They thought exile a fittingly cruel punishment, yet instead it blessed her with the only thing she had ever desired: freedom. For the first time in all the long years of her life she had no name, no family, no home and thus no rules, no chains, no gilded cage. She was free to finally stretch her cramped wings, to fly or fall as she wished with no one to catch or constrain her. She had been born to captivity, no choice there, but now that she was free she would never let herself be imprisoned again. No more masks! No more fetters! As a nameless and homeless wanderer none could claim dominion over her. In the wilderness she would grow teeth and claws, become proudly feral, a thing of fierce autonomy earned and protected through bloodshed. They expected her to suffer in exile, far from the courtly comforts of home, but only because they never understood – the cage was all that had restrained her.
Not to stress the point or anything, or get too graphic, but it really is like gutting myself, like reaching in and pulling loops of intestines out onto the floor to divine the meaning of their pattern, like smearing my cut palms on the walls to paint a Rorschach test (what do you see?), and every finished piece, every precious word of every hard-bought sentence is a chunk of flesh or a shard of bone hacked off my ever-dwindling body for the masses who do not care enough about such offerings to come bear witness. Perhaps I make it look too easy, perhaps they suspect a trick of corn syrup and food dye or a magician’s sleight of hand, but I promise there are no mirrors here, no trap doors or invisible strings, my meat is real and so is the knife and if still you suspect deceit then watch me tear with my fingernails, watch me gouge with my teeth, watch me rend myself apart with my own hands to dig out the words hiding deep within. I’m used to putting myself on display anyway, and oh how I long to prove with what agony each syllable is purchased, so come, pull up a chair, I don’t know how much longer I can keep this up so you better catch the show while you can.
Name me Alexandria for I am always burning up from within, my ribs a charred cage to cradle this conflagration of words which was once a heart. Watch the embers smolder behind my eyes; watch me open cracked lips to breathe out ashen smoke thick as a funeral shroud. Call me Alexandria for I am a tower of fire and ruin, and only by the black clouds of my pyre might you divine the true worth of the works lost to the inferno.
in these dark days I am grateful for sages and oracles, Greek choruses and seers, for I am bereft of the hope necessary to play such roles anymore, no, now I am too weary, too full of mindless rage to provide good counsel, now I am a banshee and all I can do is wail we are dying, we are dying, we are dying
But I lied; of course I’m haunted. Only all my ghosts are just the shit I said and the shit I did or the shit I didn’t say or the shit I didn’t do, and I promise you I remember them all, how can I not when I drag them around with me Marley-style? It’s too late for me, but maybe I can visit some other poor fucker on a lonely midnight and provide that oh so crucial cautionary tale that turns their life around. Only honestly I might just tell them to skip right to the end, to the stone and the six foot hole, because I’m not sure there’s any other way to get through the years unscathed no matter how many good deeds you attempt to make up for what you can’t take back. Do you think ten years from now they’ll remember that one Christmas goose, no matter how fat, or all the cruelty that came first? We are all just chains until the grave.
these days it is not the dead I fear
(my graveyard sleeps beneath ferns and moss and so do my ghosts)
but the living, those who have not yet had the decency to perish
(so I may bury them in the soft soil and be done)
who instead blunder blindly where they like
and crush the undergrowth in their wake