#2571

Dear Virginia,

I thought you should know – I found her. The girl you introduced me to all those years ago when I was still so young and confused and full of unfamiliar longing. I had loved her from the first time I read your words, after all, and it broke my heart to imagine her alone somewhere out in the wide, dangerous world, her genius smothered by society’s cruelty. I wasn’t quite so foolish as to imagine myself her rescuer, her charming prince come to wake her with a single kiss, but I knew I could help. I could hold her hand and read her words and remind her she wasn’t alone. Yet when I clawed my hands into the cold clay of that unmarked crossroads grave I discovered no body beneath and so I went looking for her. Took me almost a decade and countless bottled letters thrown into countless seas but I did it. I found her. Shakespeare’s Sister.

She wasn’t dead, not yet, but slowly drowning in a world hostile to every aspect of her being. After all, you need more to ensure your survival than a room of your own to write in when those in power are trying to legislate you out of existence, and all the education in the world can’t protect you from the bigotry enshrined in every facet of society. The country which purported to be her home hated her for being ‘too much’. Her body that I would find so beautiful was too curvy, too muscular, too brown and yet not brown enough. Her mind that would engage and challenge mine was too clever, too literal, too depressed and prone to dwelling on… unladylike topics. Her heart that would capture mine instantly was too queer, too empathetic, too honorable and honest for a society built on cold hard capitalism. She asked too many questions; she dreamed strange dreams. She refused to conform to any expectation or stereotype and you know, Miss Virginia, how much they hate when we won’t conform.

She was fighting to stay afloat, though, despite all the people determined to drag her down, and in her struggles she grabbed onto one of my bobbing bottled notes. That’s how we met, trading words over a digital ocean until we worked up the courage to meet in person. Then it was the U-Haul, wedding rings, a home of our own where such maligned creatures as feral cats, traumatized dogs, and unapologetic queers could find sanctuary. We did our best to heal each other’s wounds with the kind of loving acceptance that can only grow out of adversity, sweeter than the sugary tea we shared on our first date. On the weekends we tended each other’s gardens, weeding out the invasive species of toxic thoughts which grow there, and at night we uncorked old secrets in waterlogged bottles to set them free.

In this home we now work together to build a world which embraces all witches, wise women, and half-mad poetesses, where such things as gender and skin color do not endanger your quality of life – or the length of it. Where creativity flourishes free from judgment and we create for the sake of sharing our passions and dreams with others, not out of desperation to put food on the table or to prove our worth to those who will always believe us worthless. I could not fight for such a future on my own; the cruelties of the world weigh heavily on me, sometimes to the point I can hardly draw breath. I can fight as hard as I do only because Shakespeare’s Sister stands at my side, fierce and unflinching in the face of humanity’s evils. Her strength inspires me, her kindness humbles me, her generosity lifts my burdened heart so I can breathe again.

The world asks, “What is the good of your writing?” and I say it is this. Where before two strangers suffered in silence, alone, as convinced of their aberration as your young Judith Shakespeare once must have been of hers, now they stand united. Words brought them together. Words kindled their love. Words lift them up, day by day, when the world would drown them otherwise. “Someone will remember us,” Sappho wrote over 5,500 years ago, “even in another time.” And we remember. “If we live another century or so,” you wrote over ninety years ago, “then the opportunity will come and the dead poet who was Shakespeare’s Sister will put on the body which she has so often laid down.” And I have found her. And these words we write today? These lives we live so stubbornly, bravely, beautifully, against all odds? In another hundred years they will be remembered by those who follow us. In another thousand. That is their power. That is our power. 

So thank you, Virginia. And thank you to all those who came before. May we build a world worthy of your memories for those who will come after.

#2231

I have watched the moon rise over blue-white mountains
and the sun set in a pool of glittering fire
yet still you are most beautiful

I have listened to water falling through green canyons
and thunder quaking in the bruised sky
yet still you are most beautiful

I have tasted cold, clear water fresh from glacial streams
and ripe blackberries warmed in the sun
yet still you are most beautiful

I have smelled the sharp salt scent of low tides
and the perfume of apple blossoms on the wind
yet still you are most beautiful

I have touched the rough bark of ancient redwoods
and stones formed deep in the earth’s core
yet still you are most beautiful
yet still you are most beautiful

#2075

I know you wonder whether I miss how things were before, whether I would go back to the time when you were merely a concept, a theory, an idle wish during long, lonely nights. You think it must have been better when my imagination shaped you into whatever, whoever, I needed in the moment, when you were so abstract I could hang no real expectations or desires on your shoulders. But darling, that makes no sense. Can I hold a concept during thunderstorms? Can I nap on the couch next to a theory? Can I laugh or cry or sing with a wish? No, no; nor do those things have freckles and favorite foods and a Harry Potter obsession. They didn’t write letters to their own concept, theory, lonely late-night wish and they didn’t reach across the gulf of cyberspace to take a chance on a stranger. Those years of longing shaped me, yes, and I would not trade them away easily – but neither would I forsake you to return to them, not when you are where they were leading me. I would not trade our present or future for anything in the world.

#1940

Do you ever experience a piece of media – a book, a song, a movie – and get hit with the knowledge that this thing would have totally spoken to your younger self? That if you had experienced it at, say, sixteen or seventeen, who knows how it might have changed you?

Flashback to myself in high school, circa 2006. I hadn’t yet discovered asexuality and assumed, for all intents and purposes, that I was straight (despite having zero interest in dating). If you had asked me then why I so adamantly adored Elizabeth Hurley in Bedazzled, Milla Jovovich in Resident Evil, and Clea Duvall in The Faculty*, I would have said it was because they were so cool, so badass, so confident. I might have said it was because I wanted to be like them in some way, or just tag along on their adventures.

Um. Yeah. I was pretty oblivious to things. In my defense, though, my peer group didn’t use labels like sapphic, homoromantic, or really anything besides the L, G, and B. I didn’t know it was possible to like girls without, well, LIKING girls, so I never analyzed the feelings I was having at the time. Even after I learned about asexuality at the age of nineteen and officially adopted the label for myself at age twenty-one, I still spent several years agonizing over what my strange attraction to girls meant. It wasn’t until I was almost twenty-six that I finally opened that door a crack – just enough to let in the girl who would become my fiance.

I say all this with a purpose, I promise. See, a couple months ago I started a local queer meetup. We happen to all be in one way or another attracted to women, so when we held a movie marathon last week, we watched sapphic movies. One of these, But I’m a Cheerleader (BIAC), was a late 1990s comedy featuring Natasha Lyonne as a closeted lesbian sent to a conversion therapy camp by her parents. It’s a very silly movie with an undercurrent of dark realism that makes the friendships and romances all the more poignant. It also, to my embarrassingly giddy surprise, features a Clea Duvall who looks exactly like her Faculty character Stokley. On whom I have had a raging crush since high school. Oh, and should I mention this is a movie where you get to watch Stokley make out with another girl? How the internet didn’t let me know this movie existed sooner, I will never know. And I will always be bitter about that. You let me down, Tumblr!

Anyway, all this is to say that the ending of the movie made me cry. Not Carol, which we watched first, oh no. BIAC made me cry. Why? Partly because the ending is so sugary sweet (a sapphic movie with a happy ending? yes please!), but also partly because I watched the whole movie thinking This came out in 1999? I could have watched this as a kid? As a confused teen who had no idea why she got so mad that Stokley wasn’t a lesbian after all? You mean I could have had an actual queer Stokley to obsess over all these years??

I mean, SERIOUSLY.

I’ve read and watched a lot of queer media since I was a teen, but none of it quite hit me like this movie did. I sincerely think that if I had watched BIAC as a teenager, I would have known ten years earlier that I was sapphic. Ten years! Ten years I could have spent learning to embrace my identity, instead of agonizing over it. Ten years I could have spent making friends with other queer people, instead of feeling unwelcome in those circles. Ten years I could possibly have spent dating and exploring my desires and boundaries. Ten years of angst and loneliness that could have been ten years of friendship and pride parades.

That thought kinda hurts, to be honest. I’m in a good place now – proudly ace and proudly sapphic – but I wasn’t for a long time. I struggled, especially in college. There are songs I can’t listen to because they’re just filled too much with that old longing. When I see queer representation in media these days, especially in shows like Legend of Korra and Steven Universe, I feel simultaneously joyful and jealous. Joyful that representation like this might save someone years of hurt; jealous because I could have used that representation, too. As a kid, I was too deeply in the closet to even think of seeking out queer media. I can’t imagine how much seeing queer relationships in “regular” media might have opened my eyes. I know being a queer kid today isn’t easy, but I’m still so happy to think that even one kid might be saved the emotional bog through which I had to wade.

*and Michelle Rodriguez and Gong Li and Fairuza Balk…

#1926

“Triskaidekaphobia”

numbers betray me:
the number of ways in which I have
or have not
the number of ways in which I will
or will not
the number of ways in which I am
or am not
the number of ways in which I can
or cannot ever
add up
to a perfect integer

#1903

I used to wonder, late at night when I wandered between streetlights and shadows on a chilly, quiet campus, what it would be like to sing with you. Listening to the songs that conjured your spirit, if not your presence, I wondered which part you would take; would your voice be higher than mine, light and lilting, or would it reach even deeper notes than I could? I’d sit on cold stone steps and imagine you huddled against me, us sharing scant body warmth as we watched our voices drift away in ghostly breaths of melody. You were for so many years a siren calling to me from third-hand sources, and I the lost sailor traveling sightless in the hopes of finding you at the end of my journey. What I did not know I heard in this music was my willingness to break upon the rocks, should that be my only way to glimpse you. The lyrics did not speak this immutable truth; the notes did not spell it on their staves; yet I absorbed it nonetheless. Thus when you did finally find me, I came to you as the sailor longing to wreck, as the tower maiden eager to jump, as the innocent girl who wanted never to find her way home from Wonderland. And you? You remained as I had imagined you: the siren calling, calling, calling in the dark for the only one who could hear her voice. Now I know exactly what our voices sound like blended together, and all the words in the world can’t describe such beauty.