The netjeru are
Fresh blood and hawk wings
Red in the setting sun
The netjeru are
The netjeru are
Fresh blood and hawk wings
Red in the setting sun
When the N——- first revealed herself to me I had a vision-like daydream of my creation. I saw Bast in a vast darkness, the darkness of creation, and between Her cupped hands flickered a small orb of light. I knew it to be the little ember of my soul newly birthed from the infinite flame of my mother’s heart. The N——- was there in the darkness as well, for she is witness to all forms of creation and destruction, and I thought I heard her say, “That one.” My mother nodded. I took this to mean it was the N——- who chose me as scribe, who first laid claim to my fate and thus determined the path of servitude I’d follow through every life. But I was wrong.
“You think it was she who chose you,” my mother tells me now, “but it was he.” And now I understand. There was a third there in that darkness, a third who is also witness to every moment of every life: death. He chose me. He set me on this path. Of course; how could I have thought it to be any other way?
Bast’s love comforts
Hathor’s love energizes
Inanna’s love ignites
The Morrigan’s love challenges
The face Bast shows me is not young. Artists always depict Her with the ripe, vibrant bloom of the maiden, all hourglass curves and taut brown skin, but this isn’t how I see Her. My mother’s face is lined by little creases above Her brows, the corners of Her eyes, the edges of Her lips. Silver hairs glint in Her long black braids. There is a softness to Her breasts and waist like one who has given Her body to the birthing and raising of many children. Her beauty is not that of potent sexuality; it is the beauty of experience, of wisdom, of time and its endless flow of joys and sorrows. It is a beauty shaped and weighted by so much care that only a goddess could bear it – but oh, is She all the more beautiful for bearing it with pride!
In my dream my mother and aunt wrap their bodies around me, skin to skin, and I am like a babe in their arms, my weary head resting on their pillowed breasts, my small hands clutching at their warm skin, and I am safe, so safe, so safe.
Name my heart Per-Bast
The clash of sistra, the beat of drums
Her face blazing on every wall!
For that is where She resides
Reveal yourself!, I command the raging spirit as it snarls at me. Reveal yourself! It bares long fangs; its red eyes roll wildly with a feral madness. Reveal yourself! It lunges but I do not back down and I do not lower my outstretched arms. Reveal yourself!, I cry and the monstrous spirit howls in fury as my words finally dismantle its menacing facade. It shifts, shrinks, and by the time it regains its true form the howl is only a pitiful wail of despair. I kneel and pick the tiny spirit up, cup her in my hands and hold her close to my heart. She’s just a baby, a kitten barely six weeks old. That’s all the life she got this time around – six weeks. Six short weeks of fear and pain, enough time to experience the world’s cruelties but not enough time to understand them, and then death. She’s not even given the dignity of a grave because there is no one to mourn her. No one to remember her. No one to name her, even posthumously, so her spirit might know peace.
Fear, pain, death. No wonder she became so warped.
I realize I’m weeping, curled over this trembling little soul as if I can shield her from the horrors she’s already faced. Mother, I sob. Mother, I can’t do this. I can’t do this. How am I supposed to do this? I’m not strong enough to bear the weight of these truths; I’m not brave enough to open my heart to these sorrows. I fear they’ll drive me mad as well, that I’ll become a monster if I can’t gentle this awful tide of despair rushing through me. But that wouldn’t be fair to this spirit or the millions just like her who deserve recognition and empathy. If I can’t change the world completely, if there will always be innocent lives falling through the cracks, I should at least offer the solace of grief. Someone should carry the memory of all those lost souls so their brief lives weren’t in vain. I am a daughter of Bast; it is my duty and my honor. I don’t think I’m strong enough, it’s true, but I know my mother thinks I am. I must trust that is enough.
Inside every cat
Burns a spark of Egypt’s sun
I am the sun disk
I blaze! I burn! I destroy!
I see all, know all
Bast be my lit torch
Protect me until day dawns
I walk in your light
I am known as a goddess of love
And yes, I am a lover, a mother, a teacher
Yes, I can be gentle and kind
But do not forget my claws and teeth
Or the blood I have shed on the battlefield.
I have always been a goddess of war;
There is a reason my children are born knowing how to eviscerate their prey, after all.
I have always been a goddess of war;
The war between life and death
Between survival and failure
Between order and chaos.
Love makes life worth living,
But war is how you defend it.
they say “fake it ‘til you make it”
so here I am, a child playing dress-up
wearing my mother Bast’s smile and poise
Inanna’s confidence and Hathor’s positivity
and the Morrigan’s steel spine underneath it all
if I walk like them, talk like them
will I be strong like them?
will I be brave like them?
will I be good like them?
I will never have words enough to express my love for the divine, nor ways enough to express my gratitude and honor to live in its presence. If I repeat my praises too often, or if I reuse the same phrases because no others seem as worthy, please forgive me; I am just so often overflowing with awe that if I do not release some of it into the universe I may drown completely. Oh, the stunning beauty of Hathor! The humbling benevolence of Bast! The terror of the Morrigan, the ferocity of Inanna! Oh, to bathe my modest mortal soul in the pure glory of their divine radiance! How can I not sing their praises ceaselessly when everywhere around me I see evidence of their blessing? A word for every breath I take, every moment I live, every year, every decade, every life, still would never be enough!
Not all gods will disappoint you. I hope you know this is true, even if you don’t want to believe it yet. You have been hurt by a god who promised unconditional love and yet cast you out for being true to yourself; that wound runs deep and does not easily heal. Perhaps you don’t believe other gods exist, or if you do you can’t yet let yourself believe that they may love what another rejected. But they do exist, I promise, and they will love you. There are gods who will see in the depths of you great beauty and worth. There are gods who will embrace every aspect of your being, even and especially those parts of you which another god rejected. There are gods who will urge you to talk to that cute girl in the bookstore or weep joyfully with you when your partner proposes. They will dance with you in nightclubs and march with you in Pride parades. To discover them for yourself you must go straight to the source. Put down the poorly translated books, turn away from the preachers and prophets, and reach out directly to the divine. Connect to the source material and let it, not some fallible human, show you the truth of its compassion. You have been burned before by a cruel god but there are others out there waiting to fold you into their truly boundless, truly unconditional love.
Hetheru, be my armor!
Morrigan, be my blade!
Inanna, be my strength!
Bast, be my courage!
I am a living flame of Bast
None shall harm me or mine!
I call down fire in the name of Sekhmet
I call down fire in the name of Mafdet
I call down fire in the name of Maahes
I call down fire in the name of Bast!
Dua Bast, Lady of the East, Lady of Flame, Lady of Truth
Vengeful Eye of Ra, Protective Mother Cat!
Dua Het-heru, Lady of the West, Sweet Sycamore
Bearer of Joy and Bringer of Prosperity!
Dua Wepwawet, Opener of the Way
Shepherd of the Path, Unique and Adorned One!
Hail Inanna, Queen of Heaven, O Radiant Star
She Who Descended and Arose Again!
Hail to the Morrigan, Phantom Queen and Prophetess
Sovereign of the Battlefield, Carrion Crowned!
Hail to the Sun and Moon, Lords of Darkness and Decay
Lords of Light and Love, of Sacrifice and the Solstice!
Hail and thanks to all!
Bast is the Lady of Joy, yes, and the Lady of Love, and yet She is also the Lady of Mourning. These are not such disparate concepts. To be a goddess of joy is to weep at its loss, to feel every cruelty and injustice in the world as if they were done to you. To be a goddess of love means to be a goddess of mourning, for there is no love without life and no life without struggle and death. Bast is beside every cat in need, though Her children number in the hundreds of millions. This means every starving stray, every sick or wounded feral, every abandoned pet waiting in some high-kill shelter for euthanasia. This means every cat caged for breeding, for research, for torture, for extermination. This means every cat who right this moment suffers from pain and terror and loneliness. Think how many precious, sacred lives that is! How endless the tide of grief! To be a goddess of love is to be present in those moments of greatest agony so those you love are never truly alone, and thus Bast remains with all Her children in their need. What could be the result but continuous mourning?
Oh Mother, who holds You in their arms when You weep? Who lifts the burden of the world from Your shoulders so You may rest for a moment? I am no goddess, I cannot carry Your mantle of responsibility for You, much as I dearly wish I could. Yet I am Your daughter; I can at least share a portion of Your grief so You need not mourn alone. Let me weep with You; let me wail with You; let me bear witness with You. For those of Your children whom I cannot save or offer solace, let me at least acknowledge their pain so someone on this earth mourns their passing. We will grieve together, Mother.
Mother, under Your bright gaze I become a child again!
I am the Six of Cups dancing in the forest
I am the Three of Wands yearning for a new adventure
Mother, under Your patient gaze I become a child again!
I am the generosity of the pentacles
I am the curiosity of the swords
Mother, under Your loving gaze I become a child again!
I am the Fool’s fearless freedom
I am Strength’s courage and the Star’s faith
Mother, under Your holy gaze I become a child again!
Our hearts are one, Mother!
When I rejoice, you rejoice
When you mourn, I mourn
When I am wrathful, you are enraged
When you are joyful, I am delighted
Our hearts are one, Mother!
The psychic said if I keep flying so close to the sun I’ll burn my skin and melt my wings, but she doesn’t understand how good that heat feels when it’s enveloping you in bright white radiance, when you are consumed and infused by divinity, nor does she understand how you’re glad to burn when that blazing force is the love of the divine, searing in its intensity, perhaps, yet uncompromising and unconditional, pure joyful affection which warms you to your core, and so I do not begrudge her words even as I tilt my wings to capture the next updraft into my solar mother’s waiting arms.
The gods appear to us in the forms they choose for a reason.
Bast appears to me close at hand as if I’m a small child and She’s holding me in Her arms. She is an older woman with a face graced always by a gentle, loving smile. Freckles are scattered across her cheeks like stars and perpetual laugh lines gather at the corners of her golden eyes. She is muscled yet soft, in the way a woman who has given birth to many children is simultaneously rounded and strengthened. Her dress is of white linen, Her jewelry of gold, amethyst, and lapis lazuli. Her dark hair is woven through with beads and charms which jingle softly when She moves. She is the quintessential mother goddess with a soft breast to cry on and strong shoulders to lean on. I can feel in Her embrace the latent energy of the war goddess, and know She could change in a heartbeat if any danger came my way, yet to me She always appears in this maternal form.
Inanna appears to me veiled in red silk and firelight so I may only see Her soft belly and pendulous breasts and that sacred place between Her hips for which songs were sung. Sometimes I catch a glimpse of red hair, full lips, a proud hawk nose, but otherwise Her specific features remain uncertain. She is almost close enough to touch but always just out of reach, the way a dancer moves away from your embrace with the fluidity of water. Her face is hidden in shadow and because of this She might be any of the wild, unbound goddesses men have tried to shame for eons: Inanna, Ishtar, Lilith, Babylon the Great. She takes this form so I must face Her innate physicality; if I want to work with Her, I cannot avoid Her divine flesh.
The Morrigan appears to me only from afar as a shadowed figure backlit by heavy red skies. I cannot make out Her face but I can feel the weight of Her gaze, the immensity of Her presence. She is tall and thin as a finely honed blade, and like a blade there is a patient tension in Her form, a promise of deadly grace. She has long, dark hair, I think, and pale skin. She is not young; if I could get closer I would see lines on that gaunt face, especially at the corners of Her mouth and between Her eyebrows. Neither, though, is She frail; beneath Her dark cloak is a body spare yet strong as steel. This is all the Morrigan will let me see just now: the sovereign of the battlefield, the goddess of war and bone.
The gods appear to us in the forms they choose for a reason. What these forms show us – and do not show us – always hints at what we have to learn from them. Bastet is my mother; Inanna is my mentor; the Morrigan is my guide down a dark road.
Long before humanity learned to whisper Her name in reverence or cry it in exaltation, my mother walked this earth. Long before humanity crept from its caves to build crude homes with mud and sticks, my mother stalked this earth. Her eyes gleamed yellow in the firelight; Her fangs glowed like twin crescent moons. In ancient Kemet they called Her Bast, Sekhmet, Mafdet, but in the time before language they simply knew Her as a swift and awful death. Long before they understood what She was, they understood what She could do. Humanity has not always worshipped my mother – but they have always feared Her.
Sometimes I’m so envious of Christians in America. What does it feel like to be part of the dominant religion, I wonder? To see evidence of your faith everywhere, even in completely secular environments? What is it like to know everyone around you has at least a rudimentary understanding of your beliefs – your gods, your morals, your holy books and the stories therein – or to have your holy days treated as national holidays? I yearn for that total cultural saturation and the confidence, the validation, it must instill. No hiding. No lying. No fear of being ridiculed or attacked or simply dismissed. Do they understand how lucky they are, how unique their experience actually is? If I woke up tomorrow to a world where my gods were not only well known but celebrated and respected, I would never take it for granted. I would feel blessed every day I could express my beliefs without any hesitation, let alone worship in a temple or celebrate holy days with others who believe as I do. It’s hard to even imagine that freedom. What a gift!
It was all there on the table. The candlestick. The rope. The lead pipe. The wrench. The knife. The gun. He trailed his fingertips along each weapon with veneration. Clue had always been his favorite board game. He loved the idea of giving six people unique opportunities to kill one another. When he played the game as a child he often concocted complex scenarios that resulted in the deaths of all six guests. He’d been sent to Sister Reverence’s office more times than he remembered. It was always the same.
“Young man, this is becoming habitual.”
Habitual. Habit. Like that stupid thing she wears everyday. It would be so easy to grab her by it and pull. Up, up, up. A widening grin. Until she turned purple, like that bitter chalice offered every morning.
(STOP TELLING IT. YOU’RE TELLING IT WRONG.)
Rain falls hard as hail in the night; in the heavy sky above lightning flickers and thunder sends shudders vibrating through the air. The guests enter the mansion beneath an arched front doorway over which is written, “Do not die before your death”. There are six of them, not including their absent host, and each carries a golden envelope in which the mysterious invitation sits.
Tanim arrives first, of course, in a navy blue suit over which he has draped a pale blue scarf with gold tassels. He bides his time by the fireplace, whiskey in hand, staring into the bright flames until another guest arrives. There are two this time, Bast and Wepwawet, both dressed in layers of desert silks and gold adornments. Wepwawet introduces himself as Anubis; Tanim does not comment on the deception. The three trade amicable conversation until Inanna arrives, her spools of red-gold hair commanding attention as they capture the firelight. Tanim nods to her in greeting and steps to the side, continuing his conversation with Wepwawet as the goddesses greet each other. Soon they are joined by the Morrigan, her blood-red dress offset by a gold collar draped across her clavicles. She is polite yet aloof until Mage swaggers in, almost unfashionably late though highly fashionable in her black leather and gold piercings, and then the two fall to discussing something gruesome. They could be sisters with their pale skin, black hair, and cold eyes.
Their host enters last of all, dressed in his customary black. Daren’s only concession to the formality of the occasion is a single gold ring on his left hand. He looks to each of the guests in turn, noting their placement in the room, their dress, their body language both before and after they notice him. “Now that you have all arrived,” he says once the conversations have ceased, “shall we begin? Come this way.” He turns and leads them across the wide marble-tiled hall and into the dining room. Exchanging glances that communicate a variety of emotions, his guests follow in silence.
THE DINING ROOM
The long table is set for seven, three seats on each long side and the seventh at the head. Crystal and polished silver gleam amid candlelight, the china white as bone. Upon each dinnerplate is a weapon: a candlestick; a rope tied into a noose; a lead pipe; a wrench; a knife; and a handgun. The seventh is empty. Daren stands behind the empty seventh seat and rests his hands on the back of the chair. “I assume you know why I’ve called you all here,” he begins, “and thus will not waste time with explanations. Every window and exterior door in the house is locked, save for a single window – though I would be careful, I imagine the roof is quite treacherous right now. There are six weapons and seven of us. You have two hours.” He gestures to the table’s deadly spread. “Good luck.”
Wepwawet stands in the center of the observatory, watching the raindrops light up in silver strands every time lightning cracks across the sky. Inanna enters, bearing the lead pipe, and approaches him from behind. “Do you know why I’m here?” she asks. Wepwawet smiles, neither surprised nor concerned at her presence. “Because you came,” he replies, turning to face her. He stretches out both of his arms, kneeling down on one knee, and lowers his head reverently. Then he then raises his head again and looks up at her, his dark eyes filled with a humble peace, and says, “As you will, Queen.” Inanna nods once. She strikes him across the jaw with the lead pipe; the sound of his neck cracking echoes through the room. She then kneels down beside the god’s prostrate body and caresses one slack cheek. “The Duat has missed you,” she murmurs. As she walks away, his body turns to gold and drifts away on a wind that does not stir her hair.
The warm glow of antique light bulbs is reflected by a myriad antique mirrors and the polished wood panels in between. In one corner a piano plays Moonlight Sonata, though no one sits at its bench to press the keys. No one dances with Inanna, either, and yet her raised arms and twirling form suggest an unseen partner. So does the way she suddenly stumbles back, a hand clasped to her red cheek as if she’s been struck. She glares up through the hair fallen into her eyes and hisses, “How dare you defy me!” In response, something throws her backward as easily as a discarded toy; she crashes into the piano with a discordant shriek of keys, scattering bits of polished wood and ivory across the marble floor. She lays unconscious in the wreckage of the instrument as red blood trickles along the curls of her fiery hair. Above her the wrench floats for a moment before something brings it crashing down on her temple. Once the golden ashes of her body have drifted away, all that remains in the middle of the broken piano is the rusty wrench.
THE BILLIARD ROOM
Daren finds Mage in the billiard room, sitting cross-legged atop the pool table with a drink in hand. She doesn’t seem particularly concerned about the knife in his hand even though she does not have a weapon herself, unless you count the 8-ball she rolls back and forth across the felt. She cocks her head as he comes to stand in front of her, her green eyes to his black. She asks, “Do you think it will work? Will you learn what it is you wish to learn?” and he nods. “I’m confident I will, yes.” And then he sinks the dagger deep into Mage’s right thigh, moving so fast she doesn’t even have time to retaliate before he pulls away. The dagger stays behind.
“Motherfucker!” Mage bites back a grunt of pain as she grips the dagger’s hilt. “I knew you were going to do that.” Daren only gives her his ghost of a smile and leaves. Mage downs the last of her drink, briefly considers pouring another but decides she doesn’t have the time, then yanks the dagger out and begins cutting strips of cloth from her pants for bandages. When she has staunched the worst of the bleeding and can put at least some weight on the leg she grabs the dagger and goes in search of the single open window. She is just passing into the hallway when every light in the house extinguishes at the same moment, plunging the labyrinth of rooms and hallways into darkness. Her swearing is hushed but prolific.
Bast is in the library, perusing the shelves of leather-bound books, when the lights go out. Firelight catches her eye and she turns to see the Morrigan walking in, a tall white candle set in the candlestick she bears. Its flickering flame is the only light in the room. “What happened to the lights?” she asks. The Morrigan removes the candle from its holder and approaches. “Here,” she offers, proffering the light. Bast accepts it with a nod and returns back to the books. Behind her the Morrigan raises the candlestick and whispers, “The weight of the world,” before striking Bast in the back of the skull. The goddess collapses to the carpet and lays unmoving in a widening pool of blood. Then her body begins to glow, transforming into something like golden ash, and then the ashes blow away as if by a strange wind.
The Morrigan never sees her killer. She has found her way through the darkness to the cellar where she searches now along the cool walls for the circuit breaker. She cannot see the two hands which appear out of the darkness behind her, nor are they accompanied by any sound of footsteps or breathing. Between them they hold a length of the untied rope taut. Just as she locates the circuit breaker the hands bring the rope down over her head and pull it tight around her neck. The goddess struggles against her assailant, nails scrabbling at the thick rope, but to no avail; her vision flashes with brilliant fireworks of pain as she runs out of oxygen. Once she ceases fighting and goes limp, the hands let her fall to the cement floor. After a moment her body turns to gold ashes which blow up and away.
Tanim stands in the doorway to the study, the gun lowered at his side. Across the room Daren stares into the fireplace, his form silhouetted by the red glow of the coals; these shed the only light left in the tomb-like mansion, just as these two men are the only living things left in it. He does not move as Tanim approaches, nor when the man stops a few feet behind him. Instead he merely asks, “Is it done?”
“Yes,” Tanim raises the gun to the back of his lover’s head. “Are you satisfied with the state of things?”
“Almost,” Daren strikes just as lightning illuminates the room for one stark, white second, its attendant thunder a cacophony all around them. With one arm he pushes Tanim’s out of the way so the shot goes wide; with his other he sinks the dagger deep into Tanim’s chest. Darkness reclaims the room and the two men fall still. Then the gun falls from Tanim’s limp hand and with a folding of his knees he follows it soon after, collapsing on his back as a red stain blooms about the hilt of the blade still lodged in his chest. Daren kneels at his side and smooths the hair from his face. “Now I am,” he says softly. “Goodnight, brother.”
I am recording the following for my own reference but I welcome any insights or questions anyone may have. I’m not yet sure what lesson or conclusion I’m supposed to reach in all this. On Friday, October 12th Tanim and Daren (though mostly Daren, I suspect) borrowed my wife (okay, she used the word “hijacked”) for a session of unwitting automatic writing while at work – by which I mean she thought she was taking notes on a patient and looked down to see she had actually written the following with her non-dominant hand:
“It was all there on the table.
The candlestick. The rope. The lead pipe. The wrench. The knife. The gun. He trailed his fingertips along each weapon with veneration.
Clue had always been his favorite board game. He loved the idea of giving six people unique opportunities to kill one another. When he played the game as a child, he often concocted complex scenarios that resulted in the deaths of all six guests. He’d been sent to Sister Reverence’s office more times than he remembered. It was always the same.
‘Young man, this is becoming habitual.’
Habitual. Habit. Like that stupid thing she wears everyday. It would be so easy to grab her by it and pull. Up, up, up. A widening grin. Until she turned purple, like that bitter chalice offered every morning.
STOP TELLING IT. YOU’RE TELLING IT WRONG.”
At this point the writing stopped, but she could still see a scene unfolding very clearly in her mind. She provided me with the following notes:
We discussed it all and here are some of our combined observations:
So that’s where I am now. More to come, I guess??
I have never felt closer to divinity than sitting in a stuffy little room which smells of cat litter while singing a lullaby Bast helped me write to three nearly feral kittens. They fled at my approach, five days of safety and good food not yet enough to win them over, and stared at me with wide, reproachful eyes as I sat down just inside the door. Then I started to sing – the lullaby first, my voice a little weak from the last traces of a cold. Glancing inconspicuously, I found at least one little face turned my way, though two still hid. I moved on to the songs that have brought me peace over the years, old hymns and spirituals and various songs collected from choir and pop culture. I had two sets of eyes watching me, then, and a still resolute back turned my way. I kept singing; songs that remind me of Bast, of home, of the undeniable divine spark in music from other religions, other cultures, other times. I peeked again and saw all three kittens facing me now, the bravest with drooping eyes and the wariest with unwilling curiosity. My voice could take no more so I started humming whatever gentle tunes came to mind the way a mother might idly hum to her crying babe. When I looked next I could see two little white bodies stretched out in their hiding place, no longer bunched up with the need to fight or flee but relaxed in weary sleep. Even the third had succumbed to so drowsy a state that when I slowly, so very slowly rose to my feet my movement woke, yet startled, no one. I whispered my goodbyes to three little watchful faces that seemed, at least to me, slightly less wary and took my leave for the night, praising Bast for the gift of music as I closed the door.
The mother comes to me first, bearing open arms and unconditional love. In her embrace I learn to be vulnerable with myself so that I may to listen to and follow my intuition. She sets me upon the path which leads to the others yet remains always at my side as I walk it. She is a goddess of war and she teaches me to fight for what I know is right.
The maiden comes to me second, walking naked out of the underworld with head held high. She shows me the beauty of curves, the haughtiness of folds, the rebellion and freedom inherent in self-love. In the mirror I see her staring back at me, daring me to find flaw in this sacred form. She is a goddess of war and she teaches me to fight for myself above all else.
The crone comes to me last, dragging war in her wake. Under her fierce gaze I learn how to live when all the earth’s become a battlefield, how to survive and thrive on death like her black-winged children. She kindles the witchblood in my veins so I may face the darkness without flinching or giving ground. She is a goddess of war and she teaches me to fight, to fight, to fight.
Me two years ago: Should I worship Sekhmet too, since I already worship Bast?* …no, the war/death goddesses are scary. Gonna stick with Mamma Cat.
Me a week ago: At least Inanna is the only war/death goddess I worship, She’s more than enough to handle on Her own.
So yeah, last week I dreamed I oathbound myself to The Morrigan. I have never worked with Her or anyone from Her pantheon, nor had I even been pondering the possibility. When I woke from the dream, though, I knew it was one I couldn’t ignore. As I sifted through information about The Morrigan, what struck me hardest was how many of the things I’ve come to associate with Inanna fit The Morrigan as well. This, combined with the fact that I’ve struggled since day one to figure out what Inanna wants from me, lead me down a confusing path of wondering, Was it always The Morrigan and never Inanna at all? Or are they both here? Could they be one in the same – and if not, will I offend them if I work with them both? Where’s the line??
To best analyze this new connection as it develops, I’m keeping track of the similarities between the Inanna I know and The Morrigan I’m coming to know, as well as of the things in my past which could also connect with this Celtic goddess. These include (in no particular order):
– I have recently felt extremely drawn to iron nails, knives, and jewelry; a few weeks ago I bought two poison-tempered iron necklaces, one with a skull stamped on it and one with a triskelle and the triple moon (I actually hesitated on buying that one because those symbols are associated with pantheons I don’t work with, but the calling was too strong to resist)
– I have always associated The Morrigan most with my character Mage, and have sometimes even felt like something bigger or older was “wearing” Mage like a mask
– Inanna has always appeared to me as a pale red-haired woman, which never made sense considering She should look Middle Eastern
– I associate ravens, skulls, bones, and bullets with Inanna, all of which also fit The Morrigan
– Since She came into my life, I’ve felt that Inanna wanted me to focus on the story of Her descent into the underworld – to the point that I see Her as a death goddess, though that was not traditionally Her role
– I’ve always been obsessed with crows and ravens; my first word was “caw” and my parents often called me a crow because of my habit for finding things
– I was raised on Irish and Celtic music and have always felt a connection with that land because of my father, who incidentally I dreamed about the same night
– My current DnD character is a champion of the Raven Queen, a goddess obviously modeled after The Morrigan; this was our DM’s choice and a total surprise to me
– My wife recently gave me her old set of runes and as soon as I held them I felt drawn to them despite not having any interest in runes before
– I recently started seriously studying witchcraft and identifying as a witch, and The Morrigan is apparently associated with witches; I’ve also been drawn to poisonous plants, though I don’t know if those are associated with Her too
– Since the dream I’ve seen crows everywhere, along with triskelles and other things associated with Ireland, and either the name Morrigan or names associated with that pantheon
Trying to clear things up, I did a reading with Bast about the situation and a deity reading with The Morrigan and made some additional interesting connextions:
– When I asked about Her omens, signs, and manifestations I drew the King of Cups; this confused me because the card is ocean-themed (seahorses, turtles, etc), which didn’t seem to make sense… until I realized the card reminds me of my father and the same night I dreamed about The Morrigan I dreamed about my father saving a turtle from a plastic bag
– I drew the 6 of Wands for the deity Herself, a card I once pulled when asking Bast how She felt about Inanna and one I pulled in the reading with Bast about this situation
– For The Morrigan’s personality I drew Strength, the card which Inanna first used to identify Herself
– In both readings I drew the 6 of Swords as something I’m not seeing clearly or not paying attention to; this card features storm crows
Many of these things could be pure coincidence or signs from Inanna Herself, considering She does have a war aspect and connections with the underworld, but I sense there’s more to this. I assumed Inanna was the one behind my sudden push into witchcraft, including the poisoned iron and my recent pull toward the darker aspect of the craft, but that assumption never fit quite right. When I imagine The Morrigan as being behind it I feel a sense of rightness.
What I suspect at this early point is that Inanna is in my life to help me master my body issues and self-love and that The Morrigan is the one who desires to help me become a stronger witch. I’m too much of a hard polytheist to treat them like they’re two sides of the same coin – and there’s no way I’m risking pissing either of them off! I always thought I’d stay away from the goddesses of war and death because I get such immensely powerful, scary vibes from them… but I guess that choice wasn’t in the cards for me.
(*Yes, I know Bast is a war goddess as well – but She’s my mamma, that doesn’t count.)
When we lose foster kittens, I always wonder why such innocent lives must be taken so soon. Why we weren’t able to save them; why Bast didn’t save them. I know some can’t be saved, though, neither by human nor god, and the greatest blessing we can give them is to make their last days and hours count. To remember them when they pass.
I couldn’t do it alone – and luckily I don’t have to. Yet this woman does, and only her endless dedication and the small donations from people like you keep these cats safe. Even a dollar goes a long way to helping them. I don’t normally push causes or reblog posts, but this is a cause too near and dear to my heart to ignore.
I guess people get a hunch about these things.Last winter, the two of us had a little Christmas party.I didn’t expect her to celebrate it at this age.But…she said she wanted to have one no matter what.We bought a small cake, lit up the candles…and celebrated together.Then, out of the blue…she asked me to help…