The gods appear to us in the forms they choose for a reason.
Bast appears to me close at hand as if I’m a small child and She’s holding me in Her arms. She is an older woman with a face graced always by a gentle, loving smile. Freckles are scattered across her cheeks like stars and perpetual laugh lines gather at the corners of her golden eyes. She is muscled yet soft, in the way a woman who has given birth to many children is simultaneously rounded and strengthened. Her dress is of white linen, Her jewelry of gold, amethyst, and lapis lazuli. Her dark hair is woven through with beads and charms which jingle softly when She moves. She is the quintessential mother goddess with a soft breast to cry on and strong shoulders to lean on. I can feel in Her embrace the latent energy of the war goddess, and know She could change in a heartbeat if any danger came my way, yet to me She always appears in this maternal form.
Inanna appears to me veiled in red silk and firelight so I may only see Her soft belly and pendulous breasts and that sacred place between Her hips for which songs were sung. Sometimes I catch a glimpse of red hair, full lips, a proud hawk nose, but otherwise Her specific features remain uncertain. She is almost close enough to touch but always just out of reach, the way a dancer moves away from your embrace with the fluidity of water. Her face is hidden in shadow and because of this She might be any of the wild, unbound goddesses men have tried to shame for eons: Inanna, Ishtar, Lilith, Babylon the Great. She takes this form so I must face Her innate physicality; if I want to work with Her, I cannot avoid Her divine flesh.
The Morrigan appears to me only from afar as a shadowed figure backlit by heavy red skies. I cannot make out Her face but I can feel the weight of Her gaze, the immensity of Her presence. She is tall and thin as a finely honed blade, and like a blade there is a patient tension in Her form, a promise of deadly grace. She has long, dark hair, I think, and pale skin. She is not young; if I could get closer I would see lines on that gaunt face, especially at the corners of Her mouth and between Her eyebrows. Neither, though, is She frail; beneath Her dark cloak is a body spare yet strong as steel. This is all the Morrigan will let me see just now: the sovereign of the battlefield, the goddess of war and bone.
The gods appear to us in the forms they choose for a reason. What these forms show us – and do not show us – always hints at what we have to learn from them. Bastet is my mother; Inanna is my mentor; the Morrigan is my guide down a dark road.
This hits me so hard, as my own pantheon also shows themselves in very distinct manners. And as things in life shift and change, so does the way that they present themselves and who takes forefront.
Isn’t that so cool? I love how the gods can look different to each of us, and even different over time to the same person.
It is! I think that’s how we know – they wouldn’t be the same to each person unless there is a very specific reason