#2379

Angel, angel, what have I done?
I’ve faced the quakes, the wind, the fire.
I’ve conquered country, crown, and throne;
Why can’t I cross this river?

He comes in the afternoon lull, after lunch and games. The younger children are all napping in the dormitories; the older children are at their chores or studying quietly. Few visit the Temple at this hour, save for the occasional childless mother wanting to light a candle or friendly beggar hoping to escape the day’s oppressive heat in the cool of the sanctuary.

He is certainly no beggar. The priestess barely has to look up from tidying the pillow-strewn pews to know this; the shadow that falls across the open doorway is much too large for its owner to have ever had to beg for anything. When she straightens and turns her full attention to him, however, a thrill of fear chills the sweat beneath her robes. What stands in – no, FILLS – the doorway is the largest tabaxi the priestess has ever seen. His white mane and fur are caked in road dust, crisscrossed by old scars and several still-healing wounds. Strapped across his back is a sword easily as long as she is tall, maybe longer, and his fingers gleam at the end with curved claws. No armor, but with that much weaponry and muscle he hardly needs it. A mercenary, most likely, or one turned bandit.

“We don’t keep much coin on the premises,” she manages to assert with a modicum of steel, “if that’s what you’re after.” The Temple of Kodkod is served almost completely by women, many of whom came to it from domestic lives of motherhood, wet-nursing, or midwifery. It is a quiet place, a gentle place, yet that does not mean its staff will not lay down their lives to protect the orphans who dwell here. The priestess has only a simple dagger, hidden away so no chubby child hand may grab it, but she will fight until her final breath if need be.

“I’m not here to rob your temple,” the tabaxi rumbles as he steps forward, raising one hand toward the sword’s hilt. She flinches back as he draws the bright, ringing steel from its sheath – but instead of swinging the sword at her, the tabaxi kneels and lays it at her feet. “I’m here to serve it.”

Pay no mind to the battles you’ve won;
it’ll take a lot more than rage and muscle.
Open your heart and hands, my son,
Or you’ll never make it o’r the river.

–Pucifer, The Humbling River

#2378

O prodigal sun, come wash your red hands clean in my fount. Your sins are forgiven, your trespasses forgotten. You who can do no wrong, let your tears fall free to bloom up roses in the dark soil. Bow your head; I will smooth your furrowed brow and straighten your crooked crown. See? Absolution is your birthright. Amnesty is your privilege. O son ascendant, do you not know your flesh is too holy to hold blame?

#2374

It have many names. A/pep. Abbadon. Satan. Fenrir. Dragon, Wyrm, Snake. Many names, same entity. Immortal, strong enough to crush world in claws. One day it learn how to take seeds of itself, make lesser monsters. Demons you call them. Some immortal like it and some not. But all very powerful. 

I was one. Chalix. Humans call me hell hound. I like them, they little but fierce. Candle flickers, lifes so short, but full of living. Demons are forever but do not so much living. Boring to serve Dragon always.

Demons cut through humans like leaves, many ages, until few left. Other creatures like Dragon, ones humans call gods, give some magic. They last longer. But magic not enough. Technology not enough. Endless war come to close in far future. Humans so few yet still fight. They love life so they give it for others. Demons do not do this thing.

But we can. So Chalix chose. Humans. They are so fragile, but not Chalix. Demon make good sacrifice. Piece of Dragon? Very powerful. It not understand this. It crush Chalix like bug but can not undo giving. So humans have chance now. You have chance now. Last stand. Do not waste, yes?

Chalix good boy.

#2373

The Sun baptizes me in the red lake of his heart, not a lake of fire but blood as bright and hot as molten metal, or perhaps he means to drown me for he holds me under as I scream and thrash, and only after an eternity of agony does he lift me up in his arms (am I dead? am I reborn?) while beside him the Moon casts his indifferent gaze on my charred body and observes, They burn up so quickly.

#2370 – Summer Solstice

You are a more valuable lover to me dead and gone than alive and in my arms. I would rather mourn the person you might have had the possibility of becoming than have daily to face who you really are. You are awful, do you know that? You are cruel and selfish and fickle. It was attractive once, that danger, that heartbreak, but now it is simply tiring. I am tired of begging you to stay. I am tired of the inevitable disappointment when you don’t. I am tired of being left behind.

So I am not asking this time. If you keep making the wrong choice I have no option but to take choice itself away. You brought this on yourself, darling. Why couldn’t you just stay for once?

You are a terrible person but you will make a lovely corpse.

#2356

The library is, perhaps, Liberty Palace’s ultimate gift to Mage. It has been so very long since she was cast out of her first home, and so long since she has let her thoughts dwell on that time, that she had almost forgotten the reason for her banishment. The true reason, at least; not the council’s fabrications.

Knowledge.

What her people had seen as a thirst for power was a thirst for knowledge, and a belief that all knowledge should be free to those who would seek it. Even knowledge which could be misused. Even knowledge which had been misused. But no, their fear ruled their hearts and clouded their minds. They locked that darker, truer knowledge away behind glass cases and sealed doors. They forced ignorance on their people. That was what she had rebelled against; not the lack of power, but the lack of choice.

It would not be an exaggeration to say the library in Liberty Palace contains every book which has ever existed. In fact, it would be an understatement. The library in Liberty Palace contains not just every book but every scroll, every parchment, every scrap of papyrus. It contains texts long lost to the histories of a thousand different times on a thousand different worlds. It contains writings no eyes but those of their authors have ever seen. It contains books thought mere myth from lands thought mere legend. Even given an eternity, one might not reach the end of the words contained in this one room.

Some of the texts do contain exceedingly dangerous information, of course. In the wrong hands such knowledge could enslave nations or destroy whole planets, slay gods or raise them from the dead, even tear apart the very fabric of space and time. But Mage has been there and done that, and her interest in such things is only academic now. She finds infinitely greater satisfaction in rushing to show her latest discovery to Alice or in spending an evening together by the fire translating and discussing some cryptic passage.

This is not a side of herself Mage shares often; even back on the island she guarded it closely, recalling with bitterness how easily her passion and knowledge could be turned against her. Yet it feels natural to bring these things to Alice, who finds them fascinating as well, and so Mage never notices the fond glances or amused smiles on her companion’s face. She doesn’t realize that Ali is watching a flower slowly uncurl upon a vine that has for so long grown only thorns.

#2353

You whose body feels like a cage
She will break the lock and set you free!

You whom society cast out as unclean
She will embrace you skin to skin!

You who are judged for how you love
She will exalt you in her temples!

Rise up, weary one
Inanna is with you!
Rise up, grieving one
Inanna is with you!
Rise up, wrathful one
Inanna is with you!

Inanna is with you!

#2352

They broke your throne, my queen
And destroyed your holy temples!
They tore the sacred raiment from your priestesses
And cast them into the street to starve!

I weep, my queen
I weep for your loss!
I weep, my queen
I weep for our loss!

Then I hear your voice like thunder
Crying I am the Queen of Heaven!
Then I hear your voice like thunder
Crying I am the Morning and Evening Star!

The great dome of the sky is my temple
And my throne is my own sacred body!
My priestesses dye their hair with rainbows
And dance in the streets in the name of love!

I no longer weep, my queen
I sing your praises with joy!
I no longer weep, my queen
I call your name with pride!

Hail the Queen of Heaven!
Hail the Morning and Evening Star!
Hail Inanna!

#2347

Liberty Palace had several rooms that the Lighthouse didn’t … mainly the Wings in each cardinal direction. Ali liked the East and Mage liked the West, and they shared the other Wings between themselves.

Unlike the three other Wings, the West Wing wasn’t technically a wing at all. Its hallway from the main atrium looked like the others, yet instead of leading into a grand room it ended at an archway beneath which wide stone stairs descended deep into the earth. These stairs lead to what Ali and Mage called the West Wing – a vast network of interconnected caverns filled with all manner of stones and crystals. The walls of some “rooms” were held up by massive quartz columns while others were covered with countless tiny crystals that glittered in their own light. Stalactites and stalagmites turned some caverns into gaping beast mouths; layers of smooth, rippled calcite transformed other walls into frozen waterfalls. Many crystals were familiar – amethyst, citrine, fluorite, smoky quartz, malachite, tourmaline in a hundred colorful variations – while others were like nothing found on any other world. 

Mage spent hours wandering the labyrinthine paths of the West Wing. It was she who discovered the underground river which fed the pool in the East Wing, and a great chamber in which a ring of crystal towers made a perfect casting circle. So too did she discover the chain of hot springs, where heat and mineral water worked to soak away her pains after a long day in the gardens or a few rounds in the armory. Now that the centuries of battle and vengeance were past, Mage found her long lack of self-care catching up with her. Immortal she might be, and capable of wielding frighteningly powerful magic, but that did not make her immune to exhaustion’s lasting effects. And cold! She had been so cold for so long she had forgotten how wonderful it felt to be warm through to your bones. Ali would join her from time to time, and in between leave little packets of herbs and oils on a nearby stone ledge as a surprise.

#2343

The problem is that he tried to build a perfect world. His perfect world. And like all humans (for he was naught but human, no matter what the tales say, and a man at that) he equated perfection with an absence of that which humans find most evil: change, unpredictability, loss. Chaos. Yet a changeless world is a static world, an unbalanced world, and an unbalanced system cannot survive. Chaos always finds its way in to establish equilibrium once more – and the greater the correction needed, the more violent the catalyst. Thus my coming was almost foretold. He practically invited me in. Perhaps if he had not so arrogantly assumed his world unassailable I might never have been drawn there in the first place. But it was so fragile, that pretty little island where you could hide away and pretend everything was perfect, and its fantasy needed shattering. I never expected gratitude, of course, not from those who were lost in the lie. Reestablishing balance, bringing darkness to a place where only light reigned, was compensation enough. All fools meet their folly; I was his.

#2342

Forgive me for the years I spent stumbling toward understanding. Humans process in stories; we need a framework, an archetype, a beginning and ending, something to shape what we experience. We crave stories and you made me your scribe, so how could I have known that for you there simply isn’t a story? That you transcend cause and effect, have neither a creation nor a destruction? You exist outside of any framework I could put to words; of course I couldn’t understand that as a child. I don’t even understand it now, I just have a better grasp of how little I truly know. So much of what you have presented me is theater, right down to the sets and costumes and metaphor. Only now am I starting to glimpse the endless totality within, like peeking backstage and finding no actors, no props, only darkness. And how do you capture darkness in words when words are meant to illuminate?

#2331

You will never be enough, you say, and I feel the truth of it like an ache in my bones. Perhaps this is why I feel such kinship with you. Is it possible we, two people who are each lacking so much, could together make a whole of true value? Of course not, and your mocking smile cuts through my hope like a fine blade. Yet I can almost feel your hand at the back of my neck like a benediction, can almost believe that this shared inability to be even just adequate stirs at least some fondness or attachment in you. Almost. But if we cannot be enough for those we love then certainly we cannot be enough for each other, or even ourselves. You get used to being a disappointment, you say. But when?

#2330

Am I your Abigail, then? Your collateral, your hostage, your bargaining-chip teacup? Certainly I bear your scars; certainly I cannot tell your harm from your love. If that’s the case, do you see any future in which I come back together after the inevitable shattering, or have you always planned to dangle my place in your world only as long as I’m of use? It’s okay, I don’t mind as much as I probably should. After all the years I’ve spent transcribing the exquisite, horrifying details of your folie a deux I’m just happy to play a role at all. I know it’s just a fantasy, this world in which the teacup mends itself and we three find some sort of harmony, but you know what they say: you can’t control with respect to whom you fall in love.

#2321

You could call me a priestess of sorts, I suppose, albeit a grant-funded and state-employed one. I do spend much time preaching about my lady’s temper, teaching these arrogant mortals to respect the power of Cascadia and all her sisters. They sleep in a ring, you know, dreaming of fire and blood and occasionally waking to deliver death in broad swathes. Cascadia has been sleeping these past three hundred years but when she wakes again her wrath will sunder the earth and drown sin and sinner alike. (Such ancient forces as she hardly care what form their offerings take; it’s about quantity, not quality.) Though she cannot be pacified, still she must be revered. A little fear is necessary to grasp the immensity of Cascadia’s destruction when – not if – she stirs once more. The question is, will humanity heed the words of her clergy in time?

#2320

Names are ultimately a burden. After all, even the most widely worshipped god will fade once history forgets their name. There is far more power in the lack of a name: what you cannot name you cannot define; what you cannot define you cannot understand; what you cannot understand you cannot help but fear. I refuse to be named because language lacks the complexity to encapsulate all that I am. I will be here long after humanity is dead and all their languages ground to dust from the stones of their monuments. What good is a name to such as I?

#2319

And the N——- is the vastness of the mind. She is the dark depths from which chilling thoughts come creeping when we least expect them and have the least control over them. She is buried memories, recurring dreams, compulsions and obsessions. She is nightmares bleeding into waking. She is colors only seen when you close your eyes. She is the lullaby of depression, the chatter of anxiety, the whispers and shrieks and laughter of madness undiagnosed. She is the inability to trust the senses because the mind is capable of overriding them. She is all the ills in Pandora’s box because all the ills of the world are birthed in the mind of man.

#2314

The Nameless is the vastness of the ocean. She is dark trenches full of strange creatures with eyes like pale globes; she is sunken ships buried in pelagic sediment; she is things thought long dead and things never before glimpsed in the light of day. She is the horizon extending unbroken in all directions. She is vanished airplanes and flying ghost ships and cities lost to wrathful waves.

The Nameless is the vastness of space. She is the bright points of Inanna’s morning star and the sharp blade of Artemis’ crescent moon. She is the void’s absolute absence of light or life. She is the incomprehensible enormity of supermassive blackholes; she is the unstoppable destruction of solar storms and hypernovae. She is fire from the sky, the longest night, the dusty river of the Milky Way.

The Nameless is the vastness of the grave. She is rot and mold and fresh-turned earth. She is catacombs, crypts, pyramids, pyres. She is stone so softened by a millennia of rain that the name it bears is lost to time. She is the banshee’s wail, the grim’s red stare, the braying horns of the Wild Hunt. She is the feather and scales, and she is the jaws of Ammit waiting to devour the heavy heart.

#2313

All these tales about the moon killing the sun on the winter solstice, all these gruesome stories of betrayal and bloodshed on the longest night of the year… Did you never wonder why the sun seems to so easily succumb to his lover’s blade each year, knowing as he must when it will come for him? Why he has never chosen to break this cycle? It’s not because he can’t; it’s because he doesn’t want to. He needs me. He’s tried every other option, after all. Drugs, alcohol, nicotine; rope, blades, bullets; drowning, jumping, suffocating. Every method of suicide and every combination thereof. None of them work, you see, because fate long ago bound us together, I to be his killer and he to be mine. No matter how much he longs for death, I am the only one who can decide when and where he shall meet that end. So like a key into a lock, this is how it must be: my blade, his throat, our endless dance choreographed down to the last struggling heartbeat. It is a gift. One that no other can ever fully understand, true, but a gift nonetheless.

#2309

You’re like an angel, you know. You’re beautiful on the outside but underneath I know you’re all blinding light and holy wrath and too many blazing eyes amid a dozen flaming wings. Yours is a terrifying, incomprehensible otherworldliness that makes me weep in awe. If you were to peel back your skin the sight of your true form might drive me mad or burn me to ash – and I would beg for either, if only I might glimpse your glorious truth in my final moments.

#2307

You are the god of syringes
Of morphine, caffeine, nicotine
All the things which cannot fill the void
Of blue blood and black bruises
Gunpowder, despair, a silk tie noose
Love like chains and devotion like addiction

You offer up
You bow down
You obsess
You possess

You are the blinding sun; you are the selfish savior; you are the punishing summer.

You are desire.

#2304

How is it that I am always the one pursuing you and yet still I feel your hot breath on my neck, still my heart pounds with the instinct to flee before the hound’s long white teeth. You are ever beyond me, distant as the moon, yet I swear I hear your laughter drifting on the wind as it chases me down dark streets. I can never catch you and yet I wake in a cold sweat with bruises around my throat in the shape of your long, lovely fingers. How can this be? How are you everywhere and everything?

#2300

You had the chance to be better than the ones who cast me out. You had the chance and yet you threw it away. It wouldn’t have even been hard; they weren’t exactly tough competition. All you needed to do was accept me as I was, to let me show you more than just a polished surface without judgment or correction, but you couldn’t even do that. You who prided yourself on being so noble, on building a haven for the unwanted, you glimpsed the truth of me and found me… what, wanting somehow? Not quite as worth your time and effort? Or did you, like those who first rejected me, gaze into the depths I revealed and glimpse something beyond your control? Did you see a steel spine which would not bend to your demands, or perhaps all the sharp edges I’ve honed over the years? You’re just like my last sorry excuse for a family; cowardly, weak, grasping at every little scrap of control like the misers you are. How pathetic. How disappointing. How predictable.