every time I start to open my box just a crack I think of poor Pandora and I slam shut the lid again. She had no idea what she might unleash, opening that box, but I do.
You know, I almost hope unicorns don’t exist. Dragons, too, and fairies and gryphons and harpies, the grim and the sphinx, even ol’ Nessie; all those mythical creatures so rare and beautiful. I hope they’re not real, or at least that they’re long gone by now. That sounds terrible, I know, but think about the shape our world’s in. Do you want such fantastical symbols to exist on an earth we’re running to ruin? I’m not sure I could handle that; it might just be the very last straw. Imagine unicorns treading daintily over cracked concrete with plastic bags tangled around their shining hooves! Imagine kelpies coated in oil, their organs full of microplastics and chemicals! If our trash has made its way to the very farthest depths of the oceans, even onto the moon itself, then where can these legendary creatures possibly hide to escape our touch? Sure, some of them might survive in a polluted landscape – banshees, goblins, other assorted spooks – but not many. And anyway, even a banshee deserves a nice lonely moor to haunt, not some drained and cultivated piece of land with condos sitting on top. It would just suck, is all I’m saying, if we had such magical creatures in our midst and dragged them down with us. If all those unbelievable beings do exist, I hope they can at least get the hell out of here while the getting’s good.
I would eat groves of pomegranates if by their seeds I could be cursed to remain in your kingdom of death forever. I would eat them until my teeth stained red and my fingers yellow, until that bitter juice so infused every cell in my body that I could not pass through to the realm of the living if I so desired. Come try your hand, o lofty gods, come make an attempt o you angels and demons! I would be so tainted that all the powers in the universe could not drag me from your cold realm. Every bite would win me another year until I had swallowed down a victorious eternity of darkness with you. And there I would stay, no need to name me queen – I am content merely to remain by your side.