#2309

You’re like an angel, you know. You’re beautiful on the outside but underneath I know you’re all blinding light and holy wrath and too many blazing eyes amid a dozen flaming wings. Yours is a terrifying, incomprehensible otherworldliness that makes me weep in awe. If you were to peel back your skin the sight of your true form might drive me mad or burn me to ash – and I would beg for either, if only I might glimpse your glorious truth in my final moments.

#2307

You are the god of syringes
Of morphine, caffeine, nicotine
All the things which cannot fill the void
Of blue blood and black bruises
Gunpowder, despair, a silk tie noose
Love like chains and devotion like addiction

You offer up
You bow down
You obsess
You possess

You are the blinding sun; you are the selfish savior; you are the punishing summer.

You are desire.

#2304

How is it that I am always the one pursuing you and yet still I feel your hot breath on my neck, still my heart pounds with the instinct to flee before the hound’s long white teeth. You are ever beyond me, distant as the moon, yet I swear I hear your laughter drifting on the wind as it chases me down dark streets. I can never catch you and yet I wake in a cold sweat with bruises around my throat in the shape of your long, lovely fingers. How can this be? How are you everywhere and everything?

#2292

I do not yet know what I want from you – will you be patient as I search for it? Will you let me cut you open to dig through your soft flesh until I find that precious something hidden within? Will you let me dissect your deepest secrets and hold your most embarrassing fears and failures up to the light? It will be a learning opportunity for us both, a chance to discover who you really are beneath the layers of artifice. Somewhere in your warm depths I’ll find what I’m looking for; until then, I will enjoy weighing and cataloging every scrap of you.

#2291

So Tanim and Daren hijacked my poor wife again. As I was falling asleep last night she said, “They’re not gone. They’re just waiting.” I asked her to elaborate but she couldn’t. A few minutes later she added, “You should buy a box with a lock.” When I asked what kind of box she replied, “Big enough to fit what you’re going to put inside.” In the morning I told her what she said, as she didn’t remember the incident, and she said she felt like they were waiting to be summoned, or something like that. Then she recounted a dream she had that night, which answered some questions but sparked quite a few more. It’s a little hard to recount because her perspective kept changing and we filled in a lot of information as we talked it over this morning, but here’s a rough outline:

The dream took place in a theater. The stage had no set design, just three closed doors against the back wall and a pedestal center front on which stood a small locked box. The box was made of a dark wood that looked almost like ship planks and seemed warped as if by water. Chriselle knew there was a “secret” inside, specifically an item of some sort, but wasn’t sure what. (She later realized the box looked like a smaller version of a chest we have in our garage which, interestingly enough, is where I found a small pocket knife similar to the one Daren carries.)

On stage were about a dozen actors, all dressed in black. They included myself, my wife, Inno (a friend of ours who perhaps uncoincidentally is someone Tanim and Daren also enjoy bothering), Mage, Tanim and Daren, and an assortment of generic extras. Mage stood with her arms crossed, just watching, and Chriselle got the feeling she was there to make sure everything went as planned. Not as if she were directing things, though; more like she would act as a stand in if someone couldn’t perform their role correctly. Watching from the wings was also a man named Pharaoh who looked like a modern-day version of Bayek from Assassins Creed Origins. He seemed to be in some sort of director or stage manager role and also wore black. (Could this be the man who introduced himself as Anubis in Chriselle’s other recent Tanim/Daren dream?)

The various actors moved and spoke yet there was no discernable plot and everything was completely silent. Inno and I seemed to be trying to tell Chriselle something from across the room but she couldn’t figure out what. Then Tanim came up behind Chriselle and stabbed her in the right side with the very audible sound of a blade puncturing flesh. He seemed completely unemotional about it, almost as if he was running on autopilot or acting on another’s orders. (As I was about to bring up the fact that this could symbolize the wound in Christ’s side, Chriselle had the A Perfect Circle lyrics “It’s not as if you drove the hateful spear into his side” come to mind, so that seems significant.) Red blood began pouring from the wound and as it fell everything it touched began turning red as well; her clothing, her skin, the floor, the walls, the other actors. Everyone, everything, red. Everyone on stage seemed frozen at this point, or like they were patiently waiting for something. Then the bloodbath began.

Chriselle pulled a knife from her pocket which unfolded into a long, machete-like blade with a serrated edge and began violently beheading the unnamed actors on stage. When she finished with them she went into the audience (also all wearing black and equally motionless/emotionless) and continued hacking off their heads with the heavy weapon. All the while the wound in her side bled freely. As she killed, Tanim and Daren began walking toward each other in slow motion. When they were just a few feet apart, right next to the box, they stopped. It seemed to Chriselle as though one of them was going to open the box but the other didn’t want them to (though she wasn’t sure which was which), and then the dream was interrupted and thus ended.

If I’m Tanim and Daren’s scribe, their high priestess more or less, does this mean they’ve chosen Chriselle as their oracle?

Or maybe they’re just opportunistic jerks.

#2281

Sometimes I can hear you screaming in my head, that endless wounded animal howling of total devastation, and I want to imagine his arms around you for comfort – but that’s not possible, is it? Neither of you could ever comfort the other at such a time because the only thing that would break either of you so completely is the loss of the other. You care for nothing else enough to experience such soul-rending grief, and so as much as I wish to imagine you safe in the shelter of his arms as you weather out the storm of madness, it would be a lie. The hard reality is that you are always alone in the moment you must first face the truth of his absence, just as you are alone every moment following that. Again and again and again you are alone, alone, alone. There is no one to hold you, no one to ease your suffering, no one to stand against you and the dark chasm of loss. Of course all you do is scream.