June finds us, surprise surprise, back in your palatial living room with its vaulted ceilings and grand windows and the thick white carpet on which you kneel amidst a rose garden of blood stains, his crumpled body still warm in your arms, while I stand to the side and observe the scene in silence, alert to any clues which might reveal the method you used this time, maybe even the string of choices and repercussions which lead to this moment, but all I can think about is how many times we’ve been here, how many years now I’ve cataloged the details of his death first on clay and papyrus, then parchment and computer like a good scribe while you weep at my feet and I know we have both grown so weary of this passion play yet here we are again, again, again, repeating the same old lines, carrying out the same old gestures, not a single solution between us to change the ending, so for once can you just skip the mystery and suspense and show me the knife?
Tag Archives: gods
Look, I get it – I’m forgettable. It’s okay, really, it’s not like I’m trying to be memorable. I want the words to stick in your mind, not the person who recorded them. It’s just that these days if you want to sell something you create you have to sell yourself first. You gotta put yourself on display and win the masses’ affections before you win their interest. I don’t want to do that, though. I’m not a priestess dripping gold, I’m not an oracle tripping holiness, I’m just a scribe. I preserve; I don’t proclaim. I witness; I don’t wield authority. I was never meant for pomp and pageantry, that’s why I’m a scribe to the gods. Yet how else do I get people to listen to my words? I don’t need to be memorable, I don’t even need to be likable, but I need you to read my words. I need you to remember they exist if nothing else. So what do I have to do when the words aren’t enough to earn reader loyalty? Do I have to offer a pound of flesh along with them? An ounce of soul? Do I have to put on a pretty mask and play a part that isn’t mine just to get you to care about the words coming out its painted mouth?
My gods are living gods. They speak in dreams and divination, in blessings and curses, in all the tongues of man.
My gods are dying gods. Their celestial bodies rot with fate from within; they cough up ichor and vomit starlight.
My gods are dead gods. Their corpses hang on meat hooks. Their temples lay in ruin and dust.
My gods are resurrected gods. They walk out of the underworld with heads held high, summoning spring buds from winter’s rot.
My gods are undying gods. Their names, first uttered millennia ago, are spoken still. Whether we believe or not, we uphold their memory.
My gods are deathless gods. They have always existed and they always will.
They say if you have a story that needs telling, go to the Scribe. If you are willing to give your story over to them, if you will let them see or hear or experience as much of your story as possible, they will record and tell it for you. They ask no payment for this service for they are honored by your trust in their work. The Scribe will tell anyone’s story; gods and goddesses, demons and angels, spirits and creatures of every realm and type. If you will offer it, the Scribe will tell it. You do not need to be the hero of your story. You can be the villain, the victim, even just the witness, for the Scribe will not judge you. The story need not even be true for the Scribe holds truths and lies of equal value. Whenever you are ready to have your story told, the Scribe is there. They exist in every time, waiting for you to reach out – you just need to find them.
Gods drift through my dreams like oceanic titans swimming near to check out the source of unfamiliar vibrations. Am I food? Friend? Family? Foe? Gaia wraps me in a honeybee embrace; Ix Chel tries to kill me; Loki tries to recruit me. This time it’s Satan, toying with me as I writhe in his bed, tearing at my soft stomach with his nails until I snap at him. I’m not your whore, I growl, I’m your scribe. And you’ll treat me like it. Then he lays against my sleeping body and smooths my hair back as he murmurs secrets in my ear. I can feel his weight through the dream, the grip of his hands around my upper arms fond and possessive and overly familiar. I ask something to which he responds, “Choices.” Later, after I’ve told Satan to provide me with proof if he wishes to work together, I’m attacked in my dream by a pack of hyenas. I don’t know for sure if they’re his, but they feel linked to him somehow. I wake wondering, as always, what it all means. Am I a floundering swimmer drawing predators? A flame in the dark luring wayward moths? Or just a waystation, somewhere to rest for a little while on your journey but never the final destination?
My eating disorder can’t hook me through conventional methods so instead it tries to get me through you. I don’t care about having a beach ready body but the possibility of getting this useless meatsuit even the least bit closer to looking like yours? Of being an adequate-enough vessel that you might consider inhabiting me, even if only for a moment, for an hour? Oh, that’s tempting. That’s an offer I find hard to refuse. My logical brain knows such a goal is impossible for my body – it will never be good enough for you, no matter how I cut and carve it down – but the disorder whispers from where it’s chained in the depths of my subconscious that maybe, just maybe, we can make it happen together. We should at least give it a shot, it purrs to me. Right?
I’m in that zone of total exhaustion and no fucks left to give, moon and planets dragging on my subconscious, I feel the slipping the fading the floating out of time and body that untethering of action from consequence that leaves me bold and dizzy swaying on the threshold yelling, Where are you, huh? Why the hiding? Why the silence? That’s not like you, boys, come on now! I’m calling Loki, Satan, Lucifer, Set, I’m calling Death and Desire, the fallen, the forgotten, I’m calling you up, I’m calling you out, Where are you? Come fucking get me, I’m fucking ready, you don’t scare me! and I know it’s a bad idea, you’ve burned me before for boldness, but I’ve always been that person who needs to touch something hot just to know what it feels like, I just gotta know for myself exactly how it’ll hurt and every time you burn me I learn something new from the pain and it makes all the scars worthwhile.
This is what it means to love the Three of Swords: no matter what choices you make, what mistakes you try to avoid this time around, still you will always come to the blood and the begging. All roads lead here, to this moment when his hands tremble and his eyes glaze with panic and his chest jerks as he sucks in each staccato breath, only to choke up blood on exhalation. Even if you do nothing to hasten this end you will still wind up on your knees beside him one day, your fingers brushing back his tangled hair and wiping at his tears while you plead, “Stay, darling, please, hold on, you can’t go yet.” But he has no choice; his heart was pierced long ago and that unhealed wound bleeds eternally just like yours. He too must have a failsafe in case the time comes when you cannot bear to take up the knife and commit the deed yourself. Did you really think he would be exempt from your shared fate?
Did you really want him to be?
you rise from the earth like some radiant Lord Vishnu, your sable locks and sun-kissed skin dusted in a rainbow of flower pollen like vibrant Holi powder, but those who watch your ascent in awe don’t know you’ve covered yourself in this floral beauty to hide the bloodstains beneath, nor what godly corpse may lay hidden in the blooms at your feet
everything I write that is not about you is a stop-gap measure to stave off starvation, I finished the last of the spoiled canned goods and am resorting now to gnawing the tough leather of my boot soles, and if this continues much longer all they will find of me are scattered white bones, the smooth calcium marred by the serrations of my knife
#2458 – Summer Solstice
On this longest day of the year your priestesses take to the streets to celebrate the Sun triumphant. Clad in flowing silks and precious gems, skin glowing with gold dust, they blend their voices in lilting harmony as they sing your praises. Dancers dip and weave in time to the pounding of drums; tiny bells on their ankles jingle with each minute movement. Despite the heat of the day, torchbearers carry flaming braziers into which your oracles toss incense laced with poppy and nightshade. The procession treads on rose petals thrown by the gathered crowd until the marble boulevard gleams red in the sunlight.
Finally the litter bearing your statue comes into view and the cacophony of chanting, drumming, and clapping reaches a crescendo. Here you are in all your glory, white marble form adorned in gold and shining like a beacon. The writhing incense smoke makes your placid expression appear to flicker through emotions – wrath, sorrow, regret, compassion – as if even cold stone can be moved by the prayers of the masses. Those gathered call out to you as the litter passes, giving praise and begging blessings, or bow their heads and weep for the honor of witnessing your sacred statue with their own eyes.
Only one person who serves your holiness is not at this celebration. Do you notice my absence, Lord Sun? Does it offend you? Or are you pleased at least someone holds vigil with the corpse of your slain lover? Out in the streets they rejoice the godblood dripping on your hands yet only you and I know the truth of it. Let your priestesses and oracles exult in your victory today; your scribe will do right by the fallen Moon, even if I am the only one mourning the death of darkness on the longest day of the year.
“The serpent tries too hard,” the Nameless tells me as she lounges against the oscillations of Egyptian dunes. “It’s almost embarrassing. Do I strive against your desert gods each night in hopes of wresting control of the universe from their grasp? Of course not,” she pops galaxies into her mouth like hothouse grapes, “because I know, as they do, that the ultimate fate of the universe is a return to the primordial chaos from which it first emerged. It’s just a matter of time. Why rush entropy?”
She is right at home on these white hot sands, her monstrous body a black void against the dancing heat waves. In my dream last night she murmured in my ear, “We have always been here,” by which I understood she meant that this dark triad I serve – Chaos, Desire, and Death – is older than even the gods of ancient Kemet. Older than gods themselves, for they are the concepts from which gods are crafted. Thus the Nameless is part of A/pep, just as a shadow of Daren can be found in Set, a fragment of Tanim in Osiris. Their triad belongs to no single place, time, or pantheon but runs through them all, encoded like DNA in every deity that will ever exist.
“You are a slow learner,” the Nameless laughs, licking plasma off her sharp fingernails. “But you get there.”
“I can’t,” you beg, “not this time, not again, there has to be another way,” and I’m trying not to wallow in your agony like a voyeur, truly, it’s just been so long since he last touched you with such tenderness, cruel hands gone soft to cup your tear-stained face, but you both know the refusal, too, is part of this passion play and the kiss you share is not a blessing for the present but an absolution for the future. Still, he holds you close and kindly does not command you to end his life before the disease rotting him from the inside does, and at least for a brief time you can be miserable together instead of apart. Between the bloodshed and bereavement I’d almost forgotten moments like this were even possible. For both your sakes (and mine?) I will not yet count the days until the solstice. I, too, can be kind.
Your heartbeat straining beneath my ribs; your choked breath heaving in my lungs; your furious, desperate tears leaking from my eyes. Is this euphoria? Dysphoria? Phantasmagoria, hypochondria? Transubstantiation or disassociation? All I know is that I never feel more comfortable in my own body than when you’re the one inhabiting it, my perception submerged in the dark depths of your consciousness, my autonomy overridden by the wild fluctuations of your fragmented memories. Even after you rescind control and I am alone I find this meatcage fits better for having stretched itself to your dimensions. For a little while I move with ease through familiar halls, not truly free but pretending so with room enough to stretch and turn. Soon the walls of my prison will contract around your absence once more; until then I savor the ghost of your presence contained within the emptiness around me.
I’ve dreamed each night the Moon dead and dying in his lover’s arms (early, isn’t it, this solstice blood filling my mouth) and as I drive to work the Sun admits to me, “I would rather burn him until there is nothing left but ash than cling to the shell he leaves behind”. I can’t blame him, not when my own arms ache from clutching the Moon’s lifeless body so tightly, not when my fingers so vividly recall the sharp edges of his jaw as I cradled his head against my chest. Were we to trade places, the Sun and I, can I say I would choose differently?
Tanim and Daren are gods who balance and oppose each other – sun and moon, summer and winter, light and dark. Yet, while I am certain that Daren is the chosen form of Death, it hasn’t felt right to say that Tanim is therefore the form which Life has chosen to take. He doesn’t feel like Life. Life, at least in opposition to Death, is a thing of creation and fertility, generosity and gentleness, and Tanim doesn’t embody those qualities. While he isn’t Death, he carries a shard of its mercilessness with him, too much to ever associate him with something so bountiful as Life. So I’ve been struggling to figure out what he is, if not Life, and I’ve come up with a two-part answer that (at the moment at least) seems to solve the equation.
First, what if we remove the labels of Life and Death and look simply at the basic drivers of those forces. For Death it’s stagnation, leaving, the ceasing of the beating heart and the sudden stilling from animate to inanimate. Death is inert. For Life, then, it’s growth, survival, advancement, the strangling by one plant of another to ensure its own propagation or the taking of life by a predator to provide sustenance for its cubs. Life is active. So maybe the equation is less Life versus Death and more Desire versus Death, as Desire drives us forward and Death is the moment all desire ceases.
Second, what if the equation was never meant to be a balance of two opposing forces, but three? That would explain why I haven’t been able to solve it yet. So let’s say there’s a third element here that would balance out Desire and Death. What would it be? We have Desire driving purposeful action, and Death as the ceasing of all action, so… what about Chaos as driving action without purpose? What if the Nameless is supposed to form the third corner of this trinity, so to speak? That would explain her presence and her seeming connection with Tanim and Daren, even though she is decidedly not part of their story. She also offers a bit of a counterpoint to their cycle of life/death/rebirth which is perhaps exactly what they’ve been missing. With Chaos included, Death and Desire don’t have to encompass an entire universe.
So that’s where I am as of several sleepless nights in Spring 2021. I don’t think these three are gods so much as forces of the universe taking form to interact with me, but gods is the easiest term so that’s what I use. Daren is Death, Tanim is Desire, and the Nameless is Chaos. This is not at all intimidating or terrifying and I am totally fine.
Your fingers like iron around his neck, your arm a statement of possession around his waist; ah, we return to tread familiar ground! You dance hip to hip beneath a moonless night sky and when the forest’s monsters come sprinting forth to take him down as prey they stop short at his outstretched hand. He reeks of you, of Death, and even these many-fanged and many-clawed beasts flee in fear of that primal entity so much older than they. You watch their retreat over his shoulder with a knife-blade smile, starlight limming the white skull painted on your pale face, and drag his mouth to yours.
they cut your lover from your side, thinking to fell you once and for all, yet you rose again crowned in a blade of shadow, stripped of humanity and laid bare to your immortal intensity beneath, no longer the earthbound godling ruled by the fallibility of the flesh but Death Ascendant rimmed in wings like shards of ice, cold as the knife and hard as the fall
I consult the Oracle while she sweeps the kitchen floor; my spilled guts collect in little piles with the cat hair and the pine needles. Tossing this detritus in the trash, she tells me to let go of the presumption that my gods have abandoned me. She reminds me that I am no more the person I was when I met them half a lifetime ago than they are now the men they were that same fateful day. People grow; why not gods? I cannot expect our relationship to remain static when we three have changed so much, nor can I expect the old methods of communion to yield the same results. I have to discover who and what we have become in the years we’ve walked this shared road, and where we are meant to go from here. To do this I must have faith, the Oracle says. Faith is not a passive state, it is a choice we make actively every day. I must let go of my death grip on the past and choose to have faith in the gods to which I pledged myself, and trust that everything will work out as intended.
The Oracle’s words are wise, I know they are, and I cannot ignore the truth in them. Yet I’m so afraid – too afraid, perhaps, to risk the rest of my wounded heart solely on faith – and so I make a face at her and go back to playing on my phone.
#2414 – winter solstice
You may be a god, my love, but here on my blade you die like any mortal and here in my forest you rot like any animal. Fear not; I am here with you in your dying, just as I shall be with you in your rotting. I shall be with you when your laboring heart finally spasms and stills (not too long now, you have lost so much blood already). I shall be with you when your cells begin to slowly suffocate en masse, thirty trillion microscopic deaths triggered by your last shallow breath. I shall be with you as your cooling meat begins to spoil. I shall be with you when the coyotes tear at your choicest organs, muzzles stained red and tongues lolling (your godblood tastes so sweet, you know, it is the only drink I have ever hungered for), and the crows bicker over the honor of pecking out your eyes. I shall be with you as your flesh is consumed like holy communion to feed my host of scavengers and decomposers, leaving only your lovely bones behind as grave markers. And I shall be here still when fungi sprout up through the sockets of your whitening skull and wildflowers twine around the bars of your rib cage, nourished on the nutrients of your long forgotten corpse which yet enrich the soil. I am always with you, beloved, so fear neither the blade nor the breaking down. Death has ever been your dearest companion.
In another life I might have been a priestess, but the gods I serve don’t need a temple or a following. They need their story told. They need a scribe. So here I am.
I serve the Sun and Moon. The names they chose to give me are Tanim and Daren, though you will know them under other names: Satan and Lucifer, Will and Hannibal, Patroclus and Achilles, the Oak and Holly Kings. They’ve had many names and lived countless lives. Their stories may be familiar to you as well. Life, death; love, hate; sacrifice, betrayal.
On the winter solstice the Sun will die by his lover’s hand. The Moon started this cycle eons ago, though even I could not tell you exactly why. On the summer solstice the Sun will resurrect and slay the Moon in turn. Thus the wheel of the year is greased with blood, life paid for with life, death with death. Sometimes they go to their deaths willingly; others they struggle in vain against immutable fate; but always a solstice ends with death. Even gods cannot change such things.
As their scribe I record these deaths, whatever they show me in whatever form they dictate. Between solstices I continue to write for them, memories and dreams and scenes, anything they require. There’s not much here that’s lovely or light – it’s a mythos steeped in blood, full of cruelty and heartache, but there’s beauty in it too. And love, of a complicated sort. Love that cut down the host of Heaven and slayed a Dragon on a cliff side.
Take a dip into the dark river. See what my eighteen years as scribe have produced so far.
See past solstice pieces.
See everything I have written for and about them.
See pieces written from Tanim’s point of view.
See pieces written from Daren’s point of view.
As I lay in bed in the dark (click) early hours the preacher man speaks to me over Geiger counter radio crackle (click… click), he tells me if I’m lonely and (click) tired of the silence the dead are always ready to talk, they’re always (click click) so, so hungry and they would love to devour me, too; he shows me the prison down the road like that’s where they live maybe (click… click click), do they congregate there? does the prison (click click) even have a cemetery? I don’t reply to him; instead I bury my face in the pillow and speak to my absent (click) gods, the Sun and Moon, I tell them I will sit in the silence (click click click) as long as it takes for them to answer me because they’re the only ones I want to talk to, not the hungry dead or this creepy preacher ghost-thing, but inside I know I’m afraid if I listen to the dead for too long I won’t be able to stop (click click clickclickclick clickclickclickclickclickclick —).
The solstice approaches and I consider the death of gods. I think of Inanna walking proudly through the underworld’s seven gates to her death on the meat hook, of Odin hanging nine days dead on the world tree and Christ laying three days dead in the tomb. I think of Osiris, Persephone, Proserpina, Dumuzi, Baldr. Of Aphrodite weeping over Adonis and Achilles weeping over Patroclus.
And then there is you, Lord Sun, fairest and most beloved. The solstice approaches, yet you do not drown me in dreams of blood or deafen me with your cacophonous wailing like past years. Your halls are silent, your rooms are empty, and I wonder why. Could it be that you go willingly to your death this time? Have you made some sort of peace with it like those other harvest gods destined for the slaughter, those deities who sacrificed themselves for wisdom or were punished for being too beautiful, too good?
Perhaps this solstice you will bow willingly to you fate, to the dying and the decay, the rot and the long rest. The wheel on which the world turns must be oiled in blood. Yet though the solstice relies on violence, that violence need not be fueled by hatred or ugliness. Death can be beautiful, a gift of mercy or love, and your death on the longest night drives the resurrection of your brother-lover and the fallow time of winter. Thus the Oak King bleeding out in his Holly King’s arms; thus you, Lord Sun, spilling out your shining golden blood in your beloved Moon’s arms.
Maybe this time we can focus on the beauty in your death, not the tragedy. What do you think?
I am a scribe without a master, an oracle without gods. How terribly embarrassing, to be fired from your soul’s work! Is there a support group for people who have been repudiated by their gods? Or am I the only person in the history of mankind useless enough to require such drastic measures? I must have deserved it; I just wish my years of loyal, if disappointing, service had merited at least a severance letter, a by-the-way email, a “don’t bother coming in on monday” text. But ghosting’s your style, I know. I can’t expect otherwise.
You will find someone new. Someone better. Perhaps you already have. I was likely a mistake, a rare poor choice on your part. You’ve chosen well before, after all: Milton; Miller; Fuller; Koja. I was surely an aberration. Maybe I had potential I never quite managed to unlock, or squandered despite your years of guidance. Maybe I peaked early and everything since has just been the slow descent to rock bottom. Who knows.
I’ll try to look at this more like an internship that came to its inevitable end and less like being fired from the only job I’ve ever had and ever wanted. I’m grateful for the experience, after all. It will look great on a resume. Maybe some lesser god with lower standards will hire me and find my work sufficient, and I will at least be engaged even if I never again feel the passion I felt when I served you. At any rate, I can always witness what your other scribes create for you and know you’re in better hands than mine. That’s what matters.
Resurrected by the dying light and trailing the dirt of your grave pit, my corpse once more takes up its patrol. The alley; the living room; the bedroom; the roof. Finding no evidence of habitation, not even a drop of blood or the faint linger of cigarette smoke, it returns once more to the alley to start the round over again. Driven by duty to the approaching solstice, it will continue this pointless vigil no matter how much dust accumulates as proof of your final abdication. Such a dumb, brute thing! It simply cannot comprehend that you are never coming back. Yet I suppose I should not blame it – your instructions are carved into its bones, woven into its muscles, encoded in its cells. Even in death my poor corpse knows no rest and will limp along until its rotting limbs can carry it no longer. Foolish thing. Look what loyalty earned you.
look into my eyes;
how can you not see I am
Alexandria’s charred skeleton
Delphi’s discard, Pompeii’s corpse-hollows
a husk of a revenant vomiting
endless bean sí grief-wail?
HOW CAN YOU NOT SEE I AM
A THING ALREADY DEAD?
These dreams of you are
Echoes from my subconscious
Just phantom limb pain
You will survive this
the Morrigan pronounces
staring into my dull eyes
bone shards and congealing blood
you took everything)
but the words are no kindness
only Her battlefield prophecy
impassive and immutable
Now I know you are gone, truly gone
because I no longer hear your voice in my head
that subtle blade which you wielded so expertly to reopen old wounds
and when did you ever miss a chance to remind me of my failures?
O prodigal sun, come wash your red hands clean in my fount. Your sins are forgiven, your trespasses forgotten. You who can do no wrong, let your tears fall free to bloom up roses in the dark soil. Bow your head; I will smooth your furrowed brow and straighten your crooked crown. See? Absolution is your birthright. Amnesty is your privilege. O son ascendant, do you not know your flesh is too holy to hold blame?