I am a cracked and empty water jar laying in the sand of a desert with no memory of rain on a continent where nothing has grown for a millennium on a planet scoured flat by hot, dry winds which circles a swollen and dying sun.
I would eat groves of pomegranates if by their seeds I could be cursed to remain in your kingdom of death forever. I would eat them until my teeth stained red and my fingers yellow, until that bitter juice so infused every cell in my body that I could not pass through to the realm of the living if I so desired. Come try your hand, o lofty gods, come make an attempt o you angels and demons! I would be so tainted that all the powers in the universe could not drag me from your cold realm. Every bite would win me another year until I had swallowed down a victorious eternity of darkness with you. And there I would stay, no need to name me queen – I am content merely to remain by your side.
I am recording the following for my own reference but I welcome any insights or questions anyone may have. I’m not yet sure what lesson or conclusion I’m supposed to reach in all this. On Friday, October 12th Tanim and Daren (though mostly Daren, I suspect) borrowed my wife (okay, she used the word “hijacked”) for a session of unwitting automatic writing while at work – by which I mean she thought she was taking notes on a patient and looked down to see she had actually written the following with her non-dominant hand:
“It was all there on the table.
The candlestick. The rope. The lead pipe. The wrench. The knife. The gun. He trailed his fingertips along each weapon with veneration.
Clue had always been his favorite board game. He loved the idea of giving six people unique opportunities to kill one another. When he played the game as a child, he often concocted complex scenarios that resulted in the deaths of all six guests. He’d been sent to Sister Reverence’s office more times than he remembered. It was always the same.
‘Young man, this is becoming habitual.’
Habitual. Habit. Like that stupid thing she wears everyday. It would be so easy to grab her by it and pull. Up, up, up. A widening grin. Until she turned purple, like that bitter chalice offered every morning.
STOP TELLING IT. YOU’RE TELLING IT WRONG.”
At this point the writing stopped, but she could still see a scene unfolding very clearly in her mind. She provided me with the following notes:
- Took place in the exact same setting as the film “Clue” with the exact same weapons.
- In an arch over the front door, engraved in script: “Do not die before your death.”
- Six dinner attendees, each with a golden enveloped invitation: Bast, Inanna, Mage, Morrigan, Tanim, and Wepwawet.
- Bast: looks like Aya from AC Origins
- Inanna: looks like The Dean from Carmilla
- Mage: looks like season one Carmilla from Carmilla. One silver chain at her hip. Could be the Morrigan’s sister. Makes the other guests very uncomfortable.
- The Morrigan: looks like the character Morrigan from Dragon’s Age Origins. Could be Mage’s sister.
- Tanim: looks like himself. Navy blue suit. A light blue flower-pattern thin scarf with gold tassels.
- Wepwawet: looks like Bayek from AC Origins. Introduces himself as “Anubis”.
- We never quite see Daren as a whole, only pieces of him. Close-ups. He’s dressed as he normally is, in all black, though with the addition of a plain gold band on his finger.
- Tanim ends up with the gun. He never kills anyone.
- When anyone dies, they bleed just as a person normally would. But afterwards, their bodies become golden ashes and they are blown away by the wind, from the top of the head to the base of the feet.
- Daren stabs Mage in the Billiard Room. She is sitting cross-legged atop the pool table and has a drink in her hand. He walks up to her slowly. They maintain eye contact. This almost seems expected. He stabs her directly in the right thigh. She bites back a grunt of pain, squeezes out, “I knew you were going to do that,” and then downs the rest of her drink. Mage escapes from the house, alive, and keeps the dagger. She could have been “set loose” though, as the house was locked tight with the exception of a sole window. In the Billiard Room with the knife.
- The Morrigan kills Bast with the candlestick. Bast is perusing the books in the library when someone cuts out the lights. Bast turns. The Morrigan enters with the candlestick, a long white candle sticking out of it, the wick lit. It’s the only light in the room. The Morrigan approaches Bast. Bast: “What happened to the light?” The Morrigan: “Here.” She removes the long white candle and hands it to Bast. Bast accepts it with a nod and turns back around to look at the books. The Morrigan raises the candlestick and whispers, “The weight of the world,” before striking Bast in the back of the skull. In the Library with the candlestick.
- The Morrigan is killed with the rope. The rope is fashioned like a noose, but the killer unknots it so that it’s a single piece of rope. Wraps a length of rope around each hand and uses it as a ligature and chokes the Morrigan to death. She dies in the Cellar. In the Cellar with the rope.
- Inanna kills Wepwawet with the lead pipe. Wepwawet is in the Observatory watching lightning crack through the rainy night sky. He doesn’t seem surprised when she approaches. His back is to her. Inanna: “Do you know why I’m here?” Wepwawet smiles. “Because you came.” He turns around to face her, stretches out both of his arms, gets down on one knee, and lowers his head reverently. He then raises it and looks up at her, his features peaceful and humbled. “As you will, Queen.” She nods once. She strikes him across the jaw with the lead pipe. We hear his neck crack. She bends down and almost lovingly caresses his cheek. Inanna: “The Duat has missed you.” In the Observatory with the lead pipe.
- Inanna is killed with the wrench. She is in the Ball Room. She seems to be dancing with a ghost. We don’t see anyone else, but her hands are up and she’s spinning as though being twirled by an invisible dancer. We hear music; it’s “Moonlight Sonata” by Beethoven. There’s a piano in the ball room but we can’t tell if the keys are being pressed. The song seems to emanate from the piano, though. Inanna’s invisible dance partner suddenly seems to turn violent, for she recoils as though she’s been slapped across the face. She stumbles back and looks up, hair in her eyes. Inanna: “How DARE you defy me.” She is somehow hurled backwards into the piano. The keys and strings shatter and break. She’s unconscious. The killer raises an arm, a rusty work wrench in hand, and brings it down on her skull. In the Ball Room with the wrench.
- At the very end, we see Daren in the Study. He’s watching the fire in the fireplace. It’s the only light in the house. Tanim enters calmly. He stops in the doorway. The gun is in his hand at his side, but pointed down to the ground. Daren makes no move.
We discussed it all and here are some of our combined observations:
- We first assumed this story meant that Daren is hostile toward the gods I worship and wants them gone. He and Tanim “disappeared”, so to speak, back in March about the time the Morrigan came into my life. Maybe the addition of yet another god made him, or them, mad and I have to choose one or the other. Occam’s razor would argue this is the truth, and Mage’s escape could be in line with that hypothesis.
- However, the wifey pointed out that if Daren were to throw a dinner party, he might indeed think murder would be a nice addition. Better than small talk and party games, right? So… could it be that Daren simply wanted to meet the other gods, perhaps to take their measure or establish some sort of pecking order? Or, to attribute uncharacteristic altruism to his motives, could he and Tanim have wanted to meet the other gods in order to ensure I wasn’t in any danger from them? I’ve always assumed any gods/spirits/whatever are aware of others in the same area or working with the same person, but perhaps that’s not true. Maybe they really don’t know all that much about each other, the way neighbors can see each other every day but not know each other in any meaningful way.
- This is the first mention of a Sister Reverence, which seems to indicate Daren was in a Catholic orphanage or other school before he was involuntarily committed to a hospital/asylum. Chriselle noted that in the past some Catholic orphanages gave the kids who aged out a token of their faith, usually a pendant, watch, or… a ring. This is especially interesting considering all I’ve told Chriselle about Daren’s past (since I don’t know much myself) is that he was held in an asylum called St. Anthony’s.
- Given the gods all represent certain pantheons, the brief glimpse of Daren’s childhood is interesting – could it be intended to in some way corroborate the Satan/Lucifer vibes I’ve been getting from Tanim and Daren?
- The phrase above the front door, along with the things said by the Morrigan, Inanna, and Wepwawet, feel very significant, though I’m not sure of their meaning yet. They seem to imply the gods were bigger players in this game, not simply unlucky party guests, in which case I could be going in totally the wrong direction with my thoughts. (Great!)
- The deaths of the gods seem like a negative omen or threat, but it could be that because gods can’t so easily be killed, the deaths didn’t really “count”. This might explain why the gods stuck around for the murder party in the first place, and also why Daren possibly let Mage escape; she probably doesn’t enjoy that same form of immortality. This seems to be the biggest factor in deciding whether the message being sent is a threatening one or not. If the gods can die and come back just fine, that’s one thing; if they can’t, it paints a much more dire picture.
- We don’t know who killed the Morrigan; my gut says Daren, maybe after he lost the knife to Mage, but Tanim is usually the one who kills with such brute force. We don’t know what unseen force killed Inanna, either, nor whether this force was one of the guests or someone/something else entirely. It seemed she knew and possibly trusted them, or at least trusted her power over them.
So that’s where I am now. More to come, I guess??
I return amid sirens to the immortal city of Amber, hoping therein to find some understanding of your absence that is so much like a bloodstain at the center of the world, a cancer eating reality from the inside out, see how this sickness is reflected in every shadow I cross, how everywhere I go in my search for you I feel the gaping void which once contained at least a trace of your presence, but that is impossible, it must be, for you reside in the one true Amber and thus you are reflected reverberated reiterated in every shadow from core to chaos, you must be somewhere because for you to cease is for all to cease and I am still here, I am still searching, so if I must walk the blood-black road so far that madness warps my mind then I shall do just that, I shall hellride through strange lands until I find where you are kept and win you back, tell the courts of chaos I am coming, I am coming, I am coming
People make it sound like summoning the Devil is so easy. Witches do it all the time, right? Call him up, sell your soul, get some sweet-ass powers in return. He’s always on the lookout for another person to trap in his web, after all; apparently all you need to do is light a black candle, maybe spill a little blood, and you’re good. Hello Lucy. That’s what they say, anyway, and it’s probably true for most people. Satan’s a devious one, he doesn’t often let opportunity slip by. But what if he’s tired of you? What if he’s moved on, chosen some other mortal to imperil and left you in the dust? If he said, “You can have your soul back, just stop calling me” or “Move on already, you’re embarrassing us both”? It can’t be so easy then. How do you go about commanding the Devil to do anything he doesn’t want to do? Do you crash someone else’s summoning, like just burst through the circle and yell, “Unblock me, you motherfucker!”? Nah, once Lucifer’s done with you I bet nothing in Heaven or Hell could draw him back. You’d keep trying, though. Believe me, you keep trying.
Look, you don’t have to be such assholes about this. If you’re not coming back, you’re not coming back. You don’t have to mock me. You don’t have to be cruel. If I am truly abandoned, must I still see you in everything? Must I catch glimpses of your beautiful sneer, your elegant hands, your disdainful gazes wherever I look? I feel the ache of your absence with every fucking breath. I have no will to write, no energy to even summon a memory of you to keep me company in my suffering. Is that not punishment enough? Please, you don’t need to torture me. I’m a fool, true, but I get it now: everything I feared has finally come to pass. It’s over. We’re done. So just let me rot in peace, okay? I think you owe me at least that much mercy for my years of service. Trust me, this wound will never heal; I’ll suffer plenty whether you rub salt in it or not. So let me be. Please. I’ll even beg if you want. It’s not like I’ve got anything left to lose, right?
o wicked winter, o sinful summer, let me curl up behind your ribs to slumber amid your shared madness, let me bear witness to the cacophony of your frenzied union, blood and sweat and insatiable hunger, you are a discordant melody shivering toward a violent climax, a dissonant hymn to addiction and adoration played out on bruised flesh by forceful hands