Hand pressed to the thick glass, she watches as beyond the radiation shield the dark sky blooms with bright flowers trailing petals of fire, and though the glass dome seals out all sound she imagines she can still hear the screaming of those trapped outside. How many dead now, since the first bomb fell? Millions, perhaps tens of millions: those too close to the epicenters to escape; those who could not buy their way onto planes and ships and caravans and so perished somewhere along their thousand-mile trek to safety; those who arrived at the safe zones with nothing but the clothes on their backs, exhausted and sick with radiation poisoning, only to be told there was no room for them. “No room,” she scoffs, and tries not to weep. She’s only safe inside this shelter because she’s necessary to its function, as so few of her team remain who can run the machines and reboot civilization when it comes time. That’s why she’s in here, a young black woman among so many old white men, and thousands of equally worthy people are out there awaiting the end. And so she wonders – is there even a point to trying again? Will there be enough humanity left in humanity to make the struggle for civilization worthwhile? Or does this dome just ensure there are sufficient witnesses left to testify to the finality of the apocalypse? She doesn’t even know for sure if the machines will work – and maybe that’s best.
my being into your flesh, to
both awareness and autonomy, to
the silent witness behind your eyes, to
the cigarette smoke burning your lungs, to
the familiar weight of the knife in your hand
the Morrigan throws the Hierophant at me (why do you let yourself be bound by useless convention?) and empty fortune cookies (do you think I will just hand the answers to you?) and in my dreams I soar high on black wings while in mud puddles a thousand feet below She writes great wisdom I cannot read (shit happens), and thus is the nature of Her worship
o wicked winter, o sinful summer, let me curl up behind your ribs to slumber amid your shared madness, let me bear witness to the cacophony of your frenzied union, blood and sweat and insatiable hunger, you are a discordant melody shivering toward a violent climax, a dissonant hymn to addiction and adoration played out on bruised flesh by forceful hands
In my dreams I fight wars alongside rebel brethren or cast salt circles with blood-sisters only to wake missing little pieces of my heart I unknowingly left behind in those other worlds, in those other people, and my arms do not understand why I cannot hold those loved ones again and my lips do not understand why I cannot remember their names and I am pushing back the sheets, feeding the cats, dressing for work, going through the motions of the mundane everyday while some part of me mourns that which my mind can barely grasp, details fading in the morning light, and though the effort is futile still I beg sisters, brothers, comrades, friends, come back, come back, come back!
I have dreamed twice now about Sutekh. In the first dream he led myself and a group of people out of a maze-like Egyptian tomb after I prayed to the Netjeru for help. In the second dream he was in his animal form and severely injured, though I didn’t know why. When I woke from that dream I felt like I had sensed Loki’s presence in it as well, and also Daren’s. Is this meant to confirm the connection I made between Daren and Lucifer? Certainly all three are trickster gods who can be considered the “evil” ones of their respective pantheons. Or am I reading too much into this and Sutekh is merely reaching out on his own? It doesn’t feel that simple, though. Sutekh murders his brother; Loki ushers in Ragnarok; Lucifer rebels against Heaven. Fratricide, chaos, and rebellion – Daren embodies all three as core aspects of his being. So should I see these other gods as mirrors with which to better understand him, or does the connection go even deeper?
They say to cross the Bridge of Ghosts you must wear a mask so the specters cannot recognize you and silver bells to disrupt their voices. If you do not wear a mask the spirits will take the form of those you love to lure you over the side. If you do not wear bells they will whisper lies in your ears until you take their words for truth and leap to your death. Even with these protections in place you must walk quickly and never stop until you reach safe earth on the other side. The mask and bells are no guarantee of protection.
No one crosses the Bridge of Ghosts without good reason. It spans a chasm high in the mountains where the wind wails and the cliff faces sharpen the gusts to knives. Nothing grows there. Nothing lives there. Nothing chooses to linger there longer than it must, for to linger is to tempt fate too boldly. Yet it is also said that if you cross the bridge successfully, never succumbing to the ghosts’ illusions or lies, you may at the other end ask them one question which they must answer truthfully. Such a reward has thus lead many, many fools to attempt the pass.
Someone stands now at one end of the bridge and the ghosts swirl hungrily in anticipation, appearing as a white mist which ascends from the valley far below to shroud the bridge and cliffs in wintry half-light. The traveler wears a finely wrought mask of silver with rays like the sun’s with bright little bells tinkling softly from each point. One foot moves to step out onto the bridge; the spirits take up their howling din. They cannot physically touch the man and so they seek to stop him with trickery, yet the mask and bells render the deceptions powerless.
The traveler thus passes through the fog with ease, never faltering, never fearing, and arrives safely at the other side of the bridge. As he removes the mask he speaks to the empty air, “Did you keep your promise?” Behind him a familiar voice answers, “Yes. I have waited long for you.” The traveler turns back to the bridge to find his lover standing upon it with arm extended. “I am here now,” he responds. He steps forward and they join hands; both disappear, leaving behind only the fallen mask.